Many seeds only require soil and water to sprout. Others, however, have a harder coating that makes germination a bit difficult. That’s because in the wild, they rely on birds and other wildlife that eat them to carry them far distances before dropping them.
It’s a good plan: The journey ensures biodiversity by introducing the species to another location. And the seed’s tough outer coating ensures its survival through an animal’s digestive tract, which erodes only enough of the protective layer to allow water to enter. The remaining coating prevents the seed from waking up too early, which would otherwise spell death for tender sprouts in cold temperatures.
But nature’s survival plan creates a bit of a challenge for home gardeners because the hard coating prevents those seeds from sprouting easily. So it’s up to us to mimic the effects of stomach acid to expose the seed’s inner layer so that moisture can penetrate.
This is called scarification, and there are a few ways to do it, all of which are simple.
Sanding
Rub each seed lightly against medium-grit sandpaper, an emery board or a nail file until you see a hint of its paler inner layer. This method works best with larger seeds, but you can also tuck several small ones between two sheets of sandpaper and gently rub the sheets together. Just a little friction should do the trick.
Nicking
Sometimes I use small nail clippers intended for babies to snip a tiny sliver off the edge of the seed’s coat.
Soaking
If you have more time than wherewithal, this is the easiest method: Place the seeds in a bowl, cover them with warm water, and let them sit for a few hours or overnight. They’ll swell slightly as they take in moisture, which is exactly what you want.
Poppy seeds undergo scarification in a bowl of warm water on Feb. 15, 2025. (Jessica Damiano via AP)
Some tips
Never use hot water; cooked seeds won’t grow. Keep the temperature below 150 degrees Fahrenheit. And whatever method you choose, do it right before planting. Once the seed’s inner tissue is exposed, it will begin to dry out.
Is scarification absolutely required? No. Seeds will often sprout without it, but it could take much longer, and you’ll likely end up with far fewer seedlings. Scarified seeds don’t have to wait around for their coats to break down under soil, which is a real advantage if your growing season is short, your elevation is high or you’re a procrastinator.
A blooming nasturtium plant appears on Long Island, N.Y., on June 2, 2024. (Jessica Damiano via AP)
Edibles to scarify include all bean types, luffa, spinach, strawberry and winter squash.
Some of the really stubborn seeds — chickpeas, lima beans, nasturtiums — respond well to a one-two approach: a little nick or sanding, followed by a soak.
Jessica Damiano writes weekly gardening columns for the AP and publishes the award-winning Weekly Dirt Newsletter. You can sign up here for weekly gardening tips and advice.
LOS ANGELES — To get to the “Sinners” exhibit on the Warner Bros. Studio Tour, you have to navigate past the backlot’s iconic water tower, cross through the New York Street and then skirt city hall and the fountain from the opening credits of “Friends.” Eventually, you wind up at Stage 48, home of the Central Perk Cafe, a gift shop selling all manner of “Friends” bric-a-brac and offering a smattering of knockoff furniture from Monica’s palatial apartment to enjoy.
Comparatively, the newly installed “Sinners” showcase, featuring costumes and a couple of props, is, to use a real estate agent’s euphemism, “cozy,” certainly smaller than Rachel’s closet. On the night of its opening, “Sinners” production designer Hannah Beachler and cinematographer Autumn Durald Arkapaw are inside sitting on a sofa — not the sofa, but close enough. A few hours ago, they were celebrating with their fellow Oscar nominees at the academy’s annual luncheon.
“She’s a regular,” Arkapaw says, her arm around Beachler, who won an Oscar in 2019 for her work on “Black Panther.”
The two women and the rest of the “Sinners” team have been hobnobbing with Oscar and guild voters for months now and talking about their work on the film, which was released in April, for even longer. At the time of this “Sinners” event on the Warner Bros. lot, which included yet another screening of the movie for guild members, the Oscars were still more than a month away.
“I can believe it,” Beachler says. Adds Arkapaw: “Me too. I’m stressing about the stuff they’re having us doing. But I think Teyana Taylor said it best: ‘Don’t be complaining about answered prayers.’”
“Sinners” had a lot of prayers answered when Oscar nominations were announced last month — 16, to be precise.
Now the question is whether that record-breaking haul might be enough to catapult Ryan Coogler’s genre-defying American horror story to a best picture Oscar victory.
When it opened in September, Paul Thomas Anderson’s “One Battle After Another” immediately took the pole position in the best picture race, and it remains the front-runner. But all those “Sinners” Oscar nominations do complicate things. Put it this way: When you submit your movie in 16 different categories and hit in each and every one of them, you have a film boasting broad support across a dozen voting branches. That’s significant.
And if you’re a voter and you weren’t necessarily a fan of the film — or had put off watching it because the horror genre gives you pause — the nominations total does something else. It prompts you to take stock. What is everyone else seeing? Maybe you watch “Sinners” again. Maybe you finally clear the deck and press play for the first time. Perhaps you see that it’s just as much a movie of the moment as “One Battle,” what with the unapologetic, overt racism coming from the White House.
So if you’re on the fence and you do reconsider “Sinners,” maybe it’s not a complete reversal. But it might be enough for you to put the movie higher on your ranked ballot when you vote for best picture.
As you may know, the Academy of Motion Picture Arts and Sciences uses a preferential ballot for the best picture category and only the best picture category. When the academy’s 10,136 voting members mark their ballots this year, they cast a single vote in 23 of the 24 Oscar categories. The nominee with the most votes wins.
For best picture, though, members are instructed to rank the 10 nominated movies. The system, in place since the academy expanded the best picture field from five to 10 nominees in 2009, is designed to reflect the wishes of the greatest number of voters. This means that the winner is sometimes not the movie that is most passionately loved but the picture that is most generally liked — or, if you’re a glass-half-empty kind of person, the picture that is least disliked.
The process works like this: Once voting ends, PricewaterhouseCoopers accountants sort the best picture ballots and place them in stacks based on members’ No. 1 votes. They then eliminate the movie with the fewest first-place votes, giving those votes to each ballot’s second-ranked film. The process continues — smallest stacks eliminated, votes redistributed to the next choice down — until one movie has more than 50% of the vote.
The math to “Sinners” winning best picture necessitates it being the No. 1, 2 or 3 choice on more ballots than “One Battle After Another.” And that plays into what a couple of awards consultants told me about the psychological effect the movie’s record-breaking 16 nominations might have on voters when they rank the nominated movies.
“Maybe it’s not your favorite, but you still rank it high because of that overwhelming level of respect,” says one rival campaigner. “Who knows if the math adds up. But at this point in the season, you’re looking for any advantage you can find.”
A test of that math will come Saturday at the Producers Guild Awards, a ceremony that uses the same preferential ballot system to determine its best picture. The PGA winner more often than not repeats at the Oscars, though in the last decade there have been two notable exceptions — “Moonlight” besting PGA winner “La La Land” in 2017 and, three years later, “Parasite” taking the Oscar over “1917.”
Should “Sinners” prevail at the PGA and then the next night go on to win the cast prize at the Actor Awards (formerly known as the Screen Actors Guild Awards), then the race will be dramatically recast. Both ceremonies take place in the middle of the window of final voting for the Oscars, which runs Feb. 26 through March 5.
“It’s a miracle that we were all nominated,” Beachler says. “That’s rare for everyone to get that recognition.”
For a film with a hero named Preacher Boy, one last miracle certainly isn’t out of the question. And if the last few months have taught us anything, it’s that you underestimate “Sinners” at your peril.
MIAMI (AP) — For nearly 10 years running, Lesley VanNess never missed the South Beach Wine & Food Festival, a beachfront bacchanal of celebrities, booze and bites that tens of thousands of attendees pay hundreds to thousands of dollars to join.
It was about access, the chance to nosh and gab with the likes of Rachael Ray and Bobby Flay, people she otherwise could experience only via the hands-in-pans purview of the Food Network.
“I’d get the Food Network Magazine and there would be advertisements for it. I’m like, ‘0h my god! You could go to that? Go to these great events and meet these celebrity chefs?’,” said VanNess, a 44-year-old former restaurant owner from Iowa. “I’m in!”
That was during the food festival heyday, a decade-long stretch starting around 2010 when copycat events popped up everywhere, creating a circuit-like scene for A-list chefs (and ample wannabes).
Then came social media, a force that melted barriers between fans and food celebs. People like VanNess realized that instead of crowding into football field-size tents to chance a chat with Flay, they could just DM him.
Or better yet, they could tune in to online #instafood chatter to perhaps discover the next Ray or Flay, a whole new level of social cred unlocked.
VanNess hasn’t been back to South Beach since at least 2020. “I’d rather see them on social media or go to their restaurant,” she said.
Attendees walk by the Florida International University 25th anniversary tent at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Bartender Victor Uceda-Vereo prepares cocktails at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Lee Schrager, founder of the South Beach Wine and Food Festival, is seen at a festival event Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Friends walk the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Chef Ryan O’Sullivan puts the finishing touches to samples of grilled Kvaroy salmon with fennel remoulade at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Patrick Garcia samples an array of Asian dishes during the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Octopus empanadas with sweet pepper tobiko sauce are arranged on a table during the Asian Night Market at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Friends enjoy a band performance during the Burger Bash at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Professional cook Rachel Ray congratulates the staff at Coney Burger during the Burger Bash at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Tori Neville, center, and friends enjoy the food and drinks at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
A couple enjoys the Burger Bash at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Chicken tikka is served at the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
An event participant adds bitters to Alabama oysters during the South Beach Wine and Food Festival Friday, Feb. 20, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Friends take a break during the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Butcher Dario Ceccini of Italy, welcomes guests to a private dinner at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
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Attendees walk by the Florida International University 25th anniversary tent at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Last weekend, the South Beach Wine & Food Festival turned 25, cementing it as one of the elders of the festival scene, along with its sister event, the New York City Wine & Food Festival, and the Food & Wine Classic in Aspen, Colorado. By all accounts, all three are going strong. But many smaller festivals have disappeared, victims of the pandemic, slumping ticket sales, soaring food and labor costs, and chef disinterest.
So, are food festivals still relevant?
“South Beach and New York, they fill a niche and I can see them going on forever. But food events and food festivals are going in a whole other direction,” said Mike Thelin, one of the founders of the now shuttered Oregon festival Feast Portland.
Festivals’ success long hinged on the need of chefs, wineries, mixologists, food producers, and what only now are known as food influencers to reach a wider audience. In 2026, that’s an antiquated notion.
“In 2010, they wanted to get on the map,” Thelin said. “They don’t need that anymore.”
Seeking that local connection
That doesn’t mean festivals are dead. There’s a recalibration happening, he explained. What many call “white tent affairs,” a not-so-subtle nod to South Beach’s events that stretch along the sands of the Atlantic, are fading.
