Dance is typically understood as a physical artform. A non-verbal expression of creativity, emotions and narratives. Dance is a cultural pillar that brings communities together under shared goals: to create and perform. 

Ajara Alghali is a cultural organizer and connector, who believes that dance can also be a tool for transformation and equity and a connection between ritual and our shared environment. With these principles in mind, she co-founded the TéMaTé Institute for Black Dance and Culture in 2018. 

The organization hosts an annual dance convening that demonstrates that vision through workshops and performances from experts who span the African diaspora. This year, it takes place October 18 and 19 at the Andy Art Center and Detroit School of Arts.  Ajara joined The Metro to discuss the upcoming event.

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In the 1999 film, “The Best Man,” we were introduced to novelist Harper Stewart (Taye Diggs), whose writes a book loosely based on his friend group that causes chaos and tests relationships amid a close friend’s wedding — for which he served as best man.

“The Best Man” was a staple film in the Black community. The friendships highlight the struggles of young adults trying to get their careers off the ground, early marriage stages and more. The bonds between those characters are so nuanced, it’s one of the reasons it became a hit.

For many it showed a multitude of different characters that we typically don’t see in film and television. That’s one of the reasons writer and director of the film, Malcolm D. Lee, says he created the film.

Now, 27 years later, after a second film and a series on Peacock, those characters are transitioning from the screen to a new book, “The Best Man: Unfinished Business,” co-written by Lee and author Jayne Allen.

Lee joined The Metro to share more about the book ahead of an author event on Tuesday at Detroit’s Garden Theater.

Use the media player above to hear the full conversation.

Listen to The Metro weekdays from 10 a.m. to noon ET on 101.9 FM and streaming on-demand.

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