Something a little different is happening at Michigan Science Center— something that blends culture, community and creativity in a way you don’t see every day.

“House of Harlōw 011: The Quantum Rave” is taking over, turning a space that’s usually about inspiring curiosity in science, technology, engineering, and math, into a dance floor.

The show is for all ages and is a pay what you can event. It’s built around the idea of giving people a space to decompress through music and movement.

So what does it look like when a science institution opens its doors to a cultural movement like this? DJ With Love, Harlow and MI-SCI’s managing Director of Engagement Melanie Depcinski,  joined The Metro to talk about the upcoming event.

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The preservation of history doesn’t belong only to institutions, it lives in the hands, voices and memories of everyday people. In Detroit, a new generation of community historians is stepping forward.

Through oral histories, archival research, and creative storytelling, Black Bottom Archives’ Preserving Black Legacy Fellowship, builds living records of Detroit’s footprint. The year-long program trains Black Detroiters to document, preserve, and share the stories rooted in their own neighborhoods.

All of the fellows’ work will culminate in a public exhibit and a festival in 2026 celebrating Black Detroit history.

Lex Draper Garcia Bey is Director of Community Engagement and Programs for Black Bottom Archives. 

We begin the conversation talking about “From the Bottom, Up,” an exhibition by Black Bottom Archives on display at the Detroit Historical Society. It’s guided by the principle of Sankofa: “go back and get it.” Its closing ceremony is April 5 at the museum. 

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Detroit’s musical contributions can not be denied. Musicians from across the globe have planted roots here in Detroit that have influenced the sound of Detroit for generations. 

Now, another genre of Detroit’s musical legacy is ready to take center stage nationally and internationally at South By Southwest, a yearly film and music festival that acts as a talent pipeline.

Headlining the showcase are:

• Bruiser Wolf
• Nasaan 

Additional featured artists include

• Neisha Neshae
• DJ Beastie
• B Free
• Asaka The Renegade
• 2Down
• Demaciiio
• Golden Boy Noel
• Que The Boy
• South North Southwest

Adrian Tonon is co-producer of Detroit 313 Selects and former night mayor of the city of Detroit. Neisha Neshae is a recording artist and a featured artist in this year’s showcase. 

Detroit 313 Selects is a local organization with the goal of putting Detroit’s artists in front of global audiences, while growing the creative economy in the city. 

Both Adrian and Neisha stopped by the studio to talk more about Detroit’s Hip Hop community, being an independent artist and the excitement surrounding this year’s SXSW showcase. 

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The music once sung by enslaved Africans is foundational to modern Christian and Gospel music. The music that was once used to give hope is preserved in various places throughout the co untry, including right here in Detroit. 

In 1972, The Brazeal Dennard Chorale was founded by Brazeal Dennard, an American educator and arranger. He wanted to discover new musicians while preserving the spiritual music of the African American experience and culture.

On the evening of October 29, 1978 in Detroit, the first Classical Roots Concert happened on the eastside. The concert included the best musicians in the area, local leaders and spiritual leaders.

Dr. Daniel Washington is a bass-baritone and tenured Professor of Music – Voice at the University of Michigan. Dr. Washington is also a board member for the National Association of Negro Musicians (NANM) and president of the Detroit Musicians Association.

LaToya Cross is the Communications and Advancement Content Specialist at DSO. Both join Tia Graham on The Metro to talk more about the exhibition and the importance of diversity within classical music.

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Right now, across the country, communities are facing growing pressure from the Department of Homeland Security’s Immigration and Customs Enforcement.

According to the American Immigration Council, six people died in ICE custody in January of this year alone, in Texas, Pennsylvania, Georgia, and California, raising concerns and fears about what could happen next.

So how are people responding? How are communities making their voices heard? For some, the answer is public art.

Outdoor exhibitions have long had the power to democratize art. Displaying the works outdoors brings it out of galleries and into public spaces. It allows any and everyone to engage in shared cultural experiences and meaningful community connection.

A new installation called “ICEBREAKER”, created by multidisciplinary artist Rogerio Pinto, honors the lives lost to ICE and in detention centers.

He joined The Metro’s Tia Graham to talk more about the exhibition and the impact ICE has had on communities.

“ICEBREAKER” will remain on display at the corner of Harbrooke Avenue and Arbana Drive in Ann Arbor through April 19.