“If I’m going to a certain region, I want to know what makes that region special,” Thelin said. “I don’t want to go into a giant white tent that’s devoid of geography and drink a bunch of wines from California if I’m in Washington or Tennessee.”
Taking their place? A host of small, hyper-focused events grounded in people and place. Events like AAPI Food & Wine, a 3-year-old Oregon and New York City-based festival that highlights the work of Asian Americans and Pacific Islanders.
“The foodie scene has changed so much,” said Lois Cho, one of the founders of that event, which draws about 1,000 attendees a year. “People didn’t realize wine and black bean noodles and izakaya and all these different Thai dishes — they had no idea they paired. Creating a different narrative and community where you can connect with people, those are the types of events we’ll see now.”
Social media, she said, unlocked so many overlooked voices.
“And a lot of people haven’t caught on because it’s been a lot of cookie-cutter events for the last 20 years,” she said.
It’s been a similar story for the Southbound Food Festival, which celebrates the culinary scene of Birmingham, Alabama. Started in 2022 and stretching over a week every fall, the event pulls support not just from chefs, but also the region’s art and music scenes.
“There’s less appeal today with these TV chefs. Great chefs are everywhere,” said Nancy Hopkins, one of the event’s founders. “People come to celebrate and uplift Birmingham.”
The OG festivals still draw crowds
Still, as Thelin said, the South Beach Wine & Food Festival and it’s New York sibling aren’t going anywhere anytime soon, white tents, Food Network faces and all. Tickets to nearly all of South Beach’s 110 events, which featured 500-plus chefs and food personalities, sold out this year. In its quarter century, the festival has raised more than $45 million for the Florida International University Chaplin School of Hospitality and Tourism Management.
Lee Schrager, the force behind the two festivals, said the South Beach blueprint remains relevant today.
“There’s something very different about DM’ing Bobby Flay than going to an intimate dinner at a table of 10 that he’s doing that’s sold out in three days,” Schrager said. “Social media has made everyone available, but can you touch and feel it?”
The first South Beach event, attended by only 10 chefs, was little more than a wine tasting. This year, more than 30,000 people attended. Martha Stewart hosted a luncheon at Joe’s Stone Crab, Italian celebrity butcher Dario Cecchini tossed slabs of beef into an eager dinner crowd, and Ray reprised her Burger Bash, where everything from Kool-Aid pickles to foie gras adorned smashed wagyu patties on potato buns.
Schrager acknowledged that most smaller festivals can’t operate the way his do, including hosting events he knows will sell tickets even if they ultimately lose money. He said he sold $7 million in tickets this year and brought in $6 million in sponsorships — and netted just a little over $1 million.
“It’s a good number in the festival world, but it’s not a great return if you’re running a profit business,” he said.
Ray, who has participated in nearly every South Beach and New York festival, continues to show up. It’s about loyalty to Schrager, who took her seriously when much of the food world didn’t. But it’s also about in-person access to fans.
“I love talking to people, being with people, having people climb all over you, hang on you, give you a compliment,” she said. “I love being in the real-life experience.”
J.M. Hirsch is a food and travel journalist, and the former food editor for The Associated Press.
Butcher Dario Ceccini of Italy, welcomes guests to a private dinner at the South Beach Wine and Food Festival Saturday, Feb. 21, 2026, in Miami Beach, Fla. (AP Photo/Marta Lavandier)
Republicans think patients should be shopping for better health care prices. The party has long pushed to give patients money and let consumers do the work of reducing costs. After some GOP lawmakers closed out 2025 advocating to fund health savings accounts, President Donald Trump introduced his Great Healthcare Plan, which calls for, among other policies, requiring providers and insurers to post their prices “in their place of business.”
The idea echoes a policy implemented during his first term, when Trump suggested that requiring hospitals to post their charges online could ease one of the most common gripes about the health care system — the lack of upfront prices. To anyone who’s gotten a bill three months after treatment only to find mysterious charges, the idea seemed intuitive.
“You’re able to go online and compare all of the hospitals and the doctors and the prices,” Trump said in 2019 at an event unveiling the price transparency policy.
But amid low compliance and other struggles in implementing the policy since it took effect in 2021, the available price data is sparse and often confusing. And instead of patients shopping for medical services, it’s mostly health systems and insurers using the little data there is, turning it into fodder for negotiations that determine what medical professionals and facilities get paid for what services.
“We use the transparency data,” said Eric Hoag, an executive at Blue Cross Blue Shield of Minnesota, noting that the insurer wants to make sure providers aren’t being paid substantially different rates. It’s “to make sure that we are competitive, or, you know, more than competitive against other health plans.”
Not all hospitals have fallen in line with the price transparency rules, and many were slow to do so. A study conducted in the policy’s first 10 months found only about a third of facilities had complied with the regulations. The federal Centers for Medicare & Medicaid Services notified 27 hospitals from June 2022 to May 2025 that they would be fined for lack of compliance with the rules.
The struggles to make health care prices available have prompted more federal action since Trump’s first effort. President Joe Biden took his own thwack at the dilemma, by requiring increased data standardization and toughening compliance criteria. And in early 2025, working to fulfill his promises to lower health costs, Trump tried again, signing a new executive order urging his administration to fine hospitals and doctors for failing to post their prices. CMS followed up with a regulation intended to up the fines and increase the level of detail required within the pricing data.
So far, “there’s no evidence that patients use this information,” said Zack Cooper, a health economist at Yale University.
In 2021, Cooper co-authored a paper based on data from a large commercial insurer. The researchers found that, on average, patients who need an MRI pass six lower-priced imaging providers on the way from their homes to an appointment for a scan. That’s because they follow their physician’s advice about where to receive care, the study showed.
Executives and researchers interviewed by KFF Health News also didn’t think opening the data would change prices in a big way. Research shows that transparency policies can have mixed effects on prices, with one 2024 study of a New York initiative finding a marginal increase in billed charges.
The policy results thus far seem to put a damper on long-held hopes, particularly from the GOP, that providing more price transparency would incentivize patients to find the best deal on their imaging or knee replacements.
These aspirations have been unfulfilled for a few reasons, researchers and industry insiders say. Some patients simply don’t compare services. But unlike with apples — a Honeycrisp and a Red Delicious are easy to line up side by side — medical services are hard to compare.
For one thing, it’s not as simple as one price for one medical stay. Two babies might be delivered by the same obstetrician, for example, but the mothers could be charged very different amounts. One patient might be given medications to speed up contractions; another might not. Or one might need an emergency cesarean section — one of many cases in medicine in which obtaining the service simply isn’t a choice.
And the data often is presented in a way that’s not useful for patients, sometimes buried in spreadsheets and requiring a deep knowledge of billing codes. In computing these costs, hospitals make “detailed assumptions about how to apply complex contracting terms and assess historic data to create a reasonable value for an expected allowed amount,” the American Hospital Association told the Trump administration in July 2025 amid efforts to boost transparency.
Costs vary because hospitals’ contracts with insurers vary, said Jamie Cleverley, president of Cleverley and Associates, which works with health care providers to help them understand the financial impacts of changing contract terms. The cost for a patient with one health plan may be very different than the cost for the next patient with another plan.
The fact that hospital prices might be confusing for patients is a consequence of the lack of standardization in contracts and presentation, Cleverley said. “They’re not being nefarious.”
“Until we kind of align as an industry, there’s going to continue to be this variation in terms of how people look at the data and the utility of it,” he said.
Instead of aiding shoppers, the federally mandated data has become the foundation for negotiations — or sometimes lawsuits — over the proper level of compensation.
The top use for the pricing data for health care providers and payers, such as insurers, is “to use that in their contract negotiations,” said Marcus Dorstel, an executive at price transparency startup Turquoise Health.
Turquoise Health assembles price data by grouping codes for services together using machine learning, a type of artificial intelligence. It is just one example in a cottage industry of startups offering insights into prices. And, online, the startups’ advertisements hawking their wares often focus on hospitals and their periodic jousts with insurers. Turquoise has payers and providers as clients, Dorstel said.
“I think nine times out of 10 you will hear them say that the price transparency data is a vital piece of the contract negotiation now,” he said.
Of course, prices aren’t the only variable that negotiations hinge on. Hoag said Blue Cross Blue Shield of Minnesota also considers quality of care, rates of unnecessary treatments, and other factors. And sometimes negotiators feel as if they have to keep up with their peers — claiming a need for more revenue to match competitors’ salaries, for example.
Hoag said doctors and other providers often look at the data from comparable health systems and say, “‘I need to be paid more.’”
Today is Saturday, Feb. 28, the 59th day of 2026. There are 306 days left in the year.
Today in history:
On Feb. 28, 2013, Benedict XVI became the first pope in 600 years to resign, ending an eight-year pontificate. (Benedict was succeeded the following month by Pope Francis.)
Also on this date:
In 1844, a massive 12-inch gun aboard the USS Princeton exploded as the ship was sailing on the Potomac River, killing Secretary of State Abel P. Upshur, Navy Secretary Thomas W. Gilmer and several others; President John Tyler, who also was aboard the ship, was uninjured.
In 1953, Francis H.C. Crick announced that he and fellow scientist James D. Watson had discovered the double-helix structure of DNA.
In 1975, 43 people were killed in London’s Underground when a train failed to stop at Moorgate station, smashing into the end of a tunnel.
In 1983, the final episode of the television series “M*A*S*H” aired; nearly 106 million viewers saw the finale, which remains the most-watched episode of any U.S. television series to date.
In 1986, Swedish Prime Minister Olof Palme was assassinated while walking on a Stockholm street with his wife; his assailant was never captured and remains unidentified.
In 1993, a gun battle erupted at a religious compound near Waco, Texas, when Bureau of Alcohol, Tobacco and Firearms agents tried to arrest Branch Davidian leader David Koresh for stockpiling illegal weapons; four agents and six Davidians were killed as a 51-day standoff began. (On April 19 of that year, FBI agents stormed the compound with tear gas and armored vehicles, with dozens dead before the standoff was over).
In 2014, President Barack Obama delivered a blunt warning to Moscow about reports of military activity inside Ukraine by Russia and said “there will be costs” for any intervention.
In 2023, a passenger train collided head-on with a freight train more than 200 miles north of Athens, Greece, killing 57 people in that country’s deadliest rail disaster.
In 2024, Mitch McConnell of Kentucky, the longest-serving U.S. Senate leader in history, announced he would step down from the leadership role the following November. (Twelve months later, the octogenarian senator said his term ending in January 2027 would be his last).
Today’s birthdays:
Rock singer Sam the Sham (aka Domingo Samudio) is 89.
