By Los Angeles Times

LOS ANGELES — The 2024 Primetime Emmy Awards arrived on Sunday.

The awards, presented by the Television Academy, honored the best of the 2023-2024 TV season. The 76th edition of the ceremony came just months after the 75th edition, which was held in January after being delayed by the dual Hollywood strikes.

Here are the winners, including several previously announced at the Creative Arts Emmys.

Comedy series

“Abbott Elementary”

“The Bear”

“Curb Your Enthusiasm”

Winner: “Hacks”

“Only Murders in the Building”

“Palm Royale”

“Reservation Dogs”

“What We Do in the Shadows”

Drama series

“The Crown”

“Fallout”

“The Gilded Age”

“The Morning Show”

“Mr. & Mrs. Smith”

Winner: “Shōgun”

“Slow Horses”

“3 Body Problem”

Drama lead actress

Jennifer Aniston, “The Morning Show”

Carrie Coon, “The Gilded Age”

Maya Erskine, “Mr. & Mrs. Smith”

Winner: Anna Sawai, “Shōgun”

Imelda Staunton, “The Crown”

Reese Witherspoon, “The Morning Show”

Drama lead actor

Donald Glover, “Mr. & Mrs. Smith”

Walton Goggins, “Fallout”

Gary Oldman, “Slow Horses”

Winner: Hiroyuki Sanada, “Shōgun”

Dominic West, “The Crown”

Idris Elba, “Hijack”

Limited series

Winner: “Baby Reindeer”

“Fargo”

“Lessons in Chemistry”

“Ripley”

“True Detective: Night Country”

Limited series / TV movie lead actress

Winner: Jodie Foster, “True Detective: Night Country”

Brie Larson, “Lessons in Chemistry”

Juno Temple, “Fargo”

Sofía Vergara, “Griselda”

Naomi Watts, “Feud: Capote vs. the Swans”

Limited series / TV movie lead actor

Matt Bomer, “Fellow Travelers”

Winner: Richard Gadd, “Baby Reindeer”

Jon Hamm, “Fargo”

Tom Hollander,“Feud: Capote vs. the Swans”

Andrew Scott, “Ripley”

Directing for a drama series

Hiro Murai, “First Date,” “Mr. & Mrs. Smith”

Winner: Frederick E.O. Toye, “Crimson Sky,” “Shōgun”

Saul Metzstein, “Strange Games,” “Slow Horses”

Stephen Daldry, “Sleep, Dearie Sleep,” “The Crown”

Mimi Leder, “The Overview Effect,” “The Morning Show”

Directing for a comedy series

Randall Einhorn, “Party,” “Abbott Elementary”

Lucia Aniello, “Bulletproof,” “Hacks”

Winner: Christopher Storer, “Fishes,” “The Bear”

Ramy Youssef, “Honeydew,” “The Bear”

Guy Ritchie, “Refined Aggression,” “The Gentlemen”

Writing for a limited or anthology series or movie

Winner: Richard Gadd, “Baby Reindeer”

Charlie Brooker, “Joan Is Awful,” “Black Mirror”

Noah Hawley, “The Tragedy of the Commons,” “Fargo”

Ron Nyswaner, “You’re Wonderful,” “Fellow Travelers”

Steven Zaillian, “Ripley”

Issa López, “Part 6,” “True Detective: North Country”

Writing for a drama series

Geneva Robertson-Dworet, Graham Wagner; “The End,” “Fallout”

Francesca Sloane, Donald Glover; “First Date,” “Mr. & Mrs. Smith”

Rachel Kondo, Justin Marks; “Anjin,” “Shōgun”

Rachel Kondo, Caillin Puente; “Crimson Sky,” “Shōgun”

Winner: Will Smith, “Negotiating With Tigers,” “Slow Horses”

Peter Morgan, Meriel Sheibani-Clare; “The Ritz,” “The Crown”

Limited series / TV movie supporting actor

Jonathan Bailey, “Fellow Travelers”

Robert Downey Jr., “The Sympathizer”

Tom Goodman-Hill, “Baby Reindeer”

John Hawkes, “True Detective: North Country”

Winner: Lamorne Morris, “Fargo”

Lewis Pullman, “Lessons in Chemistry”

Treat Williams, “Feud: Capote vs. the Swans”

Talk series

Winner: “The Daily Show”

“Jimmy Kimmel Live!”

