We’ve got everything from jazz vocalists to Memphis rappers this week, so be ready to put on your cufflinks, but don’t forget the Three 6 Mafia-themed pocket square

Upcoming events (April 9 – 16)

The Saunderson Brothers 

Big Pink

April 10

$23

We know that last week we let down you house heads and now we’re here to repay our debt. This weekend, electronic music is practically flooding the Eastside and we’ve got your snorkel and flippers. The Saunderson brothers are slinging out house tracks like Waffle House slapjacks in a B2B set with Slimey so lace up those non-slip shoes and get ready to step into the kitchen. This event starts at 10 p.m. and goes until 2 a.m. 

SHIFT 

Spot Lite

April 11

$23+

Urban Pulse reacquaints with Spot Lite this weekend, bringing the heart of Berlin to Detroit. Headliner Lars Huismann is delivering atmospheric German techno that’s reminiscent of the old days but continues to carve a clear path in today’s scene. He’s also joined by DJs Redax, JANSØ, Austin Buck and KHONSHU. Whether you’re sporting a pair of lederhosen or dressing like you’re ready for Berghain, embrace the sounds of the Fatherland and get grooving. This event begins at 10 p.m. and goes until 3 a.m. 

Siren: Girls on Wax 

Paris Bar

April 11

$17

Slide down Six Mile over to Hamtramck’s Paris Bar to catch Chicago native Inés spin deep–cut disco vinyl until you can’t remember whether you’re in Michigan or France. She’s also joined by an all-femme roster of DJs, including angel baskets, Savannah G and Auntie Chanel. This event goes from 9 p.m. to 2 a.m. 

Golden Grizzly and Blue Grizzly Jazz Singers 

Varner Recital Hall

April 12

$7-10

Perhaps last week’s hiatus from house and techno was a breath of fresh air for some folks and don’t worry, because we’ve still got you stuck on our minds like spaghetti sauce on a Tupperware container. This Sunday, Oakland University’s Golden Grizzly and Blue Grizzly vocal groups are coming together for an energetic jazz ensemble set to leave your ears as soothed as a massage. This event begins at 7 p.m. and goes until 9 p.m. 

Northern Lights Festival 

Orchestra Hall

April 9-11

$21

Oh and we’re not done with the classics just yet. This weekend, take a rickshaw ride downtown to Orchestra Hall to hear the beauty emanate from the Northern Lights Festival. The performance will be led by Principal Guest Conductor Tabita Berglund as you dive into a Nordic soundscape. The hall will be filled with birdsongs as the violinist Johan Dalene puts his bow to the grindstone in Sibelius’s violin concerto. The event begins at 8 p.m. 

Project Pat 

Diamondback Music Hall

April 10

$38+

This weekend, the mane who’s down for his crown returns to bring that Memphis heat to Southeast Michigan. Project Pat is making a stop in Van Buren Charter Township as part two of his Redemption Tour, so get out there and bring your iced tea… but leave the nine’s and TEC’s at home. Doors open at 7 p.m. and the show begins at 8 p.m. 

Visceral Soup 

22North

April 11-12

Free

If the music isn’t appealing to you this week, sneak out to Ypsilanti for a calm yet vibrant vibe supporting Michigan artists. 22North art gallery is teaming up with Eastern Michigan University to put on their 10th exhibition, “Visceral Soup.” The show will feature work from 11 of EMU’s Master of Fine Arts students exploring the world of ceramics, painting and mixed media. The gallery is open Saturday and Sunday from 2 p.m. until 5 p.m. 

Microwave 

Majestic Theatre

April 10

$42+

Atlanta-based rock band Microwave is making their way to Detroit as they tour with Anthony Green, Hunny and Into It. Over It. They’ve recently released a 10th anniversary version of their 2016 album Much Love, and it’s time to show them how much love our city has to offer. The show begins at 7 p.m. If you’re not there, we’re going to assume you went to see Air Fryer instead and while we don’t entirely condemn that move, we will be judging semi-silently. 