Actor-director-choreographer Tommy Tune is 87.
Hall of Fame auto racer Mario Andretti is 86.
Actor Mercedes Ruehl is 79.
Nobel Prize-winning economist Paul Krugman is 73.
Basketball Hall of Famer Adrian Dantley is 71.
Actor John Turturro is 69.
Actor Robert Sean Leonard is 57.
Musician Pat Monahan (Train) is 57.
Actor Tasha Smith is 55.
Hockey Hall of Famer Eric Lindros is 53.
Actor Ali Larter is 50.
Country musician Jason Aldean is 49.
NBA guard Luka Dončić is 27.
FILE – Pope Benedict XVI leaves after greeting the faithful from the balcony window of the papal summer residence of Castel Gandolfo, the scenic town where he will spend his first post-Vatican days and made his last public blessing as pope, on Feb. 28, 2013. Benedict, the German theologian who will be remembered as the first pope in 600 years to resign, has died, the Vatican announced Saturday Dec. 31, 2022. He was 95. (AP Photo/Alessandra Tarantino, File)
What are the worst tourist traps in the world? What attractions live up to the hype?
Stasher, a company that hooks travelers up with temporary luggage storage, weighs in with its blog post, “World’s Best and Worst Tourist Attractions, Ranked.” These rankings were calculated by considering five factors: online ratings, TikTok likes, distance from an airport, the country’s safety and quality of local lodging.
Ergo, Stasher has determined the worst tourist attraction in existence is the Hollywood Walk of Fame. “Located 38.1 km from the LAX airport, this sidewalk of celebrity stars had the lowest Google rating and safety score,” it writes. Other sites that supposedly suck in terms of a visitor experience include Disneyland Paris and the Dead Sea, dinged for “accessibility challenges” and “regional instability.”
Conversely, places that scored high include Utah’s Bryce Canyon National Park and the Smithsonian National Museum of Natural History in Washington, D.C. Here are the first five from each list; check out the full post for more.
Stasher has determined the worst tourist attraction in existence is the Hollywood Walk of Fame. The rankings were calculated by considering five factors: online ratings, TikTok likes, distance from an airport, the country’s safety and quality of local lodging. (Dreamstime/TNS)
Stasher’s best and worst tourist attractions in the world
Worst:
1 Hollywood Walk of Fame, L.A.
2 The Dead Sea
3 The Grand Bazaar, Istanbul
4 Great Wall of China
5 Victoria Harbour, Hong Kong
Best:
Stasher has determined the best tourist attraction to be the Sagrada Familia in Barcelona, Spain. The rankings were calculated by considering five factors: online ratings, TikTok likes, distance from an airport, the country’s safety and quality of local lodging. (Dreamstime/TNS)
Stasher has determined the best tourist attraction to be the Sagrada Familia in Barcelona, Spain. The rankings were calculated by considering five factors: online ratings, TikTok likes, distance from an airport, the country’s safety and quality of local lodging. (Dreamstime/TNS)
As filmmaker Baz Luhrmann was deep into his work on “Elvis,” his 2022 biopic of Elvis Presley, an idea struck him: What if he wove real-life footage of Presley into concert scenes of actor Austin Butler as Elvis?
He reached out to his Elvis experts and quickly heard back.
“This wonderful man called,” Luhrmann says on a recent video call from the Chateau Marmont in West Hollywood. “Ernst [Mikael Jorgensen] is like the scientist of all things Elvis, and he says, ‘I think there are these lost reels.’”
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
“EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Photo courtesy of Baz Luhrmann and Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Movie poster courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Movie poster courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Movie poster courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
This image released by Warner Bros. Pictures shows Austin Butler in a scene from “Elvis.” (Warner Bros. Pictures via AP)
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
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In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
Jorgensen told him that they might not be easy to get, if they’re even gettable at all, Luhrmann says.
“Unfortunately, they’re in the salt mines in Kansas where they keep all the negatives of everything,” he says of the underground vault in Kansas where many Hollywood studios store their original negatives and master copies.
It’s too expensive to go down, Jorgensen told Luhrmann. But maybe you can get to them, he added.
“I think, ‘Well, maybe I can use the footage in the showroom [scenes in Las Vegas],” Luhrmann continues. “Like to sort of deal with budget.
“We met, and it cost a lot to get down there,” he says. “About $100,000 just to go down and look.”
But what he found there was priceless: 65 boxes of never-before-seen footage from the concert documentaries “Elvis: That’s the Way It Is,” shot in 35mm anamorphic film at the International Hotel in Las Vegas in August 1970, and “Elvis on Tour,” filmed at arena shows in New York, Virginia, Florida and Texas in 1972.
Angie Marchese, vice president of archives and exhibits at Graceland, came up with a few more boxes of unseen footage, a stash of Super 8 movies of Elvis that included rare footage of Elvis with his wife, Priscilla Presley, and only child, Lisa Marie Presley.
Now, Luhrmann had 59 hours of extremely rare footage and the irresistible opportunity to do much more than he’d initially considered.
“And then we find this half hour of audio of Elvis just talking about his life,” Luhrmann says of the epiphany that he and longtime editor Jonathan Redmond experienced as they worked through the archival negatives. “I said, ‘This is it. We’ve got to let Elvis just tell his own story.’
“Because Elvis stuff is always someone telling you about it,” he continues. “That was the light bulb moment. It was that and then all the song choices that help tell the story, you know?”
“EPiC: Elvis Presley in Concert” opened in IMAX theaters on Friday, Feb. 20, and opens in movie theaters everywhere on Friday, Feb. 27.
It’s a remarkable look at Elvis, the untouchable icon restored to his flesh-and-blood humanity through a forgotten trove of film footage that had sat for decades in a vault hundreds of feet below the Kansas plains.
In an interview edited for length and clarity, Luhrmann talks about why he wants everyone to see it on the biggest screen possible, what it took to restore the film and audio, how he fell for Elvis as a boy growing up in Australia, and more.
Q: So you must be a busy guy this week.
A: I’m good, man. It’s like “EPiC” weekend, so you do everything you can. By the end, you just hope enough people come to see the man on the big screen.
Q: I saw it earlier this week in IMAX, and it’s so impressive. People are going to come see this.
A: I hope so. I love the fact that you saw it in IMAX. I’m really glad you took the time because I just think the nature of the subject is there’s no screen big enough for Elvis, you know?
Q: So tell me how you started to explore all those boxes of film.
A: Well, we bring the stuff back to Warner’s, and it smells so strongly of vinegar, which means it’s falling apart. And some is missing, and some is mislabeled, and there’s no sound. So the first thing we do is I convince Warner’s to scan it because it’s going to disappear. Then we spent two years finding mag track [magnetic tape used to sync the audio track to the film images]
We were able to get the mag track, which gave us voices and the band. But a lot of the micing on the orchestra, the Sweets [backing vocalists the Sweet Inspirations], and the gospel singers was a bit up and down.
We wanted to do it in five months. It took two years to sync the sound with the pictures.
Q: Your new film – is that all stuff that’s never been seen before? Or does it include material from the original concert films?
A: Yeah, that’s a good question. There will be some bits that are in the previous doc, but there’s a lot in there where people think, “Oh, I’ve seen that before.” And they might have seen that, but they wouldn’t have seen that camera or that take or that night. [Eleven cameras simultaneously shot performances for the 1972 movie.]
And if you notice, his costume changes all the time, and we didn’t care about that. We didn’t care that in one song we got six versions. The third thing is they would have seen online and on YouTube lots of bootleg. There’s a huge black market in stolen stuff. So even with the sound, sometimes we had deal with gangsters in carparks to get a little bit of missing sound.
There are a few actual bits where we’ve gone, “Ah, that’s what we need to join that to those other two shots [by inserting a piece from the ’70s films between newly discovered footage]. It’s very small. I don’t know what the percentage is.
Q: Watching the movie, I was struck by how real and how human he seemed here.
A: That’s it, that’s it. Like he says in the film, there’s the image, and there’s the man. When you see as much material as I have, you really realize that there’s the humor and the goofiness, too. I think that’s him disarming everyone so they get past the icon and they see the man.
Q: What else struck you as you worked through the footage?
A: Some things really jumped out. There’s some things we couldn’t use because it just didn’t have the focus of the story. You realize he just kind of hung with people, and he’s very human, very empathetic, very polite. And he’s always goofing, because I think he’s just damn shy, and he’s trying to disarm everyone.
It’s like Whitney Houston said. Her mom [Cissy Houston] was in the original Sweets the year before. And she meets Elvis, she was probably 10 or something. She said he walked in the room with a fur coat on, and it wasn’t like, “Hello, Mr. Elvis.” She said, you just stare. You freeze and stare. Because of the way he looks, you know? So there was a lot of that
It’s happening quite a bit actually now. People not into Elvis at all, they know the caricature. But they come out of this film, they go, “Who is this guy? I love this guy!” Because he’s human.
Q: Tell me how the unused audio of Elvis talking about his life was recorded.
A: In the tour, there’s a little bit you see, and he looks very tired. He’s talking about, “Well, I like all kinds of music,” and he talks about gospel, and he says, “Look, I’m too tired. I’ll do it in the morning.”
And when he comes back, he says, “Guys, I can’t be on camera. I’ll just talk.” So they never used the talking bit. That’s where he goes, “I got a whipping from my mother,” and that same bit is where he goes, “I was very shy, you know.” About girls liking him after he started singing.
Q: What needed to be fixed or restored in the film and the audio? And how did you go about it?
A: Yeah, one thing I want to be really clear about: there’s not a frame of AI. Some people said, ‘Oh, it’s AI.” No, no, no. There’s no AI, and there’s no visual effects. But [filmmaker] Peter Jackson, the magician, and his wonderful team at Park Road, we gave them the anamorphic.
I don’t know if you know about anamorphic 35mm, but it’s squashed. And when you stretch it, you just sort of head towards a possible 70mm. You get a lot more out of it. What [Jackson] does is, he’s able to go frame by frame and take out aberrations and really help the grain. There’s 8mm footage in that’s the size of two buildings, and it still holds up.
He’s just brilliant at that. Peter, I mean, he’s a savior of many, many things. He did it with the Beatles [the docuseries “Get Back”]. Love that piece.
And with the sound, some of it we had to do remixes, some we take three [versions of] songs and make new works because we couldn’t just do everything straight off the stage. A lot of it is. I mean, “Suspicious Minds” is just remixed.
Q: The editing is such a terrific part of storytelling. How did you and Jonathan go about that?
A: The process was once we said let him tell the story, we worked out parts. Like, “OK, now he’s going to talk about his Hollywood years, now he’s going to talk about relationships, now he’s going to talk about his feelings.”