“Late Night With Seth Meyers”

“The Late Show With Stephen Colbert”

Writing for a comedy series

Quinta Brunson, “Career Day,” “Abbott Elementary”

Meredith Scardino, Sam Means; “Orlando,” “Girls5eva”

Winner: Lucia Aniello, Paul W. Downs, Jen Statsky; “Bulletproof,” “Hacks”

Christopher Storer, Joanna Calo; “Fishes,” “The Bear”

Chris Kelly, Sarah Schneider; “Brooke Hosts a Night of Undeniable Good,” “The Other Two”

Jake Bender, Zach Dunn; “Pride Parade,” “What We Do in the Shadows”

Directing for a limited or anthology series or movie

Weronika Tofilska, “Episode 4,” “Baby Reindeer”

Noah Hawley, “The Tragedy of the Commons,” “Fargo”

Gus Van Sant, “Feud: Capote vs. the Swans”

Millicent Shelton, “Poirot,” “Lessons in Chemistry”

Winner: Steven Zaillian, “Ripley”

Issa López, “True Detective: North Country”

Writing for a variety special

Winner: Alex Edelman, “Alex Edelman: Just For Us”

Jacqueline Novak, “Jacqueline Novak: Get On Your Knees”

John Early, “John Early: Now More Than Ever”

Mike Birbiglia, “Mike Birbiglia: The Old Man and The Pool”

“The Oscars”

Scripted variety series

Winner: “Last Week Tonight With John Oliver”

“Saturday Night Live”

Limited series / TV movie supporting actress

Dakota Fanning, “Ripley”

Lily Gladstone, “Under the Bridge”

Winner: Jessica Gunning, “Baby Reindeer”

Aja Naomi King, “Lessons in Chemistry”

Diane Lane, “Feud: Capote vs. the Swans”

Nava Mau, “Baby Reindeer”

Kali Reis, “True Detective: Night Country”

Reality competition program

“The Amazing Race”

“RuPaul’s Drag Race”

“Top Chef”

Winner: “The Traitors”

“The Voice”

Comedy lead actress

Quinta Brunson, “Abbott Elementary”

Ayo Edebiri, “The Bear”

Selena Gomez, “Only Murders in the Building”

Winner: Jean Smart, “Hacks”

Kristen Wiig, “Palm Royale”

Maya Rudolph, “Loot”

Drama supporting actress

Christine Baranski, “The Gilded Age”

Nicole Beharie, “The Morning Show”

Winner: Elizabeth Debicki, “The Crown”

Greta Lee, “The Morning Show”

Lesley Manville, “The Crown”

Karen Pittman, “The Morning Show”

Holland Taylor, “The Morning Show”

Comedy supporting actress

Carol Burnett, “Palm Royale”

Winner: Liza Colón-Zayas, “The Bear”

Hannah Einbinder, “Hacks”

Janelle James, “Abbott Elementary”

Sheryl Lee Ralph, “Abbott Elementary”

Meryl Streep, “Only Murders in the Building”

Comedy lead actor

Matt Berry, “What We Do in the Shadows,”

Larry David, “Curb Your Enthusiasm”

Steve Martin, “Only Murders in the Building”

Martin Short, “Only Murders in the Building”

Winner: Jeremy Allen White, “The Bear”

D’Pharaoh Woon-A-Tai, “Reservation Dogs”

Drama supporting actor

Tadanobu Asano, “Shōgun”

Winner: Billy Crudup, “The Morning Show”

Mark Duplass, “The Morning Show”

Jon Hamm, “The Morning Show”

Takehiro Hira, “Shōgun”

Jack Lowden, “Slow Horses”

Jonathan Pryce, “The Crown”

Comedy supporting actor

Lionel Boyce, “The Bear”

Paul W. Downs, “Hacks”

Winner: Ebon Moss-Bachrach, “The Bear”

Paul Rudd, “Only Murders in the Building”

Tyler James Williams, “Abbott Elementary”

Bowen Yang, “Saturday Night Live”

Television movie

Winner: “Quiz Lady”

“Mr. Monk’s Last Case: A Monk Movie”

“Red, White & Royal Blue”

“Scoop”

“Unfrosted”

Guest actor in a drama series

Winner: Néstor Carbonell, “Shōgun”

Paul Dano, “Mr. & Mrs. Smith”

Tracy Letts, “Winning Time: The Rise of the Lakers Dynasty”

Jonathan Pryce, “Slow Horses”

John Turturro, “Mr. & Mrs. Smith”

Guest actress in a drama series

Winner: Michaela Coel, “Mr. & Mrs. Smith”

Claire Foy, “The Crown”

Marcia Gay Harden, “The Morning Show”

Sarah Paulson, “Mr. & Mrs. Smith”

Parker Posey, “Mr. & Mrs. Smith”

Guest actor in a comedy series

Winner: Jon Bernthal, “The Bear”

Matthew Broderick, “Only Murders in the Building”

Ryan Gosling, “Saturday Night Live”

Christopher Lloyd, “Hacks”

Bob Odenkirk, “The Bear”

Will Poulter, “The Bear”

Guest actress in a comedy series

Winner: Jamie Lee Curtis, “The Bear”

Olivia Colman, “The Bear”

Kaitlin Olson, “Hacks”

Da’Vine Joy Randolph, “Only Murders in the Building”

Maya Rudolph, “Saturday Night Live”

Kristen Wiig, “Saturday Night Live”

For a complete list of Emmy nominees, go to Emmys.com.