Concrete Boys 

Saint Andrews Hall

April 11

$35

The Concrete Boys are back in Detroit this weekend for their This Is Us Vol. 2 tour at Saint Andrews Hall downtown. The group, made up of Lil Yachty, Draft Day, Camo!, Honest and more recently dropped their second album, a sequel to their first project and now it’s time to break out those hard hats and prepare for the mosh pit. The concert begins at 8 p.m. 

We’ve got everything from classical symphonies to taxidermy goats this week, so be ready to dive in and blur the lines between grace and eccentricity.

Upcoming events (April 2 – 9)

Jazz Ensemble Concert 

Varner Recital Hall

April 7

Free

Slip on your most polished set of loafers and take a trip out to Rochester to experience Oakland University’s Creative Jazz Ensemble and Jazz Combos. The Ensemble will feature experimental performances, while the Combos will consist of standards from the American songbook. This event begins at 7:30 p.m. 

Detroit International Festival of Animation 

Senate Theater

April 4

$10

Hike down Michigan Ave this Saturday to immerse yourself in motion pictures at the 11th annual installation of the Detroit International Festival of Animation. 

This showing features 19 animated short films from artists across the globe, but also a few from right here in Metro-Detroit. And, if you arrive early before the event, you might just be able to catch the Wurlitzer Pipe Organ pre-show hosted by the Detroit Theater Organ Society. Doors open at 7:30 p.m. and the showing begins at 8 p.m. 

Oakland Symphony Orchestra and Chorus 

Orchestra Hall

March 31

$25-30

If you’re in the mood to break out your opera glasses and cufflinks, stroll down to Orchestra Hall to witness a performance by Oakland University’s Orchestra and Chorus. This week is already building up to be a bit more in classical fashion, so you might as well embrace the decadence and start off strong. This event begins at 7:30 p.m. and goes until 9 p.m. 

Artmembers Opening Preview Party 

Cranbrook Art Museum

April 11

$20

Dive into the works of the next generation of architects, artists and designers at Cranbrook Art Museum next week as they host the 2026 Graduate Degree Exhibition. 

Perhaps this event will be a look into what the future holds as we hand off the reins to these emerging professionals entering their respective fields. The event begins at 6 p.m. and goes until 9 p.m.   

Modded Detroit Opener 

Multi-Lakes Conservation Association

April 11

$20

If you’re looking for a break from the “prim and proper” events the city has to offer, or perhaps you just feel more akin to the sound of an engine than a wind section, then we’ve got something up our sleeves for you. Drive over to Commerce Township for the Modded Detroit opening car show. Whether you’re into JDM, Mopar or supercars, it’s all on display here.

With over 2,000 cars, Modded Detroit is one of the largest car communities out there and they’re making sure it’s known. There will be raffles, as well as a foot race with a $500 cash prize. This event begins at 1 p.m. and goes until 7 p.m. 

World Oddities Expo 

Huntington Place

April 4

$20

Maybe you’re not drawn to the elegance of the violin or the roar of a 68 Charger. Perhaps you’re looking for something a little more out of the ordinary, maybe something embalmed? If that’s the case, consider yourself Daniel Day-Lewis because you’ve just struck oil. 

The World Oddities Expo is returning to Detroit this Saturday, and it’s ready to cater to all your lovingly strange needs. Pick up a teacup pig in a jar, a taxidermy antelope, silver jewelry and even walk away sporting some new ink. There will be a plethora of entertainment as well, including live music, painting, burlesque dancers and more. The event begins at 11 a.m. and goes until 7 p.m. 

Pulse and Pixels 

Pontiac Little Art Theatre

April 8

Free

Bend your understanding of how art interacts with music next week at Oakland University’s Pulse and Pixels exhibition. The performance explores the intersection between visual works and song, featuring both traditional and digital art with an electroacoustic accompaniment. The show includes pieces from both faculty members as well as students. The event begins at 7:30 p.m. and goes until 8:30 p.m. 