You know, when he was asked about politics, he says, “Well, I’m just an entertainer.” They seldom play the second clip where he’s asked, “Should other people speak about their politics?” and he says, “Sure.” Then we put “In The Ghetto” and that other lovely song [“Walk a Mile in My Shoes”] where he goes “There are people on reservations and in ghettos and there but for the grace of God go you.” It’s a very empathetic song.
Then take the cut of “Poke Salad Annie,” which I think is brilliant. Jonathan is a brilliant cutter, anyway. He started with U2 when he was a kid, but he’s worked with me for years, and we make these, like, tone poems. Poetry, more than linear. The vibes of the movie. But it had to be guided by Elvis’s story, and the way we did it was by this question: What would Elvis have done?
Q: You don’t use the usual documentary talking heads – were there models for that for you?
A: The only one I can think of that I actually really enjoyed was that documentary [“Listen to Me Marlon”] where they found all these tapes that Brando did. I was a big Brando fan, and at one stage, Marlon Brando was maybe going to be in “Romeo + Juliet,” believe it or not. I have some very treasured letters from Marlon Brando.
I just loved the way you heard Marlon just talking [in the documentary]. It made you fall in love with Marlon all over again, just the way he illuminated things. [He does a quite good impression of Brando talking about Cary Grant.] I love that stuff. I just think you can’t beat it having someone actually tell their story.
Q: What was it like when you showed “EPiC” to Priscilla and Riley?
A: Actually, Priscilla’s only seeing it for the first time next week, and Riley’s about to see it, too. But I want to explain something. First of all, they were so supportive during the making of the [“Elvis” biopic]. But since then, it was a great sadness of what was a beautiful journey. [Lisa Marie Presley, Priscilla Presley’s daughter with Elvis, and Riley Keough’s mother, died in January 2023.]
Right in this building, after the Golden Globes, I remember Lisa Marie saying, “Can you help me down to the car?” And of course, she was gone a few days later. [“EPiC”] is about Elvis, but for Riley, it’s about mom, and for Priscilla, it’s about her daughter. There’s some really poignant unseen 8mm in there that no one’s ever seen of Lisa Marie as a little baby, you know?
I think they need to see it in their own time. Just anywhere that suits them. I mean, I love them, so anytime, anywhere they need it, I’ll make it happen.
Q: As a boy growing up in Australia, how’d you first encounter Elvis and become such a fan?
A: We lived in a very isolated little country town. We had a gas station on the highway through it, and we had a farm. Dad was super industrious. He was in the Vietnam War. So we had artists living with us, and we did everything from command training to ballroom dancing to learning how to shoot film and process photography.
At a certain point, we [owned] the local cinema, and there were Elvis matinees every Sunday. So that was my intro, and I just thought he was the coolest guy in the world, you know? I probably think differently about “Easy Come, Easy Go” now, but then I thought, “Wow, look at that guy in that black sweater.” I wanted to be him.
Then he loomed large, but in life, I ran away and grew and [explored] opera and Bowie and all sorts of different musical forms. He was there, but not in the same way. I’m a great admirer, as I was making films, of “Amadeus,” and a lot of people wanted me to do different musical bios.
Yes, you learn about a lot about Mozart [in “Amadeus”], but it’s really about jealousy then. And I thought, well, if you want to make “Amadeus” for America, it’s Elvis because of this relationship between the Colonel [Tom Parker] and Elvis.
One is the great salesman, promoter, and the other sort of what [the Colonel] thought was a carnival act but turned out to be sort of Orpheus. Sort of Greek, mythical, very sensitive and gifted. A singer, mover, creator. Remember, Elvis didn’t have a choreographer; Elvis didn’t have a stylist.
Q: He just made that up on his own. You see him playing around and seeing what works in “EPiC.”
A: Well, as he says, “I just do what I feel.” And that’s kind of interesting, because that kept the band always having to watch him, and they never knew what he was going to do. Neither did the audience, and that makes it really spontaneous.
[He snaps his fingers.] Electric.
In “EPiC: Elvis Presley in Concert,” filmmaker Baz Luhrmann used hours of never before seen film and audio of Elvis Presley performing in Las Vegas in 1970 and cities around the United States in 1972 to let Elvis tell his own story in a way that’s never before been done. (Film still courtesy of Neon)
Chicken simmered in a tomato sauce infused with onion, green pepper, and paprika forms the comforting foundation of this Hungarian goulash.
The key to its authentic flavor is using good-quality Hungarian paprika. It’s available in both mild and hot varieties and found in most supermarkets. This rich, savory goulash is served over pappardelle, a broad, flat pasta similar to extra-wide fettuccine, perfect for catching every spoonful of sauce.
HELPFUL HINTS:
Any type of pasta can be used.
Any type of sliced mushroom can be used.
To save preparation time, use diced onion and green pepper found in the produce section.
COUNTDOWN:
Place water for noodles on to boil.
Make goulash.
Boil pasta.
SHOPPING LIST:
To buy: 1/2 pound cooked boneless, skinless chicken breast, 1 jar reduced sodium marinara sauce, 1 green bell pepper, 1 medium tomato,1 container sliced portobello mushrooms, 1 small container reduced fat sour cream, 1 bottle Hungarian paprika, 1 container caraway seeds, 1 package pappardelle
Staples: olive oil, onion, salt, black peppercorns
Chicken Hungarian Goulash
Recipe by Linda Gassenheimer
2 teaspoons olive oil
1/2 cup diced onion
1 cup diced green bell pepper
1 cup sliced portobello mushrooms
1 tablespoon Hungarian paprika or 1 1/2 tablespoons ordinary paprika
1 cup reduced sodium marinara sauce
1/2 pound cooked boneless skinless chicken breast 1/2-inch pieces
Salt and freshly ground black pepper
2 tablespoons reduced fat sour cream
1 medium tomato cut into wedges
Heat olive oil in a nonstick skillet over medium high heat and add onion, green pepper and mushrooms. Saute 3 minutes. Sprinkle paprika over vegetables and saute 2 minutes. Add marinara sauce and simmer 1 minute. Add chicken and salt and pepper to taste. Remove from heat and serve over pappardelle. Dot the goulash with sour cream. Arrange tomatoes on the side.
Yield 2 servings.
Per serving: 369 calories (32 percent from fat), 13.0 g fat (3.0 g saturated, 4.3 g monounsaturated), 114 mg cholesterol, 38.0 g protein, 26.5 g carbohydrates, 7.1 g fiber, 132 mg sodium.
Caraway Pappardelle
Recipe by Linda Gassenheimer
1/4 pound pappardelle (about 1 1/2 cups)
2 teaspoons olive oil
1 tablespoon caraway seeds
Salt and freshly ground black pepper
Bring a large pot with 2 to 3 quarts of water to a boil. Add the pappardelle and boil 3 to 4 minutes or according to package instructions. Drain leaving about 2 tablespoons water on the pappardelle. Toss with olive oil and caraway seeds and salt and pepper to taste. Divide in half and serve on two dinner plates with the Goulash.
Yield 2 servings.
Per serving: 262 calories (20 percent from fat), 5.8 g fat (0.8 g saturated, 2.5 g monounsaturated), no cholesterol, 8.1 g protein, 44.1 g carbohydrates, 3.0 g fiber, 3 mg sodium.
ST. PAUL, Minn. (AP) — Their family spent years opposing Venezuela’s socialist system.
The government retaliated by sending men to beat the father, a state oil company worker whom it accused of being uncooperative. Other relatives were threatened.
The situation became so untenable that the family fled the country for the United States in 2021 after it obtained refugee status, according to one of the daughters, a 24-year-old clothing salesperson who was interviewed by The Associated Press.
The six siblings and their parents settled in Minnesota in 2023, living peaceful lives until the Trump administration said it was casting new scrutiny on refugees. One priority is those admitted to the U.S. under former President Joe Biden, whom the government accuses of prioritizing quantity over detailed screening and vetting, with an initial focus on 5,600 refugees who settled in Minnesota and are not yet permanent residents, making them particularly vulnerable.
Last month, three masked officers got out of a black SUV with tinted windows outside a St. Paul apartment complex, handcuffed the Venezuelan woman and her mother and told them their legal status was under review, according to the woman, who asked for anonymity for fear of retaliation.
In January, a federal judge ordered a temporary halt to the arrest and detention of refugees in Minnesota while a lawsuit challenging the “revetting” continues. The judge ordered the immediate release of all refugees detained in Minnesota, and those taken to Texas.
Three refugees told The Associated Press that whatever happens, the rounds of inconclusive interviews with immigration authorities well after they thought their status was safe has them questioning their futures in the U.S. and living in constant fear.
The young woman from Venezuela hasn’t returned to her job at a clothing factory. A man who fled persecution in Myanmar won’t walk on the streets of Minneapolis without a letter from his church appealing for immigrants to “be treated humanely.” A Congolese refugee arrested in St. Paul despite her refugee status says “everything that’s happened feels like a movie.”
A change in US treatment of refugees
Welcoming refugees has been a source of bipartisan agreement in the U.S. since Congress passed the Refugee Act with overwhelming support in 1980.
The act helped make refugee applications some of the immigration system’s most heavily scrutinized. Government decisions that someone was persecuted for who they are or what they believe are rarely second-guessed, and revisiting refugee status that’s already been granted is a major blow to legal tradition, advocates say.
“They’ve been heavily vetted and were admitted by the government with approval,” said Beth Oppenheim, chief executive officer of HIAS, a major refugee aid group.
Once a refugee is admitted to the U.S. through the resettlement program, the only way to strip them of their status is to prove that they should never have been admitted, Oppenheim said. That is why the Trump administration is interviewing people again, she said.
Matthew Tragesser, a spokesman for U.S. Citizenship and Immigration Services, said in a written statement refugees “are REQUIRED to be subject to a full inspection after a year within the United States.”
“This is not novel or discretionary; it is a clear requirement in law,” he wrote.
While it is correct that refugees must apply for green cards one year after admission — a change of status that brings a renewed layer of scrutiny — the administration is breaking with decades of tradition by revisiting initial decisions to admit people as refugees, and then detaining them while they are under review.
“Arresting, detaining, and rescreening refugees are all new changes which will inflict grave harm on vulnerable populations,” said Smita Dazzo, deputy director of U.S. programs at HIAS.
Venezuelan refugees pose for a photo on Tuesday, Feb. 10, 2026, in Cottage Grove, Minn. (AP Photo/Mark Vancleave)
Venezuela to Minnesota to Houston and back
In January, U.S. Immigration and Customs Enforcement took the Venezuelan women to Houston on a flight where migrants were shackled at the wrists and ankles and forbidden from talking. The daughter said she was told she was there for green card interviews and isolated in a cold room with no food, water or anything warm to cover her. She said she refused to sign documents without an attorney present.