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©2024 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

By Los Angeles Times

LOS ANGELES — The 2024 Primetime Emmy Awards arrived on Sunday.

The awards, presented by the Television Academy, honored the best of the 2023-2024 TV season. The 76th edition of the ceremony came just months after the 75th edition, which was held in January after being delayed by the dual Hollywood strikes.

Here are the winners, including several previously announced at the Creative Arts Emmys.

Comedy series

“Abbott Elementary”

“The Bear”

“Curb Your Enthusiasm”

Winner: “Hacks”

“Only Murders in the Building”

“Palm Royale”

“Reservation Dogs”

“What We Do in the Shadows”

Drama series

“The Crown”

“Fallout”

“The Gilded Age”

“The Morning Show”

“Mr. & Mrs. Smith”

Winner: “Shōgun”

“Slow Horses”

“3 Body Problem”

Drama lead actress

Jennifer Aniston, “The Morning Show”

Carrie Coon, “The Gilded Age”

Maya Erskine, “Mr. & Mrs. Smith”

Winner: Anna Sawai, “Shōgun”

Imelda Staunton, “The Crown”

Reese Witherspoon, “The Morning Show”

Drama lead actor

Donald Glover, “Mr. & Mrs. Smith”

Walton Goggins, “Fallout”

Gary Oldman, “Slow Horses”

Winner: Hiroyuki Sanada, “Shōgun”

Dominic West, “The Crown”

Idris Elba, “Hijack”

Limited series

Winner: “Baby Reindeer”

“Fargo”

“Lessons in Chemistry”

“Ripley”

“True Detective: Night Country”

Limited series / TV movie lead actress

Winner: Jodie Foster, “True Detective: Night Country”

Brie Larson, “Lessons in Chemistry”

Juno Temple, “Fargo”

Sofía Vergara, “Griselda”

Naomi Watts, “Feud: Capote vs. the Swans”

Limited series / TV movie lead actor

Matt Bomer, “Fellow Travelers”

Winner: Richard Gadd, “Baby Reindeer”

Jon Hamm, “Fargo”

Tom Hollander,“Feud: Capote vs. the Swans”

Andrew Scott, “Ripley”

Directing for a drama series

Hiro Murai, “First Date,” “Mr. & Mrs. Smith”

Winner: Frederick E.O. Toye, “Crimson Sky,” “Shōgun”

Saul Metzstein, “Strange Games,” “Slow Horses”

Stephen Daldry, “Sleep, Dearie Sleep,” “The Crown”

Mimi Leder, “The Overview Effect,” “The Morning Show”

Directing for a comedy series

Randall Einhorn, “Party,” “Abbott Elementary”

Lucia Aniello, “Bulletproof,” “Hacks”

Winner: Christopher Storer, “Fishes,” “The Bear”

Ramy Youssef, “Honeydew,” “The Bear”

Guy Ritchie, “Refined Aggression,” “The Gentlemen”

Writing for a limited or anthology series or movie

Winner: Richard Gadd, “Baby Reindeer”

Charlie Brooker, “Joan Is Awful,” “Black Mirror”

Noah Hawley, “The Tragedy of the Commons,” “Fargo”

Ron Nyswaner, “You’re Wonderful,” “Fellow Travelers”

Steven Zaillian, “Ripley”

Issa López, “Part 6,” “True Detective: North Country”

Writing for a drama series

Geneva Robertson-Dworet, Graham Wagner; “The End,” “Fallout”

Francesca Sloane, Donald Glover; “First Date,” “Mr. & Mrs. Smith”

Rachel Kondo, Justin Marks; “Anjin,” “Shōgun”

Rachel Kondo, Caillin Puente; “Crimson Sky,” “Shōgun”

Winner: Will Smith, “Negotiating With Tigers,” “Slow Horses”

Peter Morgan, Meriel Sheibani-Clare; “The Ritz,” “The Crown”

Limited series / TV movie supporting actor

Jonathan Bailey, “Fellow Travelers”

Robert Downey Jr., “The Sympathizer”

Tom Goodman-Hill, “Baby Reindeer”

John Hawkes, “True Detective: North Country”

Winner: Lamorne Morris, “Fargo”

Lewis Pullman, “Lessons in Chemistry”

Treat Williams, “Feud: Capote vs. the Swans”

Talk series

Winner: “The Daily Show”

“Jimmy Kimmel Live!”