Names honored in the exhibit

Listed below are names featured in the exhibition.

Names of Lives Lost to DHS Enforcement

• Genry Ruiz Guillén
•  Serawit Gezahegn Dejene
•  Maksym Chernyak
• Juan Alexis Tineo-Martinez
• Brayan Garzón-Rayo
• Nhon Ngoc Nguyen
• Marie Ange Blaise
• Abelardo Avellaneda Delgado
• Jesus Molina-Veya
• Johnny Noviello
• Isidro Pérez
• Jaime Alanis
• Tien Xuan Phan
• Chaofeng Ge
• Roberto Carlos Montoya Valdez
• Lorenzo Antonio Batrez Vargas
• Oscar Rascon Duarte
• Silverio Villegas González
• Santos Banegas Reyes
• Ismael Ayala Uribe
• Norlan Guzman-Fuentes
• Miguel Ángel García Medina- (shot by a sniper)
• Huabing Xie
• Leo Cruz-Silva
• Hasan Ali Moh’D Saleh
• Josué Castro Rivera
• Gabriel Garcia Aviles
• Kai Yin Wong
• Francisco Gaspar-Andrés
• Pete Sumalo Montejo
• Shiraz Fatehali Sachwani
• Isaias Sanchez Barboza
• Jean Wilson Brutus
• Fouad Saeed Abdulkadir
• Delvin Francisco Rodriguez
• Nenko Stanev Gantchev
• Keith Porter
• Ray Ruben Martinez (not included on Fences)

2026

• Geraldo Lunas Campos
• Luis Gustavo Núñez Cáceres
• Luis Beltrán Yáñez-
• Renee Nicole Good
• Parady La
• Víctor Manuel Díaz-
• Heber Sánchez Domínguez-
• Alex Pretti
• Lorth Sim
• Nurul Amin Shah Alam
• Emmanuel Damas
• Alberto Gutierrez Reyes
• Daphy Michel 

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They called her the girl behind the camera, but make no mistake, Leni Sinclair wasn’t standing in anyone’s shadow. She was shaping history from the other side of the lens.

After emigrating to the United States in 1959 and studying at Wayne State University, Sinclair immersed herself in the cultural pulse of Detroit. In the 1960s, she documented revolution, both musical and political, capturing icons like Aretha Franklin and the raw passion of the MC-5. 

Her photographs didn’t just freeze moments in time, they helped define an era.

Leni wasn’t only observing movements, she was leading them. A political activist, cultural catalyst, and champion for generations of artists, she transformed Detroit’s creative landscape while chronicling it.

The Detroit Historical Society is honoring Sinclair’s extraordinary legacy with a year-long exhibition, “Leni: Looking Through the Lens”.

The celebration kicks off March 12 at the Detroit Historical Museum. The evening will be moderated by WDET’s Ann Delisi with an ensemble performance led by Kasan Belgrave, son of legendary trumpeter Marcus Belgrave.

Leni joined The Metro’s Tia Graham to chat briefly about her career and upcoming event.

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For generations, we’ve all heard fairy tale love stories. We learn early on in life who gets to be loved and who doesn’t. 

Oftentimes, those characters from those stories are written through a specific lens. Rarely do these great romantic tales center Black characters or characters of color at all. 

Black love stories are seen as a niche genre.

The State of Racial Diversity in Romance Publishing Study tracks the publication of books written by authors who are BIPOC (Black, Indigenous and/or People of Color) in the traditional romance genre.

According to findings, only 11% of the books published within the romance genre were from writers of color. 

So, what does it mean to call Black love “niche”? And who decides which love stories are universal?

Sylvia Hubbard is an author of over 70 romance novels. She joined The Metro’s Tia Graham to talk more about diversity within the romance genre.

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“As I Die and Wheeze” is a melodramatic comedy following the impact a death has on the family. Southern twin sisters, complete opposites, thought the sky was the limit until the death of their daddy.

Now, the twins face debt, scheming suitors and a spicy, sharp tongued aunty. “As I Die and Wheeze” is showing at Planet Ant theatre through the end of the month.

It is written by Katie McGraw and Maggie O’Reilly and directed by Bryan Lark. Maggie and Bryan joined us on The Metro to talk more about the play and the importance of theater and laughter right now. 