“They told us, ‘Your status is worthless. You’re illegal,’” she said. “What we went through is something I wouldn’t wish on anyone … We were supposed to arrive in this country with refugee status, and we thought we would be protected here. But right now, at this moment, it is quite the opposite.”
The women were released after successfully filing habeas corpus petitions in federal court, part of a flood of last-ditch attempts at freedom under a Trump policy denying bond hearings in immigration court. Friends of their attorney drove them back to Minnesota at their own expense. Since then, the younger woman has been too afraid to leave the house.
A Venezuelan refugee poses for a photo on Tuesday, Feb. 10, 2026, in Cottage Grove, Minn. (AP Photo/Mark Vancleave)
The pastor who received a letter and went to the interview
Saw Ba Mya James, a 46-year-old ethnic Karen father of three who fled military persecution in Myanmar, arrived in St. Paul last year after obtaining refugee status with help from a local church.
Despite a pending green card application, the Anglican pastor did not attend church for weeks after friends advised him to avoid going outside.
“I was told to stay at home, so I listened, and I prayed to God with my family,” James said.
James received a letter Feb. 2 ordering a “post-admissions refugee reverification” at the U.S. Citizenship and Immigration Services St. Paul field office, according to a copy reviewed by The Associated Press.
During an interview that lasted several hours, an officer pressed James with questions he said he already addressed extensively before being admitted to the U.S. The officer said the review was needed because an inexperienced employee handled James’ initial vetting.
Within two weeks of the interview, James got another letter asking that he and his family provide fingerprints, which his attorney took as a positive sign.
Still, James remains wary of being detained. He faithfully carries his church sponsors’ letter appealing for him and other immigrants to “be treated humanely as fellow image-bearers of God.”
The Congolese refugee arrested arriving at work
A Congolese woman settled in the Twin Cities area in November 2024 with refugee status, working in the hospitality business as the breadwinner for her husband and four children.
She said an immigration officer approached her parked car when she arrived for work at 7 a.m. on Jan. 14 in St. Paul, saying he knew her name and that she was a refugee. After telling her to exit the vehicle to answer questions, he handcuffed her despite her efforts to show a work authorization document and identification.
The woman, who spoke on condition of anonymity because she fears reprisals, was flown to Houston to be questioned in detail about her experiences in the Congo, Uganda and the United States. She and other refugees refused to sign documents to be sent back to their home countries. She was released Jan. 18 without any ID documents to book a flight to Minneapolis. A manager at her company flew to Houston and drove her 17 hours back home.
“If I told you I’m feeling OK, I’d be lying to you,” she said.
Salomon reported from Miami.
Saw Ba Mya James, an ethnic Karen refugee from Myanmar, stands for a portrait in St. Paul, Minn., on Jan. 28, 2026. (AP Photo/Jack Brook)
By BARBARA ORTUTAY and KAITLYN HUAMANI, AP Technology Writers
Social media addiction has been compared to casinos, opioids and cigarettes.
While there’s some debate among experts about the line between overuse and addiction, and whether social media can cause the latter, there is no doubt that many people feel like they can’t escape the pull of Instagram, TikTok, Snapchat and other platforms.
The companies that designed your favorite apps have an incentive to keep you glued to them so they can serve up ads that make them billions of dollars in revenue. Resisting the pull of the endless scroll, the dopamine hits from short-form videos and the ego boost and validation that come from likes and positive interactions, can seem like an unfair fight. For some people, “rage-bait,” gloomy news and arguing with internet strangers also have an irresistible draw.
Much of the concern around social media addiction has focused on children. But adults are also susceptible to using social media so much that it starts affecting their day-to-day lives.
Recognizing signs of compulsive use
Dr. Anna Lembke, a psychiatrist and the medical director of addiction medicine at Stanford University’s School of Medicine, defines addiction as “the continued compulsive use of a substance or behavior despite harm to self or others.”
During her testimony at a landmark social media harms trial in Los Angeles, Lembke said that what makes social media platforms so addictive is the “24/7, really limitless, frictionless access” people have to them.
Some researchers question whether addiction is the appropriate term to describe heavy use of social media, arguing that a person must be experiencing identifiable symptoms. These include strong, sometimes uncontrollable urges and withdrawal to qualify as addiction.
Social media addiction is not recognized as an official disorder in the Diagnostic and Statistical Manual of Mental Disorders, which is the standard reference psychiatrists and other mental health practitioners use to assess and treat patients. That’s partly because there is no widespread consensus on what constitutes social media addiction and whether underlying mental health issues contribute to problematic use.
But just because there is no official agreement on the issue doesn’t mean excessive social media use can’t be harmful, some experts say.
“For me, the biggest signpost is how does the person feel about the ‘amount,’ and how viewing it makes them feel,” said Dr. Laurel Williams, professor of psychiatry and behavioral sciences at Baylor College of Medicine. “If what they discover is they view it so much that they are missing out on other things they may enjoy or things that they need to attend to, this is problematic use. Additionally, if you leave feeling overwhelmed, drained, sad, anxious, angry regularly, this use is not good for you.”
In other words, is your use of social media affecting other parts of your life? Are you putting off chores, work, hobbies or time with friends and family? Have you tried to cut back your time but realized you were unable to? Do you feel bad about your social media use?
Ofir Turel, a professor of information systems management at the University of Melbourne who has studied social media use for years, said there was “no agreement” over the term social media addiction, and he doesn’t “expect agreement soon.”
“It’s obvious that we have an issue,” Turel said. “You don’t have to call it an addiction, but there is an issue and we need, as a society, to start thinking about it.”
Noninvasive tips to reduce social media use
Before setting limits on scrolling, it’s helpful to understand how social media feeds and advertising work to draw in users, Williams said.
“Think of social media as a company trying to get you to stay with them and buy something — have the mindset that this is information that I don’t need to act on and may not be true,” she added. “Get alternate sources of information. Always understand the more you see something, anyone can start to believe it is true.”
Ian A. Anderson, a postdoctoral scholar at California Institute of Technology, suggests making small, meaningful changes to stop you from opening your social media app of choice. Moving the app’s place on your phone or turning off notifications are “light touch interventions,” but more involved options, like not bringing your phone into the bedroom or other places where you tend to use it, could also help, Anderson said.
Tech tools can also help to cut back on tech overuse. Both iPhones and Android devices have onboard controls to help regulate screen time.
Apple’s Screen Time controls are found in the iPhone’s settings menu. Users can set overall Downtime, which shuts off all phone activity during a set period of their choice.
The controls also let users put a blanket restriction on certain categories of apps, such as social, games or entertainment or zero in on a specific app, by limiting the time that can be spent on it.
The downside is that the limits aren’t hard to get around. It’s more of a nudge than a red line that you can’t cross. If you try to open an app with a limit, you’ll get a screen menu offering one more minute, a reminder after 15 minutes, or to completely ignore it.
If a light touch doesn’t work
If a light touch isn’t working, more drastic steps might be necessary. Some users swear by turning their phones to gray-scale to make it less appealing to dopamine-seeking brains. On iPhones, adjust the color filter in your settings. For Android, turn on Bedtime Mode or tweak the color correction setting. Downgrading to a simpler phone, such as an old-school flip phone, could also help curb social media compulsions.
Some startups, figuring that people might prefer a tangible barrier, offer hardware solutions that introduce physical friction between you and an app. Unpluq, for instance, is a yellow tag that you have to hold up to your phone in order to access blocked apps. Brick and Blok are two different products that work along the same lines — they’re squarish pieces of plastic that you have to tap or scan with your phone to unlock an app.
If that’s not enough of an obstacle, you could stash away your phone entirely. There are various phone lockboxes and cases available, some of them designed so parents can lock up their teenagers’ phones when they’re supposed to be sleeping, but there’s no rule that says only teenagers can use them.
Yondr, which makes portable phone locking pouches used at concerts or in schools, also sells a home phone box.
Seeking outside help
If all else fails, it may be a good idea to look for deeper reasons for feeling addicted to social media. Maybe it’s a symptom of underlying problems like anxiety, stress, loneliness, depression or low self-esteem. If you think that’s the case, it could be worth exploring therapy that is becoming more widely available.
“For people struggling to stay away — see if you can get a friend group to collaborate with you on it. Make it a group effort. Just don’t post about it! The more spaces become phone free, the more we may see a lessened desire to be ‘on,’” Williams said.
FILE – A group holds hands outside a landmark trial over whether social media platforms deliberately addict and harm children, Wednesday, Feb. 18, 2026, in Los Angeles. (AP Photo/Ryan Sun, File)
NEW YORK (AP) — Early in the first episode of the “Scrubs” revival, Dr. John Dorian jumps onto Dr. Christopher Turk for a piggyback ride down the corridor of Sacred Heart Hospital like nothing’s changed in over a decade. But a lot has.
For one, Turk, now a father of four, suffers from sciatica, cutting the tomfoolery short as they tumble to the ground. And, two, Dorian needs reading glasses. Turns out plenty has changed in the 17 years since “Scrubs” last ended its run.
“They’re still 12 years old every time they’re together, but they’re also still both leading very big, responsible adult lives,” says Bill Lawrence, the show’s creator who has returned for the revival. “It just felt like it was time to revisit the old gang.”
“Scrubs” — whose first two episodes premiere back-to-back Wednesday on ABC and stream next day on Hulu — picks up with the same characters all these years later, but this time, in addition to some physical wear and tear, the onetime interns are the teachers to a group of rookie doctors.
“We were new and we were scared as interns and scared in this new element of medicine and insecure and unsure of what we were doing,” says Sarah Chalke, who plays Dr. Elliot Reid. “So to get to come back, we really have grown and really become great leaders and great teachers.”
Back to reality for ‘Scrubs’
The revival retains Lawrence’s voice for “Scrubs” — pop culture-hyper-aware and surreal but always with sentiment. The cast admits the show became a little too cartoonish in later seasons, with an ostrich wearing a Kangol hat and J.D. stuffed into a backpack to sneak into a movie theater.
“Bill Lawrence would be the first to say that what he really wanted to do was sort of ground it again and start back with the based-in-reality thing that we had in the first couple years of the show,” says Zach Braff, who plays Dr. Dorian. “We still have a mix of drama and comedy, but reset to based completely in reality.”
One thing that had to change was Dr. Perry Cox, the head of medicine played by John C. McGinley with stone-faced rage and fiery contempt. Back in the old days, he could humiliate and berate his interns.