“Late Night With Seth Meyers”

“The Late Show With Stephen Colbert”

Writing for a comedy series

Quinta Brunson, “Career Day,” “Abbott Elementary”

Meredith Scardino, Sam Means; “Orlando,” “Girls5eva”

Winner: Lucia Aniello, Paul W. Downs, Jen Statsky; “Bulletproof,” “Hacks”

Christopher Storer, Joanna Calo; “Fishes,” “The Bear”

Chris Kelly, Sarah Schneider; “Brooke Hosts a Night of Undeniable Good,” “The Other Two”

Jake Bender, Zach Dunn; “Pride Parade,” “What We Do in the Shadows”

Directing for a limited or anthology series or movie

Weronika Tofilska, “Episode 4,” “Baby Reindeer”

Noah Hawley, “The Tragedy of the Commons,” “Fargo”

Gus Van Sant, “Feud: Capote vs. the Swans”

Millicent Shelton, “Poirot,” “Lessons in Chemistry”

Winner: Steven Zaillian, “Ripley”

Issa López, “True Detective: North Country”

Writing for a variety special

Winner: Alex Edelman, “Alex Edelman: Just For Us”

Jacqueline Novak, “Jacqueline Novak: Get On Your Knees”

John Early, “John Early: Now More Than Ever”

Mike Birbiglia, “Mike Birbiglia: The Old Man and The Pool”

“The Oscars”

Scripted variety series

Winner: “Last Week Tonight With John Oliver”

“Saturday Night Live”

Limited series / TV movie supporting actress

Dakota Fanning, “Ripley”

Lily Gladstone, “Under the Bridge”

Winner: Jessica Gunning, “Baby Reindeer”

Aja Naomi King, “Lessons in Chemistry”

Diane Lane, “Feud: Capote vs. the Swans”

Nava Mau, “Baby Reindeer”

Kali Reis, “True Detective: Night Country”

Reality competition program

“The Amazing Race”

“RuPaul’s Drag Race”

“Top Chef”

Winner: “The Traitors”

“The Voice”

Comedy lead actress

Quinta Brunson, “Abbott Elementary”

Ayo Edebiri, “The Bear”

Selena Gomez, “Only Murders in the Building”

Winner: Jean Smart, “Hacks”

Kristen Wiig, “Palm Royale”

Maya Rudolph, “Loot”

Drama supporting actress

Christine Baranski, “The Gilded Age”

Nicole Beharie, “The Morning Show”

Winner: Elizabeth Debicki, “The Crown”

Greta Lee, “The Morning Show”

Lesley Manville, “The Crown”

Karen Pittman, “The Morning Show”

Holland Taylor, “The Morning Show”

Comedy supporting actress

Carol Burnett, “Palm Royale”

Winner: Liza Colón-Zayas, “The Bear”

Hannah Einbinder, “Hacks”

Janelle James, “Abbott Elementary”

Sheryl Lee Ralph, “Abbott Elementary”

Meryl Streep, “Only Murders in the Building”

Comedy lead actor

Matt Berry, “What We Do in the Shadows,”

Larry David, “Curb Your Enthusiasm”

Steve Martin, “Only Murders in the Building”

Martin Short, “Only Murders in the Building”

Winner: Jeremy Allen White, “The Bear”

D’Pharaoh Woon-A-Tai, “Reservation Dogs”

Drama supporting actor

Tadanobu Asano, “Shōgun”

Winner: Billy Crudup, “The Morning Show”

Mark Duplass, “The Morning Show”

Jon Hamm, “The Morning Show”

Takehiro Hira, “Shōgun”

Jack Lowden, “Slow Horses”

Jonathan Pryce, “The Crown”

Comedy supporting actor

Lionel Boyce, “The Bear”

Paul W. Downs, “Hacks”

Winner: Ebon Moss-Bachrach, “The Bear”

Paul Rudd, “Only Murders in the Building”

Tyler James Williams, “Abbott Elementary”

Bowen Yang, “Saturday Night Live”

Television movie

Winner: “Quiz Lady”

“Mr. Monk’s Last Case: A Monk Movie”

“Red, White & Royal Blue”

“Scoop”

“Unfrosted”

Guest actor in a drama series

Winner: Néstor Carbonell, “Shōgun”

Paul Dano, “Mr. & Mrs. Smith”

Tracy Letts, “Winning Time: The Rise of the Lakers Dynasty”

Jonathan Pryce, “Slow Horses”

John Turturro, “Mr. & Mrs. Smith”

Guest actress in a drama series

Winner: Michaela Coel, “Mr. & Mrs. Smith”

Claire Foy, “The Crown”

Marcia Gay Harden, “The Morning Show”

Sarah Paulson, “Mr. & Mrs. Smith”

Parker Posey, “Mr. & Mrs. Smith”

Guest actor in a comedy series

Winner: Jon Bernthal, “The Bear”

Matthew Broderick, “Only Murders in the Building”

Ryan Gosling, “Saturday Night Live”

Christopher Lloyd, “Hacks”

Bob Odenkirk, “The Bear”

Will Poulter, “The Bear”

Guest actress in a comedy series

Winner: Jamie Lee Curtis, “The Bear”

Olivia Colman, “The Bear”

Kaitlin Olson, “Hacks”

Da’Vine Joy Randolph, “Only Murders in the Building”

Maya Rudolph, “Saturday Night Live”

Kristen Wiig, “Saturday Night Live”

For a complete list of Emmy nominees, go to Emmys.com.