Pink Party: Hip Hop Night 

Big Pink

April 4

$23

At this point, I’d like to think you know the drill. Curate your fit, pre-game at the house, catch an Uber over to the Eastside and stop when you see the pink lights emanating through the darkness. Hip-Hop night returns once again with DJs FLYANA BOSS, PROBLEMATICBLACKHOTTIE and FULLBODYDURAG spinning rap’s greatest tracks until your ankles snap.

But there’s a stipulation this time around: pink means free. Whether it be a flat brim or a pair of StrangeLove dunks, a piece of pink clothing voids the fee this Saturday. Perhaps another drink is in order after all… This event goes from 10 p.m. to 2 a.m. 

Half N’ Half Festival 

Lager House

April 3 – April 4

1 Day: $25 – 2 Days: $45 

But if all of this just seems like a whole lot of noise to you and you’re desperately searching for something more rock-oriented, don’t worry, we wouldn’t dream of leaving you hanging. This Friday and Saturday, Detroit is feeling the effects of mixing vibes and I’m not talking dark and light cocktails, unless that’s you’re kind of thing, of course. 

Lager House is hosting the Half n’ Half Festival this weekend, with Friday tackling the indie/ alternative side and Saturday taking on the heavy in a yin-yang of rock. The show will feature local artists such as Ethan Marc, Panda House, Heat Above and more. Doors open at 6 p.m. and the shows start at 7 p.m. 

With their latest release, “Heavy Pulp,” The Technicolors add grit to the sweetness, giving their sound weight, texture, and something to hold onto.  

Electric guitars drift in and out of focus, anchored by steady rhythms and tension that keep each track from settling too comfortably. Frontman Brennan Smiley’s vocals balance restraint and release, while the production feels both polished and intentionally worn in. From start to finish, the record is full of substance beneath the surface, revealing new layers with each listen.  

Phoenix indie rock band The Technicolors joined In The Groove to talk about their latest record, their evolving creative process, and their connection to Michigan ahead of their upcoming show. 

Smiley says “Heavy Pulp” was built on collaboration and focus. “It was good to have a set amount of time where we could all be together… just get in the studio and be a band,” he said. That approach marked a shift from their previous album, which he called “a pandemic Frankenstein,” pieced together across different sessions and circumstances. 

This time around, the band leaned into being fully present. From implementing a “no phone in the studio” mindset to avoiding direct musical references during writing, their process was intentionally stripped back. “It just changes the level of presence,” Smiley explained. “You get more ideas, that’s what you’re there to do.” 

That sense of experimentation also came from looking beyond traditional influences. Instead of drawing directly from other artists, Smiley found inspiration in unexpected places. “I actually wasn’t really listening to a ton of music. I was really into Radiolab podcasts, they feel like little movies with just sound,” he said, pointing to the band’s ongoing interest in cinematic textures and atmosphere. 

Still, the foundation of The Technicolors’ sound can be traced back to classic influences. Smiley cited Led Zeppelin, Pink Floyd, and The Beatles as formative artists, adding, “That was kind of my teenage guitar-player starter pack.” He also highlighted The Dark Side of the Moon as a lasting inspiration: “It’s still maybe my all-time favorite album; it just kept on giving.” 

With family ties to the Detroit area and a long-awaited return to Michigan, the band is especially excited to reconnect with audiences. “It’s been a minute since we’ve played in Michigan… we’re excited to come back,” Smiley said. The Technicolors will be performing at The Blind Pig in Ann Arbor on March 20. 

Listen to In The Groove with host Ryan Patrick Hooper weekdays from noon-3 p.m. ET on 101.9 WDET or stream on-demand at wdet.org.

The music landscape has changed a lot since the turn of the 21st century. Not just styles, but how we consume music. Nothing illustrates that better than the rise of the indie music scene.