That won’t fly in 2026: “I can’t work them crazy hours or even abuse them anymore,” Cox complains in the revival, calling the new interns “fragile little Christmas ornaments.” One of the new interns says to him: “You’re giving mean football coach vibes.”
Lawrence in anticipation of the relaunch consulted medical residents to find out how hospitals and medicine had changed over the years and was told that administrators would have no patience with a brutal Cox in 2026.
“All the residents we talked about told us that Dr. Cox would be fired immediately nowadays,” says Lawrence. He also added Vanessa Bayer to the cast, playing an HR officer quick to suggest sensitivity training.
This image released by Disney shows, from left, Zach Braff, and John C. McGinley in a scene from “Scrubs.” (Darko Sikman/Disney via AP)
This image released by Disney shows John C. McGinley, from right, and Joel Kim Booster in a scene from “Scrubs.” (Darko Sikman/Disney via AP)
This image released by Disney shows, from left, Donald Faison, Sarah Chalke, and Judy Reyes in a scene from “Scrubs.” (Jeff Weddell/Disney via AP)
This image released by Disney shows Sarah Chalke, left, and Zach Braff in a scene from “Scrubs.” (Jeff Weddell/Disney via AP)
This image released by Disney shows John C. McGinley, left, and Vanessa Bayer in a scene from “Scrubs.” (Darko Sikman/Disney via AP)
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This image released by Disney shows, from left, Zach Braff, and John C. McGinley in a scene from “Scrubs.” (Darko Sikman/Disney via AP)
The first seven seasons of “Scrubs” originally aired on NBC, but after Season 7 — which was shortened due to a writers strike — the series moved to ABC for Season 8. A ninth season with J.D., Turk, and Cox was called “Scrubs: Med School.”
Braff and Faison — real friends offscreen — kept the show in fans’ minds with a string of T-Mobile commercials and a podcast that explored the episodes, “Fake Doctors, Real Friends.”
The end of Season 8 — the following season is not considered “Scrubs” canon — had J.D. having all his fantasies come true — marrying Elliot, having children and keeping up his friendship with Turk, who is married to head nurse Carla. That neat bow had to be jettisoned for 2026.
“We knew from the start that we couldn’t live in a world that all of his fantasies had come true,” says Lawrence. “Life throws you some blows and throws you to some victories. You drift from people you care about. Sometimes your world gets smaller. Sometimes things get harder and there still have to be mountains to overcome. So we really wanted to thematically show that journey of what the second stage of life looks like.”
The central bromance of ‘Scrubs’
Central to the success of “Scrubs” is the bromance between J.D. and Turk, which doesn’t end when the cameras are turned off. The revival arrives as the topic of male loneliness and friendship is being debated.
“It’s a half hour comedy, but it takes head on the idea of the joy that you can still find in being silly and having love in your life that isn’t just your romantic love — the joy and love you have with your friends as a man in 2026,” says Braff.
Faison adds: “I value my friendship. I don’t have many of them, but he’s the one friendship that I do have that I know I can count on, at least right now. Maybe in 10 years, he might change his mind on how he feels about me.”
“We’ll see how you behave,” Braff jokes.
Lawrence says he often writes about male friendships because he grew up in a family that wasn’t very demonstrative emotionally. His other current titles include “Shrinking” and “Ted Lasso,” which also explore bonding and mentoring.
“I started very young writing about friendships and, maybe on some level, the wish fulfillment of how personal I truly hoped they could be,” he says. “I crave those friendships and I craved that mentorship so I maybe write about them too much.”
This image released by Disney shows Donald Faison, left, and Zach Braff in a scene from “Scrubs.” (Darko Sikman/Disney via AP)
HOUSTON (AP) — U.S. Rep. Tony Gonzales of Texas faced growing calls Tuesday from fellow congressional Republicans to resign over a report of an alleged affair with a former staffer who later died after she set herself on fire.
Rep. Thomas Massie of Kentucky joined Reps. Lauren Boebert of Colorado, Anna Paulina Luna of Florida and Nancy Mace of South Carolina in demanding that Gonzales step down immediately. Mace also announced that she has introduced a resolution to force the House Ethics Commission to publicly release its reports and records of allegations of sexual harassment against members of Congress.
House Speaker Mike Johnson told reporters that he would talk to Gonzales on Tuesday.
Johnson said Monday that the accusations against Gonzales “must be taken seriously,” but he added, “in every case like this, you have to allow the investigation to play out and all the facts to come out.”
“If the accusation of something is going to be the litmus for someone being able to continue to serve in the House, a lot of people would have to resign or be removed or expelled from Congress,” Johnson said.
Gonzales’ office did not immediately respond to a request for comment Tuesday. He said in a social media post last week that he was being blackmailed and then suggested in another post Sunday that he is the target of “coordinated political attacks.”
“During my six years in Congress not a single formal complaint has been levied against my office,” Gonzales said in the Sunday post on X. “IT WONT WORK.”
Gonzales is in a tough race in Texas’ Republican primary on March 3, with early voting underway for more than a week. His main opponent is Brandon Herrera, a gun manufacturer and gun rights influencer who calls himself “the AK Guy” on YouTube, where his channel has nearly 4.2 million subscribers. Gonzales narrowly defeated Herrera by fewer than 400 votes in a runoff in 2024.
President Donald Trump had endorsed Gonzales for reelection in December.
The San Antonio Express-News reported last week that it had obtained text messages in which the former staffer, Regina Ann Santos-Aviles, wrote to a colleague that she had an affair with the lawmaker.
The Associated Press has not independently obtained copies of the messages. An attorney for Adrian Aviles, Santos-Aviles’ husband, has said the husband found out about the affair before his wife’s death.
Regina Ann Santos-Aviles, 35, died in September 2025 after setting herself on fire in the backyard of her Uvalde home. The Bexar County Medical Examiner’s Office later ruled her death as a suicide by self-immolation.
“Where are the other men in the GOP?” Massie asked Tuesday in a post on X in calling for Gonzales to resign, adding that Trump should revoke his endorsement.
Gonzales, whose district stretches from San Antonio to El Paso and runs along the U.S.-Mexico border, has six children with his wife.
His allegation of blackmail is based on an email from the attorney for the staffer’s husband, Robert Barrera, discussing a possible lawsuit against the lawmaker and a potential settlement with a nondisclosure agreement. The email says that the maximum recoverable amount is $300,000.
Barrera has said he was not trying to blackmail Gonzales and called the accusation an attempt by the congressman to look like a political victim.
Hanna reported from Topeka, Kansas. Also contributing was Associated Press journalist Kevin Freking in Washington.
FILE – Rep. Tony Gonzales, R-Texas, speaks during a news conference Dec. 7, 2022, on Capitol Hill in Washington. (AP Photo/Mariam Zuhaib, File)
WASHINGTON (AP) — President Donald Trump says he has a lot to talk about tonight.
He’s returning to Congress to deliver a State of the Union address at a consequential moment in his presidency, with his approval ratings near an all-time low and restive supporters waiting for him to deliver more tangibly on their struggles with the cost of living.
On top of that, the Supreme Court just declared illegal the tariffs that have been central to his second term. And the foreign policy challenges he promised to fix easily now don’t look so simple with another potential military strike against Iran looming.
The narrow Republican majority in Congress that has done little to counter Trump’s expansive vision of power is at risk of falling away after this year’s midterm elections, when their respective self interests may collide.
Here are some questions we’re thinking about heading into the speech.
How awkward will things get with the Supreme Court?
Trump did little to hide his rage last week when the Supreme Court struck down his far-reaching tariff policy. He didn’t just say that the justices who voted against one of his signature issues — including two who he appointed — were wrong in their legal reasoning. He said they were an “embarrassment to their families.”
Now many of those justices are likely to be seated at the front of the House chamber as Trump delivers his address.
Will Trump criticize the justices to their faces? Will he somehow show restraint in keeping his criticism limited to the decision itself?
Trump would not be the first president to use a State of the Union address as a chance to criticize the court. During his 2010 address, President Barack Obama said the Court’s Citizens United decision — which opened the way for millions of dollars in undisclosed political spending — would “open the floodgates for special interests,” prompting Justice Samuel Alito to shake his head and mouth “not true.”
Since then, attendance by Supreme Court justices has become more sporadic. Alito began skipping them after the 2010 speech, joining fellow conservative Justice Clarence Thomas, who has long argued the speeches are too partisan. By last year, when Trump delivered a special address to Congress, just four members of the Court — Chief Justice John Roberts along with Justices Elena Kagan, Brett Kavanaugh and Amy Coney Barrett — were in the House chamber.
At the time, Trump greeted the justices warmly, even telling Roberts “thank you again, I won’t forget it.” The comment was interpreted as Trump showing appreciation for the Court’s decision granting broad-based immunity to the presidency. But Trump said on social media he was merely thanking the chief justice for swearing him in.
Regardless, justices who don’t want a televised bashing from the president may decide to steer clear on Tuesday.
How will Democrats respond?
Democrats were still adjusting to Trump’s return to power when he last addressed Congress — and it showed.
During his 2025 joint address, Democrats entered the chamber with signs containing messages ranging from “Save Medicaid” and “Musk Steals” to simply “False.” Rep. Al Green, D-Texas, heckled Trump at one point, prompting his ejection from the chamber.
The signs were widely criticized as contrived and Green’s protest was something of a distraction. For voters who were outraged by Trump’s aggressive use of power during his opening months in office, the scene didn’t offer much confidence that Democrats were in a position to serve as an effective check on the White House.
Democrats are aiming to avoid a repeat of last year’s tumult. Expect fewer signs and possibly fewer Democrats in the chamber at all. Dozens of lawmakers have said they won’t attend the speech, with some planning to attend rival events in Washington.
That may help avoid some of last years theatrics. But it might do little to encourage frustrated voters that Democrats have a coherent, effective message a decade into Trump’s political rise.
And after Democratic governors boycotted a White House dinner with Trump over the weekend, skipping the State of the Union may only reinforce the sense that America’s two main political parties are charting fundamentally different courses.
Abigail Spanberger, Virginia’s newly inaugurated governor, will give the Democrats’ official response to Trump.
How will Trump address affordability and immigration?
Trump will deliver his speech at the outset of a challenging election year for his fellow Republicans, who are holding on to a tenuous grip of Congress. Much of the GOP’s challenge has centered on a sense among voters that the party hasn’t done enough to bring down prices.
The White House insists it is aware of the economic anxiety among voters and is working to address it. But Trump consistently has trouble staying on message. During a trip to Georgia last week that was intended to focus on the economy, the president instead highlighted debunked claims of election fraud and pushed his proposal for voter identification requirements. When he addressed affordability, he said it was a problem created by Democrats that he has now “solved.”