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©2024 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

Who’s ready for TV’s biggest night?

Hollywood’s primetime stars are on the red carpet for the 2024 Emmys.

Here’s what celebrities wore for the illustrious event:

In her single earlier this year with Lorde, Charli XCX sings that “it’s so confusing sometimes to be a girl.”

But there was no mystery as to what put the British singer together with Australian mate Troye Sivan — or what made their joint Sweat tour work on its opening night Saturday, Sept. 14, at Detroit’s Little Caesars Arena.

The two have some history together, of course, including a trio of songs they’ve released together. But they’re also cut from different parts of the same creative cloth, stylistically and attitudinally — both unapologetically themselves, regardless of how many feathers that may ruffle.

The shared hour-and-50-minute show on Saturday, before a crowd of about 13,000 — including a general admission floor level — was in impressively crisp shape for its first night out. The format, with each singer performing a short segment, then yielding the stage to the other over the course of six “acts” each and 31 songs total — kept things moving and the energy level high.

Each appearance, of course, came with a new outfit, from XCX’s fur coat to Sivan’s shoulder-bearing corset and beyond. And when they did team up — for their 2018 hit “1999” that closed the main set, with the two on a raised hydraulic platform, and the night-closing remix of XCX’s “Talk Talk” — it only served to torque things up another few notches.

XCX and Sivan, singing to pre-recorded instrumental tracks, were strong on their own, too. He and his six mostly shirtless dancers began the proceedings with, appropriately enough, “Got Me Started,” and over the course of the night blended his soul-flecked pop and its EDM underpinnings with a dose of homo erotic choreography — miming fellatio as he sang the closing part of “Got Me Started” and making out with one of the dancers during the high-octane “Rush.”

The ensemble also made full use of the stage, a metallic superstructure that included tiered scaffolding, a plexiglass, cage-like ramp that jutted on to the arena floor and an omnipresent Steadicam operator who Sivan and XCX frequently performed to with the close-ups shown on video screens. The camera also caught the performers in a beneath-stage “underworld” they used to navigate around the set.

XCX, performing alone, managed to be a dominating presence as well — a diva on steroids whose more thumping, four-on-the-floor approach lit the arena up with Movement festival’s worth of ebullience. Never removing her bulbous sunglasses and focusing on “Brat,” her sixth studio album that became a summer sensation this year, XCX sang a couple of songs (“Unlock It” and “Apple”) from elevated walkways on either side of the stage, had the crowd hopping to tracks such as “The 365” (with opening act Shygirl guesting), her Billie Eilish collaboration “Guess” and the interpolations of Toni Basil’s “Mickey” during “Speed Drive.”

It was a case of one plus one equaling at least more than two; the only complaint could have been that there should have been more of XCX and Sivan together, either pulling out their other single (2019’s “2099”) or even adding to each other’s songs. But regardless of whether that transpires over the Sweat tour’s next five and a half weeks, the pair got things off to a solid start on Saturday that certainly had more than a few fans wringing out their drenched clothing afterwards.

The upcoming season of “Survivor” will again feature a local Michigan woman among the new castaways.

Rachel LaMont, a 34-year-old graphic designer from Southfield, is set to compete in Season 47 of the hit CBS show, which premieres with a two-hour episode on Sept. 18.

LaMont, originally from Dexter, has been a fan of “Survivor” for the past seven years. She recalls being instantly captivated by the show the first time her husband turned it on.

“I had never seen ‘Survivor’ before, but as soon as we started watching it, I couldn’t stop. I thought, ‘How have I never seen this show?’ I was hooked,” she said.

For LaMont, the road to getting cast on “Survivor” was a long one. She applied for the show every year for the past seven years, but it wasn’t until recently that she came close to landing a spot. She was nearly part of last year’s cast, serving as an alternate during Season 46, but didn’t end up competing.

That was the season where another woman with Michigan roots — Kenzie Petty, originally from Gibraltar — competed and won, taking home the $1 million grand prize.

Downriver native wins ‘Survivor,’ $1 million prize

LaMont now has her chance at an ultimate test of physical and mental stamina as she joins a new group of castaways on the islands of Fiji. As with previous shows, the latest competitors must form a new society and adapt to their physical and social surroundings while contending with unexpected obstacles and navigating an ever-evolving social game. LaMont said she's ready for the challenge.

"It was always a dream of mine," LaMont said.

Her preparation for the grueling game ahead was intense. LaMont frequented the gym five days a week, focusing on strength training and increasing her muscle mass.

"I knew I had to be physically prepared. The game is mentally and physically brutal, and I wanted to go in knowing I was in the best shape possible," she said.