In his new book Such Great Heights: The Complete Cultural History of the Indie Rock Explosion, Stereogum managing editor Chris DeVille looks at how changes to TV, the internet, and the record industry fueled the rise in early ’00s indie music.

DeVille talks with WDET’s Russ McNamara. Click on the link to listen or read selected excepts below. 

The following interview has been edited for length and clarity.

RM: So why write this book?

DeVille: There’s many different sort of through lines that are being traced here. One of them is technology. It’s a subject that I think is really complex and really fascinating, and it involves a lot of my favorite music ever.

This stuff that has been kind of chronicled and debated online for years in blog posts and social media posts and a lot of the documentation of it is starting to disappear, because websites just go offline, or people delete their social media accounts. And so I wanted to create a little bit more permanent record of some of these things that happened—some of the ways that these bands broke through, some of the conversations that were being had around this music.

One reviewer compared it to like a yearbook that you look back at and you get some fond memories, and you get some cringe, but yeah, it’s kind of like a history of my listening as an adult.

Russ McNamara, WDET: In the book, you mention the TV show ‘The OC’ which was a popular teen soap opera in the early ’00s. How much did that show’s soundtrack play into the rise in indie rock?

Chris DeVille, author of “Such Great Heights”: I was surprised as I was writing the book, how much it became like a shadow history of the evolution of the Internet over the last couple of decades. And you know The OC thing, it’s like they’re putting these bands in front of a much bigger audience. Like Death Cab for Cutie is like a fairly obscure band at the time, and then this character on this popular teen show is like making his whole personality that he loves Death Cab for Cutie.

It’s like giant platform, but then they lose cool points with some people, as you know, sort of a more norm-y audience discovers this band, but it’s definitely, there’s no doubt that it was a huge like funnel, bringing a bunch of bands to a much broader audience

RM: What about the added accessibility of file sharing sites like Limewire and Napster?

CD: Whatever platform you were using to pirate music I think contributed to the accessibility of stuff. Stuff could blow up, even if it didn’t fit into a particular radio format, or it wasn’t getting past the MTV gatekeepers. It didn’t have to fit into any existing niche or existing format to blow up. It could just catch fire and go viral on these file sharing servers.

I mean, the same thing was still true when iTunes came in and kind of formalized and commercialized the process. You could still have a song that people would download it like crazy.

RM: Which indie bands benefitted the most from this setup in the early 00’s?

CD: Arcade Fire was definitely the biggest. The other dimension that I talk a lot about in the book, is Pitchfork. And just like the power that Pitchfork had to make or break someone’s career. If they gave something a 10.0 people were just going to jump on it and worship it. And if they kind of talked smack about a particular band or completely panned a band, then there were instances where that basically ended someone’s commercial prospects. And so like Arcade Fire were like the perfect storm.

RM: So where is indie rock at now? Is it dead? Does the genre really mean anything anymore?

CD: Over time, indie became like more of a genre, and then the genre itself started to change. But I think what we saw happen in the 2010s is sort of like the indie goes pop thing. It was like a bubble, and it really did pop. We still have these sort of like boutique pop stars like Clairo.

We had artists that came out of the indie world become pop stars of a sort because of stuff like Tiktok. Like Mitski is a good example of that where she’s coming from, from the indie rock infrastructure, and she is making music that jumps across genres a little bit.

There’s a hunger for bands that have a little bit more of an edge to them, that are a little bit less smooth, a little bit willing to be weird or noisy. That’s what you see with a lot of the biggest indie bands today – ones that have gone against that sort of, like Spotify-friendly, passive-listening experience. There’s now a hunger for music that’s a bit more abrasive, something that will jolt people out of their stupor.

Music wants to evolve. It wants to find new audiences. And so the whole idea of like, gatekeeping and having the right audience versus the wrong audience, like, that’s something that factors into the book too.