Trump’s tone on immigration could also be notable. Republicans found themselves on defense after two U.S. citizens were killed in Minneapolis last month by federal agents who were conducting an aggressive immigration enforcement operation. While Trump has kept up his hardline rhetoric on undocumented immigrants, his administration has begun to draw down agents in Minneapolis. The president told New York Gov. Kathy Hochul last week that he would direct future immigration enforcement surges where they were wanted.
An image is projected onto the exterior wall of the National Gallery of Art near the U.S. Capitol in Washington, Monday, Feb. 23, 2026, ahead of President Donald Trump’s State of the Union address. (AP Photo/Matt Rourke)
What does he say about foreign policy?
Trump promised a quick and easy end to conflicts across the globe when he was elected. A year later, Russia’s war in Ukraine continues to rage, there’s a fragile ceasefire in war-torn Gaza and Trump is threatening a major military strike against Iran just eight months after he claimed the U.S. had “obliterated” the nation’s nuclear facilities.
And let’s not forget about his military action in Venezuela less than two months ago in which U.S. forces snatched leader Nicolas Maduro. Trump has said repeatedly that he’s going to run the country.
Trump supporters may cheer his America First rhetoric, but the Republican president is showing far more globalist tendencies one year into his second term.
And the prospect of war with Iran is real. Trump has already built up the largest U.S. military presence in the Middle East in decades. Last week he warned the Iranian regime that “bad things will happen” soon if a nuclear deal is not reached.
How long will he go?
Trump is rarely one to self edit. His speech last year — technically a joint address and not the State of the Union — clocked nearly one hour and 40 minutes. That was the longest speech to a joint session of Congress — and Trump may want to notch another record.
“It’s going to be a long speech because we have so much to talk about,” he said on Monday.
President Donald Trump during an event to proclaim “Angel Family Day” in the East Room of the White House, Monday, Feb. 23, 2026, in Washington. (AP Photo/Evan Vucci)
TRENTON, N.J. (AP) — The Trump administration is suing New Jersey over a state order that prohibits federal immigration agents from making arrests in nonpublic areas of state property, such as correctional facilities and courthouses.
The Justice Department lawsuit, filed Monday in federal court in Trenton, challenges Gov. Mikie Sherrill ’s Feb. 11 executive order, which also bars the use of state property as a staging or processing area for immigration enforcement.
Sherrill, a Democrat who took office Jan. 20, “insists on harboring criminal offenders from federal law enforcement,” the lawsuit said, accusing her of attempting to obstruct federal law enforcement and thwart President Donald Trump’s immigration crackdown.
Sherrill’s executive order “poses an intolerable obstacle” to immigration enforcement and “directly regulates and discriminates” against the federal government, said the lawsuit, which misspelled her name as “Sherill.”
Asked about the lawsuit Tuesday, Sherrill said: “What I think the federal government needs to be focused on right now, instead of attacking states like New Jersey working to keep people safe, is actually training their ICE agents.”
The state’s acting attorney general, Jennifer Davenport, said the Trump administration was “wasting its resources on a pointless legal challenge.” New Jersey will fight the lawsuit and “continue to ensure the safety of our state’s immigrant communities,” she said.
The lawsuit is the latest in the Trump administration’s fight against state and local level restrictions on immigration enforcement.
Last year, the Justice Department sued Minnesota and Colorado, as well as cities including New York, Chicago, Los Angeles and Denver over so-called sanctuary laws, which are aimed at prohibiting police from cooperating with immigration agents.
Last May, the Trump administration sued four New Jersey cities — Newark, Jersey City, Paterson and Hoboken — over such policies. That case is pending.
FILE – New Jersey Gov. Mikie Sherrill waves during her inauguration ceremony in Newark, N.J., Tuesday, Jan. 20, 2026. (AP Photo/Seth Wenig, File)
WASHINGTON (AP) — Democrats are betting that Virginia Gov. Abigail Spanberger’s affordability-focused message, which helped her flip a Republican-held office last November, will resonate with the country when she delivers their party’s response to President Donald Trump’s State of the Union address on Tuesday night.
The rebuttal gives Democrats a prime opportunity to make their case against Trump and his policies ahead of the midterm elections. Spanberger’s double-digit victory in Virginia last November was viewed by party leaders as validation of a disciplined message centered on lowering costs — one they now want to elevate in campaigns nationwide.
“Virginians and Americans across the country are contending with rising costs, chaos in their communities, and a real fear of what each day might bring,” Spanberger said in a statement. “I look forward to laying out what these Americans expect and deserve — leaders who are working hard to deliver for them.”
Spanberger will deliver the speech from Colonial Williamsburg, a living history museum with restored 18th-century buildings, drawing on the site’s role at the heart of Virginia’s early opposition to British rule and connecting that legacy to the current political moment, according to her team.
She will have will have far less time than the Republican president to deliver her rebuttal. Trump’s speech before Congress last year stretched to an hour and 40 minutes, while Michigan Sen. Elissa Slotkin’s Democratic response lasted just over 10 minutes. Spanberger’s speech will be the fifth consecutive response to a president’s address to Congress delivered by a female senator or governor.
Trump on Monday told reporters that his State of the Union is “going to be a long speech, because we have so much to talk about.”
As viewership tends to drop the later the speech runs, the response has become one of the more perilous assignments in politics. Now–Secretary of State Marco Rubio was widely mocked for reaching for a water bottle during the GOP response in 2013. Other rebuttals have quickly faded from memory.
Even with the time disadvantage, Democrats argue the political winds are shifting in their favor. Spanberger’s win in Virginia was followed by other high-profile Democratic victories, including a special election earlier this month in Texas, where a Democrat flipped a reliably Republican state Senate district that Trump carried by 17 percentage points in 2024.
Democratic Sen. Alex Padilla of California will deliver the party’s Spanish language response. Padilla, who in June was forcefully removed from Homeland Security Secretary Kristi Noem’s news conference in Los Angeles as he tried to speak up about immigration raids, said in a statement that there is a better path than the one Trump has offered: “one that lowers costs, safeguards our democracy, and reins in rogue federal agencies.”
Some Democrats are choosing to make their point by skipping Trump’s address. Counterprogramming events are planned, including a “State of the Swamp” featuring Democratic lawmakers alongside state and local leaders and celebrities.
FILE – Virginia Gov. Abigail Spanberger delivers her State of the Commonwealth address before a joint session of the Virignia General Assembly at the Capitol, Jan. 19, 2026, in Richmond, Va. (AP Photo/Steve Helber, File)
Today is Sunday, Feb. 22, the 53rd day of 2026. There are 312 days left in the year.
Today in history:
On Feb. 22, 2022, three white men were convicted of federal hate crimes in the killing of Ahmaud Arbery, who was jogging through their neighborhood near Brunswick, Georgia, when he was attacked in 2020. (The men are serving life sentences after being convicted of murder in state court.)
Also on this date:
In 1732, the first president of the United States, George Washington, was born in Westmoreland County in the Virginia Colony.
In 1784, a U.S. merchant ship, the Empress of China, left New York for the first trade voyage of an American ship to China.
In 1819, a weakened Spain, facing revolutions in Latin America, signed a treaty ceding Florida to the United States.
In 1862, Jefferson Davis was inaugurated to a full six-year term as president of the Confederate States of America after his election the previous November. He previously served as the Confederacy’s provisional president.
In 1959, the inaugural Daytona 500 race was held; although Johnny Beauchamp was initially declared the winner, the victory was later awarded to Lee Petty.
In 1967, more than 25,000 U.S. and South Vietnamese troops launched Operation Junction City, aimed at smashing a Viet Cong stronghold near the Cambodian border.
In 1997, scientists in Scotland announced they had successfully cloned an adult mammal for the first time, a sheep they named “Dolly.”
In 1980, the “Miracle on Ice” took place at the Winter Olympics in Lake Placid, New York, as the U.S. Olympic hockey team upset the Soviet Union, 4-3. (The U.S. team went on to win the gold medal two days later, 4-2, over Finland.)
In 2010, Najibullah Zazi, accused of buying products from beauty supply stores to make bombs for an attack on New York City subways, pleaded guilty to charges including conspiring to use weapons of mass destruction. (He spent nearly a decade after his arrest helping the U.S. identify and prosecute terrorists and was given a 10-year sentence.)
In 2020, pioneering Black mathematician Katherine Johnson, who calculated rocket trajectories and Earth orbits for NASA’s early space missions and was later portrayed in the 2016 film “Hidden Figures,” died at the age of 101.
In 2024, a private lander built by Intuitive Machines made the first U.S. touchdown on the moon in more than 50 years, but the spacecraft only managed a weak signal and spotty communications with flight controllers.
Today’s birthdays:
Actor Paul Dooley is 98.
Actor James Hong is 97.
Actor Julie Walters is 76.
Basketball Hall of Famer Julius Erving is 76.
Golf Hall of Famer Amy Alcott is 70.
Actor Kyle MacLachlan is 67.
Golf Hall of Famer Vijay Singh is 63.
Hockey Hall of Famer Pat LaFontaine is 61.
Actor Paul Lieberstein (TV: “The Office) is 59.
Actor Jeri Ryan is 58.
Actor-singer Lea Salonga is 55.
Tennis Hall of Famer Michael Chang is 54.
Singer James Blunt is 52.
Actor Drew Barrymore is 51.
Comedian Iliza Shlesinger is 43.
Dancer and singer Genneya Walton is 27.
Rapper Molly Brazy is 27.
FILE – This combo of booking photos provided by the Glynn County, Ga., Detention Center, shows from left, Travis McMichael, his father Gregory McMichael, and William “Roddie” Bryan Jr. A federal judge has scheduled an early 2022 trial for the three Georgia men charged with hate crimes in the killing of Ahmaud Arbery.
U.S. District Judge Lisa Godbey Wood issued a written order Tuesday, Aug. 24, 2021, setting jury selection to begin Feb. 7 at the federal courthouse in the coastal city of Brunswick. (Glynn County Detention Center via AP, File)
WASHINGTON (AP) — A lawyer picked by judges to serve as the top federal prosecutor for a Virginia office that pursued cases against foes of President Donald Trump was swiftly fired Friday by the Justice Department in the latest clash over the appointments of powerful U.S. attorneys.
Deputy Attorney General Todd Blanche announced the firing of James Hundley on social media shortly after he was unanimously chosen by judges to replace former Trump lawyer Lindsey Halligan as U.S. attorney for the Eastern District of Virginia. While the law says that the district court may choose U.S. attorneys when an initial appointment expires, the Trump administration has insisted that the power lies only in the hands of the executive branch.