As LaMont geared up for her "Survivor" journey, she focused on building a strong alliance of trustworthy players, a key component in the game's complex social dynamics. LaMont’s strategic mindset for the game gave her confidence in her ability to play a smart and balanced game. She likens her gameplay approach to the "Goldilocks complex.”

“I think about this Goldilocks complex. You have to be not too smart but not unstrategic, not too physical but not too weak. You have to be just in that middle spot — that is key to winning,” she said.

LaMont’s favorite season of "Survivor" is David vs. Goliath, which she cites as having some of the most memorable gameplay in recent years. "That season had such incredible strategy, and it was inspiring to watch people from all different backgrounds come together and compete," she said.

She said one of the biggest challenges of participating in "Survivor" is the "digital detox" that comes with being cut off from the outside world.

"They took our phones away even before we got to the island, and adjusting was hard," she said. "But being disconnected really forces you to be more present in the game. That’s something I’m hoping to take back with me into my daily life — being more in the moment and less attached to technology."

LaMont’s experience in design also influenced her approach to "Survivor." As a user interface designer, she focuses on creating seamless, intuitive digital experiences that people don’t even notice.

"When you use an app, you don’t think about every button you press. That’s how I want to play 'Survivor.' I want to integrate myself into the game so that people won’t notice me until it’s too late," she said.

While LaMont is driven by her competitive spirit, she’s also excited about the opportunity to challenge herself, both mentally and physically. "I love people, I love games, and I love pushing myself to new limits. And let’s be honest, I love money," she said, laughing.

LaMont said she was pretty unfamiliar with the outdoors prior to the show.

"I’ve never been a big camper, but after 'Survivor' wrapped, I went glamping with some friends, and it gave me a new appreciation for being outdoors," she said.

After filming wrapped, one of the first things LaMont did upon returning home was indulge in a spicy chicken sandwich — a craving she had throughout her time on the island.

"You hear past contestants talk about food all the time, and now I understand why. When you're out there surviving, all you can think about is that first meal when you get home," she said.

To see how LaMont fares, tune in to CBS, starting at 8 p.m. Wednesday, Sept. 18 for the two-hour premiere of "Survivor."

On sale 10 a.m. Sept. 13

• Choir! Choir! Choir! Un-Silent Night: Dec. 13, Flagstar Strand, Pontiac, holiday sing-along, www.flagstarstrand.com, ticket prices vary.

• Trans-Siberian Orchestra “The Lost Christmas Eve”: 3 p.m. and 7:30 p.m., Dec. 28, Little Caesars Arena, Detroit, ticket prices vary.

• ”Golden Girls-The Laughs Continue”: Jan. 16-19, Fisher Theatre, Detroit, ticket prices vary.

Note: Events are subject to change; check with venues for updates. Tickets on sale at 313Presents.com, LiveNation.com, Ticketmaster.com or the XFINITY Box Office at Little Caesars Arena.

Beats

• Usher: 8 p.m. Sept. 12-13, Little Caesars Arena, Detroit, 313Presents.com, ticket prices vary.

• Lynyrd Skynyrd and ZZ Top: 6:30 p.m. Sept. 13, Pine Knob Music Theatre, Independence Twp., 313Presents.com, ticket prices vary.

• Old Crow Medicine Show: 7:30 p.m. Sept. 13, Michigan Theater, 603 E. Liberty St., Ann Arbor, https://marquee-arts.org, ticket prices vary.

• Jon Pardi, Priscilla Block: 7 p.m. Sept. 13, Michigan Lottery Amphitheatre, Sterling Heights, 313Presents.com, ticket prices vary.

• Dueling Pianos: 8 p.m. Sept. 13, at The Roxy, 401 Walnut Blvd., Rochester, 248-453-5285, www.theroxyrochester.com, doors at 7 p.m., $25+.

• Charli XCX and Troye Sivan: 7:30 p.m. Sept. 14, Little Caesars Arena, Detroit, 313Presents.com, ticket prices vary.

• Rumours tribute band, Ghosts in Motion: Sept. 14, The Loving Touch, 22634 Woodward Ave., Ferndale, 248-820-5596, thelovingtouchferndale.com, all ages, doors at 6 p.m., $15+.

• Adel Ruelas: 7 p.m. Sept. 14, The Crofoot Ballroom, 1 S. Saginaw, Pontiac, all ages, https://thecrofoot.com/events, $25+.

• Songwriter’s Round: 8 p.m. Sept. 14, with Vinnie Paolizzi, Gabe Lee and Jack Mckeon, at 20 Front Street, Lake Orion, 248-783-7105, www.20frontstreet.com, doors at 7:30 p.m. all ages, $32.50+.

• The Sisters of Mercy: 7 p.m. Sept. 14, The Fillmore, 2115 Woodward Ave, Detroit,  www.thefillmoredetroit.com, ticket prices vary.