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 Food is a connection to the past and a living memory. It has a way of reminding the senses that love existed.

It’s never just about the food. It’s about who taught you. It’s about who was there to help you stir the pot and give you the spoon to lick the cake batter. It’s about the traditions passed down on purpose and by accident. And sometimes it’s about learning the hardships that put the food on the table.

Ifayomi Christine is a writer, director, and lens based artist. She recently directed the film “Until It Feels Like Worship,” which untangles generational grief and trauma through remembrance and release.

Cornetta Lane-Smith is a Detroit-based filmmaker, writer, producer and the founder of Studio 8278. She wrote and executive produced the docu-series “Recipes of Resistance.” The series explores how food and conversation help unpack human complexity. 

They both joined The Metro’s Tia Graham to talk more about the film and docu-series. 

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Sacred Spaces is more than a tour,  it’s a celebration of cultural stewardship, collaboration, and the powerful role Black creatives play in shaping the city’s identity.

Throughout the month, nearly twenty Black-owned galleries, cultural institutions, and creative spaces have their doors open and are cross-promoting one another, inviting residents and visitors alike to experience the depth, diversity, and resilience of Detroit’s art ecosystem.

Misha McGowan is the gallery director and co-founder of Irwin House Detroit on West Grand Blvd. She also is the creator of Sacred Spaces.

We begin the conversation learning more about its origins and what’s happening right now to keep Detroit’s arts ecosystem connected. 

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On this episode of The Metro, we tackled a really serious topic: online child exploitation.

It’s a criminal act that targets the most vulnerable people in our communities, kids and teens. Online child exploitation comes in many different forms, including online grooming, enticement and solicitation.

Kathryn Seigfried-Spellar is a professor in the School of Criminal Justice at Michigan State University and an expert in the psychosocial and technological factors associated with cybercriminal behavior. She focuses on the criminological characteristics and grooming strategies of online child sex offenders.

Seigfried-Speller offers advice on keeping minors safe in our modern digital landscape.

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According to the National Crime Information Center more than 271,000 girls and women were reported missing in 2022 alone. 36% of them were Black.

These are not just numbers. They are daughters, sisters, classmates, and friends. And too often, their stories are underreported, or not reported at all.

Black girls and women are disproportionately impacted by violence, trafficking, and systemic neglect. And that neglect has consequences. It has led to higher rates of disappearance than their white counterparts and far less urgency when they go missing.

The loss of a Black girl doesn’t just affect a family. It ripples through entire communities, through classrooms, neighborhoods, and peer groups, leaving behind fear, grief, and anger that rarely make headlines.

“Unseen” is a new production by Teen Hype that confronts this silence head-on. It invites audiences into a necessary conversation about what young people—especially Black girls—are facing today, and what it means to be unseen in moments when visibility can save lives.

Teen HYPE is a Detroit-based organization dedicated to empowering young people through education, advocacy, and holistic creative expression.

“Unseen” is directed by Teen Hype alum Mallory Childs, who is currently a sophomore at Spelman College in Atlanta. She and Teen HYPE co-founder Ambra Redrick join the show to talk about the project.  

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Malcolm X was a leader during the Civil Rights Movement known for his more radical approach to advancing Black Americans rights. But he was also a young man that grew up in Michigan, known as Detroit Red.

Though most only recognize “Malcolm X,” he went by several names throughout his life. His birth name is Malcolm Little, which progressed to Malcolm X. He ended his life as El-Hajj Malik El-Shabazz.

Who was Detroit Red and how did his name change reflect his personal transformation?

Dr. Tareq A. Ramadan is an anthropologist, historic preservationist, and interdisciplinary adjunct professor of Anthropology and Near Eastern Studies at Wayne State University and at Henry Ford College. He’s also the co-founder of The Malcolm X House Historic Preservation Project along side Aaron Sims.

This month, Ramadan will take part in The Black Cannon’s program “Martin and Malcolm” where they will discuss the lives and legacies of Malcolm X and Martin Luther King Jr. 

Tareq joined The Metro’s Tia Graham to discuss how Detroit Red became Malcolm X.

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This Sunday is Super Bowl LX. Usually, the teams playing would be the be the main topic of discussion. Yet, they’re getting much less attention than who’s performing at the 2026 Apple Music Super Bowl Halftime Show. 

