Meet Starlings! Or at least half of Starlings. My guests this week were Nick Chevillet (guitar/vocals), Adam Liles (guitar), and Darren Shelton, (keyboards). You can see Shelton on the far right, up top, who immediately joked that he “only has one look” when it comes to photos, otherwise, his energy is significantly mirthful, ebullient even, and certainly exuding lots of encouraging energy toward his bandmate, Liles (he’s the tallest one in the picture) just released his debut solo album “Slow Pony” this week.

During the last segment of this week’s show, I spoke with Liles about his new album, including debuting a song from it, “Heart Attack Machine.” Then Liles treated WDET listeners to a live acoustic version of another song, proper for these chilly winter nights, titled “Silver Letter.”

Liles has been in several bands over the last decade, including Pia The Band and The Indigo Curve, but he’s also been working on solo material, albeit a bit more quietly, for just as long, having released demos in the late 2010s, along with a solid single, “Ripcord.”

Chevillet shared a charming anecdote about how Liles came to join Starlings. This six-piece band grew out of a collaboration that Chevillet started, somewhat on a lark, with singer-songwriter Adam Padden. Chevillet and Padden were already well-acquainted after years of playing together in another indie-rock group, Handgrenades.

Starlings started as a bonding creative project during the quarantine days of Covid, when both Chevillet and Padden had just become new fathers and were eager to fill some of that precious quiet time when their newborns were napping; naturally, they filled it with songwriting.

Liles is a natural fit for Starlings, since Chevillet and Padden’s initial batch of songs matched his own sensibilities for propulsive mini-ballads of melodic brooding post-punk mixed with pedal-augmented guitar phrases, welded over sophisticated compositions that support and sweeten (or bitterly sweeten) the lilts of poetically heavyhearted lyrics.

Shelton had previously set up an impressive recording space Downriver, where Chevillet revealed he’s been working on a slew of new Starlings tracks for future recordings; their debut EP, “Try Hard Town,” was released last year. Liles, in turn, also admitted that while he’s eager to continue recording and performing with Starlings, he’s also got plenty of solo material that could fill a follow-up to” Slow Pony” soon.

Also on tonight’s show, I looked ahead to this weekend’s annual Ann Arbor Folk Festival, a fundraiser for that city’s musical mecca of roots music, The Ark. I featured tracks from two artists performing on Saturday at Hill Auditorium: the versatile Americana-folk-rock ensemble The Crane Wives, and Rabbitology, who weaves a heartwarmingly witchy brew of atmospheric folk that sounds like it’s building her up to be the inheritor of the torches of Kate Bush and Florence Welch.

Also on this week’s show, a track from Tony Mugg’s solo project, DUDE, a dazzlingly jazzy-indie-rock instrumental from Seth Bernard, and a swooning ballad from Annie Bacon. We even found some time to flash back to 2016’s world of local music releases, with two seemingly long-lost music projects known as Real Ghosts and The Good Things.