• Falling in Reverse: 5:45 p.m. Sept. 15, with Dance Gavin Dance, Black Veil Brides, Tech N9ne and Jeris Johnson, Michigan Lottery Amphitheatre, Sterling Heights, 313Presents.com, ticket prices vary.

• The Shamrock Jazz Orchestra: 7 p.m. Sept. 15, at The Roxy, 401 Walnut Blvd., Rochester, 248-453-5285, www.theroxyrochester.com, doors at 7 p.m., $35+.

• Kirk Franklin, Yolanda Adams: 7 p.m. Sept. 15, Little Caesars Arena, Detroit, 313Presents.com, ticket prices vary.

• Willie Nelson & Family, Bob Dylan, John Mellencamp: 5 p.m. Sept. 15, Pine Knob Music Theatre, Independence Twp., 313Presents.com, ticket prices vary.

• Freddie Jackson: 7:30 p.m. Sept. 15, Sound Board at MotorCity Casino, Detroit, 313Presents.com, ticket prices vary.

• A Special Tribute to the Blues ft. Dnise Jonson: 7 p.m. Sept. 16, Aretha’s Jazz Cafe, 350 Madison St., Detroit, hosted By Mike Bonner,  doors at 6 p.m., https://jazzcafedetroit.com, $25+.

• Phosphorescent: 7 p.m. Sept. 16, El Club Detroit, 4114 W. Vernor Hwy., https://elclubdetroit.com, $40.11.

• Judas Priest, Sabaton: 7:30 p.m. Sept. 17, Michigan Lottery Amphitheatre, Sterling Heights, 313Presents.com, ticket prices vary.

• Leprous: 6 p.m. Sept. 17, The Crofoot Ballroom, 1 S. Saginaw, Pontiac, all ages, https://thecrofoot.com/events, $28+.

• The Marley Brothers: 7:30 p.m. Sept. 19, Pine Knob Music Theatre, Independence Twp., 313Presents.com, ticket prices vary.

• Stephen Pearcy of RATT: 7 p.m. Sept. 19, Diesel Concert Lounge, 33151 23 Mile Road, Chesterfield, www.dieselconcerts.com, ticket prices vary.

Festivals

• Troy Family Daze: Sept. 12-15, at the Troy Civic Center, 241 Town Center, Troy, featuring family entertainment, food court, children’s activities, 5K Run/Walk is Sept. 15, International Day entertainment is noon-7 p.m. Sept. 15, $5 admission each day, (free admission for ages 10 and younger), amusement rides-ticket prices vary, free parking available at Liberty Center parking garage, 100 W. Big Beaver Road, with shuttle to the festival, www.troyfamilydaze.org. Parade at 10 a.m. Sept. 14, starting at Walsh College, ending at Troy Community Center. Fireworks scheduled for 9:30 p.m. Sept. 14.

• Septemberfest: 10 a.m.-8 p.m. Sept. 14, downtown Ortonville, vendors, live music, children’s activities, entertainment, food to purchase, car show, Ortonville Lions Club Beer Tent, Sept. 13-15, opening at 5 p.m. Friday with live music at 8 p.m. Friday and Saturday, brandontownship.us.

• KlezMitten-Klezmer Festival: 2:30 p.m. Sept. 15, International Institute, 111 E Kirby St., Detroit, music, dancing, food to purchase, $20 general admission, free for children younger than 12, https://klezundheit.ludus.com/index.php.

• Funky Ferndale Art Fair: Sept. 20-22, (Friday 4-7:30 p.m., Saturday 10 a.m.-7:30 p.m., Sunday 11a.m.-6 p.m.), more than 140 juried artists and authors, west of Woodward  on Nine Mile. It is joined by the DIY Street Fair, which is on the east side of Woodward, www.funkyferndaleartfair.com, free admission. Parking at any of the downtown lots or in the DOT parking structure on Troy Street west of Woodward.

• Oktoberfest: 3-10 p.m. Sept. 21 live music from 6-10 p.m. Our Shepherd Lutheran Church, 2225 E. 14 Mile Road in Birmingham, with Michigan’s premier German band, Die Dorfmusikanten, the Redeemer Brass from 3-6 p.m., dancing, German foods, German beer and wine to purchase, 248-646-6100, www.oslcoktoberfest.com, free admission.

• Annual Art in the Village: Sept. 21-22, (10 a.m.-5 p.m. Saturday and 10 a.m.-4 p.m. Sunday), Depot Park, west of Main St. (M-15), Clarkston, juried art show, vintage market, food trucks, children’s crafts, music, presented by Clarkston Community Historical Society, free admission, www.clarkstonhistorical.org. (Paid parking in city lots 11 a.m.-9 p.m., on Saturdays, free parking in city lots on Sunday, PassportParking.com).