Bad Bunny is the first solo Latin and Spanish speaking musician to lead the show. The Puerto Rican born artist’s selection sparked conversations across music, sports, and culture, making this more than just a halftime performance. 

In his announcement, he said this is for his people, culture and their history. 

So, what does this moment mean for Latino representation? And furthermore, what does this performance say about the American public’s idea of what it means to be American.

Alejandra Márquez is an Assistant Professor of Spanish Department of Romance and Classical Studies at Michigan State University. She joined The Metro’s Tia Graham to discuss Bad Bunny’s performance and its significance to Latino culture. 

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Since 1986, The McDougall-Hunt Neighborhood on Detroit’s east side has been home to the Heidelberg Project, an environmental art installation that pushes the boundaries of what outdoor art could be and how it can improve a community. It was created by life-long Detroiter, painter, and visionary place-maker Tyree Guyton.

Through trials and tribulations, the Heidelberg Project celebrates 40 years this year. The installation preserves community history while reimaging the neighborhood where three generations of Guyton’s family lived. 

Guyton, now 70, is this year’s Kresge Eminent Artist. He’s being honored for his life’s work improving community through the arts. 

Guyton and the former manager of The Heidelberg Project Jeanne Whitefield joined The Metro. Whitefield is also Guyton’s wife of 25 years. Both spoke about life, legacy and the future of Detroit Heidelberg Project. 

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Artists in Detroit largely depend on support from charitable organizations and government funding. So, what does that support look like? And how can artists and city government come together to make art happen?

The Detroit Office of Arts, Culture and Entrepreneurship or ACE is the city’s department that oversees its investment in the arts. It supports the city’s creative workforce with education, mentorship and networking opportunities.

Lacey Holmes is the Project Manager for Detroit ACE . She joined the show to help us understand the city’s role in this conversation. 

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The William G Anderson Lecture Series: Slavery to Freedom, An American Odyssey formed at Michigan State University 26 years ago. The series brings in guest speakers to lead thought provoking discussions about solutions to issues impacting civil and human rights.

This year the guest speakers are Dr. Jelani Cobb, the dean of the Graduate School of Journalism at Columbia University in New York, Bob Kendrick, the president of the Negro Leagues Baseball Museum (NLBM) and Mary Ann Pettway and China Pettway of Gee’s Bend Quilting Collective.

Dr. Marita Gilbert is the Associate Dean of Osteopathic Engagement & Community Practice at Michigan State University. She leads the lecture series. Dr. Gilbert joined The Metro to talk about the lectures this year, and the big question of who really influences history.

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Latinos in this country continue to fight for the right to exist. Through battles unknown and battles seen in full color, Latinos and their contributions to this country can not be denied. That includes contributions to art. Many in Detroit are familiar with Diego Rivera and Frida Kahlo, but what about the lesser known artists and artforms? 

Black velvet paintings were important artworks on display in most Latino households during the early and mid 20th century. For many, seeing the paintings was a normal part of everyday life. But a new exhibition highlights how the paintings are more than a kitschy item for the home, they are a cultural love letter to art itself. 

“Black Velvet: A Rasquache Aesthetic” is an exhibition at the Michigan History Museum that invites visitors to learn more about black velvet paintings and their place in Latino and Chicano history. It’s open through November.   

Elena Herrada is a Detroit community and labor activist. Diana Rivera is Librarian Emeritus at Michigan State University. She also founded the task force that created the Chicano Latino Studies Program at MSU. 

Elena Herrada and Diana Rivera joined The Metro to talk more about the exhibition and the importance of the artworks. 

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Home healthcare workers in Michigan have unionized after a campaign formed in 2024 for protections and better working conditions.

In October of 2025, 32,000 home care workers in Michigan voted to secure protections and the right to unionize. Home care workers assist the elderly and people with disabilities.

The win comes at a time when unions and the fight for workers rights has taken center stage around the country. From Starbucks to Amazon, workers want to feel secure in their positions. 

Ethan Bakuli is an independent journalist based in Detroit. He’s been following the Michigan Home Care Workers United campaign for nearly two years. 

He recently wrote in Capital and Main about the victory and what it could mean for other professions looking to unionize. Ethan joined The Metro to talk more about the union and what it means for the future of organizing in the country. 

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