“EDVA judges do not pick our US Attorney. POTUS does. James Hundley, you’re fired!” Blanche said in a post on X.
Hundley, who has handled criminal and civil cases for more than 30 years, didn’t immediately respond to an email seeking comment Friday evening.
The firing of Hundley is the latest reflection of tumult in one of the Justice Department’s most elite prosecution offices, which since September has been mired in upheaval following the resignation of a veteran prosecutor amid Trump administration pressure to prosecute two of the president’s biggest political foes, former FBI Director James Comey and New York Attorney General Letitia James.
That prosecutor, Erik Siebert, was effectively forced out and swiftly replaced by Halligan, a White House aide who secured indictments against Comey and James but was later deemed by a judge to have been unlawfully appointed. The cases were dismissed, but the Justice Department has appealed that decision.
Halligan resigned from the position last month after judges in the district signaled continued skepticism over the legitimacy of her appointment.
U.S. attorneys, the top federal prosecutors in regional Justice Department offices around the country, typically require Senate confirmation but the law does permit attorneys general to make temporary appointments for limited time periods. In several instances, though, the Justice Department has attempted to leave its temporary appointees in place in ways that have invited court challenges and drawn resistance from judges who have found the appointments unlawful.
Last week, a lawyer appointed by judges to be the U.S. attorney for northern New York was fired by the Justice Department after spending less than a day in the job. Judges in the district appointed Kinsella after declining to keep the Trump administration’s pick, John Sarcone, in place after his 120-day term elapsed.
Deputy Attorney General Todd Blanche takes a question from a reporter during a news conference after the Justice Department announced the release of three million pages of documents in the latest Jeffrey Epstein disclosure in Washington, Friday, Jan. 30, 2026. (AP Photo/J. Scott Applewhite)
WASHINGTON (AP) — President Donald Trump’s vision of the Supreme Court, in which his three appointees are personally loyal to him, collided with the court’s view of itself Friday when six justices voted to strike down Trump’s signature economic policy — global tariffs imposed under an emergency powers law.
The case represented a challenge of Trump’s many untested, yet forcefully stated imperatives on everything from trade to immigration policy and the court’s ability to maintain its independence and, at times, act as a check on presidential authority.
“The Supreme Court’s ruling on tariffs is deeply disappointing and I’m ashamed of certain members of the court, absolutely ashamed, for not having the courage to do what’s right for the country,” Trump said in the White House briefing room several hours after the court issued its decision, authored by Chief Justice John Roberts.
Trump said he expected as much from the three Democratic appointees on the court. “But you can’t knock their loyalty,” he said. “It’s one thing you can do with some of our people.”
Asked specifically about Justices Neil Gorsuch and Amy Coney Barrett, who were part of the majority, Trump said, “I think it’s an embarrassment to their families, if you want to know the truth, the two of them.”
Vice President JD Vance, whose wife, Usha, spent a year as a law clerk to Roberts, echoed the president’s criticism, though he didn’t make it personal. “This is lawlessness from the Court, plain and simple,” Vance wrote on X.
Legal opposition to the tariffs crossed political lines, with a key challenge coming from the libertarian-leaning Liberty Justice Center and support from pro-business groups like the Chamber of Commerce.
Trump has had a checkered history with the court dating back to the start of his first White House term in 2017, though he won his biggest court battle in 2024, a presidential immunity ruling that prevented him from being prosecuted over efforts to undo his 2020 election loss.
In the first year of his second term, he won repeated emergency appeals that allowed him to implement major aspects of his immigration crackdown and other key parts of his agenda.
Presidential criticism of Supreme Court decisions has its own long history. President Thomas Jefferson was critical of the court’s landmark Marbury v. Madison case, which established the concept of judicial review of congressional and executive action. President Franklin Roosevelt, frustrated about decisions he thought blunted parts of the New Deal, talked about older justices as infirm and sought to expand the court, a failed effort.
In 2010, President Barack Obama used his State of the Union speech, with several members of the court in attendance, to take aim at the court’s just-announced Citizens United decision that helped open the floodgates to independent spending in federal elections. Justice Samuel Alito, who hasn’t attended the annual address since, mouthed the words “not true” in response from his seat.
Trump, though, crossed a line in the way he assailed the justices who voted against him, Ed Whelan, a senior fellow at the Ethics and Public Policy Center and a former law clerk for Justice Antonin Scalia, wrote in an email.
“It’s entirely fine for a president to criticize a Supreme Court ruling that goes against him. But it’s demagogic for President Trump to contend that the justices who voted against him did so because of lack of courage,” Whelan wrote.
Some presidents also have criticized justices they appointed for decisions they’ve made.
Following the seminal Brown v. Board of Education decision in 1954, President Dwight D. Eisenhower told friends that appointing Chief Justice Earl Warren had been his biggest mistake, according to biographer Stephen E. Ambrose.
Objecting to a dissenting vote in an antitrust case, President Theodore Roosevelt once allegedly said of Justice Oliver Wendell Holmes, wounded in action during the Civil War, that he ”could carve out of a banana a judge with more backbone.”
But these remarks were conveyed in private, not at a livestreamed presidential appearance in the White House briefing room.
On a personal level, Trump has had a sometimes tense relationship with Roberts, who has twice issued public rebukes of the president over attacks on federal judges.
Trump didn’t mention Roberts by name on Friday, but he seemed to be assailing the chief justice when he said he lost the case because the justices “want to be politically correct,” “catering to a group of people in D.C.”
Trump used similar language when he criticized Roberts’ vote in 2012 that upheld Obamacare.
Similar to the timing following the Citizens United ruling, the president and some members of the court, dressed in their black robes, are likely to be in the same room Tuesday when Trump delivers his State of the Union address.
Justice Ruth Bader Ginsburg once nodded off during a presidential speech in the House of Representatives, attributing her drowsiness to some fine California wine. No justice is likely to be napping Tuesday night.
A sniper sits on the roof of the Supreme Court during the annual March for Life in Washington, Friday, Jan. 23, 2026. (AP Photo/Julia Demaree Nikhinson)
WASHINGTON (AP) — The Trump administration said Friday it backs a 10-year deadline for most cities and towns to replace their harmful lead pipes, giving notice that it will support a tough rule approved under the Biden administration to reduce lead in drinking water.
The Environmental Protection Agency told a federal appeals court in Washington that it would defend the strongest overhaul of lead-in-water standards in three decades against a court challenge by a utility industry association.
The Trump administration has typically favored rapid deregulation, including reducing or killing rules on air and water pollution. On Friday, for example, it repealed tight limits on mercury and other toxic emissions from coal plants. But the agency has taken a different approach to drinking water.
“After intensive stakeholder involvement, EPA concluded that the only way to comply with the Safe Drinking Water Act’s mandate to prevent anticipated adverse health effects ‘to the extent feasible’ is to require replacement of lead service lines,” the agency’s court filing said.
Doing so by a 10-year deadline is feasible, the agency added, supporting a rule that was based in part of the finding that old rules that relied on chemical treatment and monitoring to reduce lead “failed to prevent system-wide lead contamination and widespread adverse health effects.”
The EPA said in August it planned to defend the Biden administration’s aggressive rule, but added that it would also “develop new tools and information to support practical implementation flexibilities and regulatory clarity.” Some environmental activists worried that that meant the EPA was looking to create loopholes.
Lead, a heavy metal once common in products like pipes and paints, is a neurotoxin that can stunt children’s development, lower IQ scores and increase blood pressure in adults. Lead pipes can corrode and contaminate drinking water. The previous Trump administration’s rule had looser standards and did not mandate the replacement of all pipes.
Standards aimed at protecting kids
The Biden administration finalized its lead-in-water overhaul in 2024. It mandated that utilities act to combat lead in water at lower concentrations, with just 10 parts per billion as a trigger, down from 15. If higher levels were found, water systems had to inform their consumers, take immediate action to reduce lead and work to replace lead pipes that are commonly the main source of lead in drinking water.
The Biden administration at the time estimated the stricter standards would protect up to 900,000 infants from having low birth weight and avoid up to 1,500 premature deaths a year from heart disease.
“People power and years of lead-contaminated communities fighting to clean up tap water have made it a third rail to oppose rules to protect our health from the scourge of toxic lead. Maybe only a hidebound water utility trade group is willing to attack this basic public health measure,” said Erik Olson, senior director at the Natural Resource Defense Council, an environmental nonprofit.
The American Water Works Association, a utility industry association, had challenged the rule in court, arguing the EPA lacks authority to regulate the portion of the pipe that’s on private property and therefore cannot require water systems to replace them.
The agency countered on Friday that utilities can be required to replace the entire lead pipe because they have sufficient control over them.
The AWWA also said the 10-year deadline wasn’t feasible, noting it’s hard to find enough labor to do the work and water utilities face other significant infrastructure challenges simultaneously. Water utilities were given three years to prepare before the 10-year timeframe starts and some cities with a lot of lead were given longer.
The agency said they looked closely at data from dozens of water utilities and concluded that the vast majority could replace their lead pipes in 10 years or less.
Replacing decades-old standards
The original lead and copper rule for drinking water was enacted by the EPA more than 30 years ago. The rules have significantly reduced lead in water but have been criticized for letting cities move too slowly when levels rose too high.
Lead pipes are most commonly found in older, industrial parts of the country, including major cities such as Chicago, Cleveland, Detroit and Milwaukee. The rule also revises the way lead amounts are measured, which could significantly expand the number of communities found violating the rules.
The EPA under President Donald Trump has celebrated deregulation. Officials have sought to slash climate change programs and promote fossil fuel development. On drinking water issues, however, their initial actions have been more nuanced.
In March, for example, the EPA announced plans to partially roll back rules to reduce so-called “forever chemicals” in drinking water — the other major Biden-era tap water protection. That change sought to keep tough limits for some common PFAS, but also proposed scrapping and reconsidering standards for other types and extending deadlines.
PFAS and lead pipes are both costly threats to safe water. There are some federal funds to help communities.
The Biden administration estimated about 9 million lead pipes provide water to homes and businesses in the United States. The Trump administration updated the analysis and now projects there are roughly 4 million lead pipes. Changes in methodology, including assuming that communities that did not submit data did not have lead pipes, resulted in the significant shift. The new estimate does correct odd results from some states — activists said that the agency’s initial assumptions for Florida, for example, seemed far too high.
The EPA did not immediately return a request for comment. The AWWA pointed to their previous court filing when asked for comment.
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FILE – Richie Nero, of Boyle & Fogarty Construction, shows the the cross section of an original lead, residential water service line, at left, and the replacement copper line, at right, outside a home where service was getting upgraded June 29, 2023, in Providence, R.I. (AP Photo/Charles Krupa, File)