Two groundbreaking leaders of Detroit’s arts and culture scene will be honored at the GhostLight Arts Initiative’s inaugural GhostLight Gala, taking place this Sunday at the Garden Theater.

Honoree Njia Kai is a celebrated cultural curator, producer and community visionary. Through her company NKSK Events + Production, the lifelong Detroiter has curated some of Detroit’s most iconic cultural celebrations— from the Charles H. Wright Museum’s African World Festival to the Downtown Detroit Tree Lighting.

Dr. George Shirley, who will also be honored on Sunday, is a man of many firsts.

He was the first Black man to teach music at a Detroit High School; the first Black tenor to perform a leading role at the Metropolitan Opera in New York City; and the first Black member of the U.S. Army chorus in Washington D.C. He also received the National Medal of Arts from former President Barack Obama in 2015 for his work mentoring countless Black musicians.

Kai and Shirley both joined The Metro ahead of the gala to discuss their commitment and contributions to Detroit’s art scene.

Proceeds from the event will help support GhostLight programming, including its Obsidian Theatre Festival — which provides a platform for emerging Black voices in theater and film.

Use the media player above to hear the full conversation.

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Detroit’s “largest and oldest literary nonprofit,” InsideOut Literary Arts, celebrated its 30-year anniversary last week by unveiling a new Detroit City Walls mural along the Avenue of Fashion.

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The mural was designed by artist Oshun Williams and inspired by InsideOut student poet Charisma Holly. It features a quote from her poem entitled “If I wake up in Detroit 25 years in the future,” which reads “In the Detroit City, the D has always been for dreams.”

The mural is located on the side of the Yoshi Hibachi Grille on Livernois Avenue along Detroit’s Avenue of Fashion.

“Detroit is where I was born and raised,” Holly said. “I’m so glad I had the opportunity to be a part of this mural project because Detroit is truly the place where I learned to dream big.”

Other headlines for Friday, June 6, 2025:

• Money Matters for Youth is looking for help to keep their student trip to Washington D.C. alive.
• Motor City Pride is taking over downtown this weekend, June 7-8 at Hart Plaza, with the parade beginning at noon on Sunday.
• The city celebrated the opening of the Orchard Village Apartments with a ribbon cutting ceremony on Monday, bringing 48 affordable units across four buildings to the Old Redford neighborhood.
• Michigan’s First Native American Music and Cultural Festival, Vibes With the Tribes, is coming to the Russell Industrial Center this Saturday, June 7, with doors opening at 2 p.m.

Do you have a community story we should tell? Let us know in an email at detroiteveningreport@wdet.org.

The Detroit Institute of Arts is a world-renowned museum. But, but how many pieces in its collection are made by a Detroiter? Tiff Massey’s “Baby Bling” will soon be acquired by the DIA. Salvador Salort-Pons, the museum’s Director, told the Metro that the DIA is acquiring “Baby Bling” from Massey and adding it to the museum’s permanent collection. 

“We are acquiring “Baby Bling,” and I’m very excited about this, and this will be on view in, I hope […] our contemporary wing, and I hope it will be part of the reinstallation,” says Salvador Salor-Pons.

Lots of people traveled and spent their weekends at the DIA over the past year. Tiff Massey’s “7 Mile + Livernois”  wasn’t just an exhibit, it was an event for the culture. The exhibit represented Black Detroit in some of its rawest forms.

In 2015, the DIA responded to some critics who thought the DIA and other art institutions could do better to serve Detroit and Metro Detroit. In response, it created a Talent and Diversity subcommittee and later in 2020, created its inclusion, diversity and access or IDEA strategy. 

Recent exhibitions like Massey’s “7 Mile + Livernois” suggest the strategy to make the DIA a more inclusive and representative space is working.

Museum Director Salvador Salort-Pons and exhibition curator Katie Pfol joined The Metro to discuss how the exhibition’s success marks a turning point for the Museum.

Salvador shared that the museum’s year-long showcase of the tiff Massey exhibit was just the tip of the iceberg.

The Detroit Institute of Arts plans to reinstall its contemporary African American galleries to a more prominent location in the museum in October. The new location will be adjacent to the renowned Diego Rivera court.

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