• Renaissance Festival: 9 a.m.-7 p.m. themed weekends, Saturdays and Sundays, through Sept. 29, (also Sept. 27), at 12600 Dixie Hwy., Holly, entertainment, jousting, vendors, www.michrenfest.com, 248-634-5552, parking pass required, ticket prices vary.

Theater

• 2024 One Act Fest: Sept 13-15, (8 p.m. Sept. 13-14 and 2 p.m. Sept. 14-15) at Peace Lutheran Church, 17029 W. 13 Mile Road, Southfield, https://rosedalecommunityplayers.com, ticket prices vary.

• “The Yellow Boat”: Sept. 19-22, (7:30 p.m. Sept. 19-21 and 2:30 p.m. Sept. 22), Rochester Christian University, 800 W. Avon Road, Rochester Hills, $5 for students and $18 for adults, www.rcu.edu/rcu-theatre-music.

• “The Book Club Play” by Karen Zacarías: Sept. 20-Oct. 6 (8 p.m. Fridays and Saturdays, and 2 p.m. Sundays), The Inspired Acting Company, 1124 E. West Maple Road, Walled Lake, 248-863-9953, www.InspiredActing.org, $35 and $30 (under 30/over 65).

• “Memphis the Musical”: Through Sept 22, Birmingham Village Players, 34660 Woodward Ave, Birmingham, https://birminghamvillageplayers.com, $30.

• “Grand Horizons”: Sept. 25-Oct. 20, Tipping Point Theatre, 361 E Cady St., Northville, www.tippingpointtheatre.com, ticket prices vary.

Art

• 2024 Birmingham Bloomfield Cultural Arts Awards: 5:30-7:30 p.m. Sept. 13, Birmingham Bloomfield Art Center, (BBAC), 1516 S. Cranbrook Road, Birmingham, https://culturalcouncilbirminghambloomfield.org.

• The Wild Side exhibition: Through Sept. 13, Suzanne Haskew Arts Center (SHAC), 125 S. Main Street, Milford, www.milfordvfaa.org/exhibits. Hours are 10 a.m.-2 p.m. Tuesday-Saturday.

• Drop In Workshop: Bookmarks is 6-8:30 p.m. Sept. 13, noon-4 p.m. Sept. 14-15, Detroit Institute of Arts, Art-Making Studio, 5200 Woodward Ave., Detroit, www.dia.org.

• “Florilegium & Fairy Tales”-Lori Zurvalec: Sept. 13-Nov. 1, opening reception is 2-4 p.m. Sept. 14 with light refreshments, at the gallery, 20919 John R Road, Hazel Park, open 1 to 5 p.m., Wednesday to Saturday, and at other times by appointment and at ColorInkStudio.com. Artist Talk is 2-3 p.m. Oct. 13, 248-398-6119.

• “Future-Proof” series: 6-8 p.m. Sept. 17, at 1001 Woodward Ave., Detroit. Lawrence Technological University will present a second installment of its series, “Future-Proof- Transforming Detroit from Art Deco to AI by 2050,” AI-imaging exhibition.

• “Constructing Futures”: Exhibit through September, 1001 Woodward Avenue, Detroit, demonstration set for noon, Sept. 18. Constructing Futures AI is supported by: College of Architecture and Design, Lawrence Technological University, https://constructingfutures.design.

• Nick Bair: Live chalk-art drawing at the Detroit Zoo, 8450 W. 10 Mile Road, Royal Oak, Sept. 18. Times vary. Dates are weather dependent and subject to change, https://detroitzoo.org.

• Birmingham’s Art Walk: 5-8 p.m. Sept. 19, presented by the Birmingham Shopping District in partnership with the Birmingham Bloomfield Art Center, features local businesses and artists, musical performances, special promotions, ALLINBirmingham.com/events.

• Daniel Cascardo exhibit: Through Sept. 19, Birmingham Bloomfield Art Center, 1516 S. Cranbrook Road, Birmingham, https://bbartcenter.org.

• Design Day: 11 a.m.-4 p.m. Sept. 21, at Cranbrook Art Museum, presented in partnership with Detroit Month of Design. Activities include hands-on art-making for all ages, curator-led tours of the exhibition, “A Modernist Regime: Cuban Mid-Century Design” and a panel discussion on graphic design, 248-645-3323 https://cranbrookartmuseum.org.

• “A Modernist Regime: Cuban Mid-Century Design”: Through Sept. 22, Cranbrook Art Museum, Art Lab, 39221 Woodward Ave., Bloomfield Hills, cranbrookartmuseum.org, general admission-$10.

• Tiff Massey-“7 Mile + Livernois”: Exhibit through May 11, 2025, Detroit Institute of Arts Rivera Court, 5200 Woodward Ave., Detroit, dia.org.

• Thursdays at the Museum: 1 p.m. Thursdays, Detroit Institute of Arts, Detroit, self-guided visit of our collections for adults 55 and older. Groups of 25 or more in Wayne, Oakland, and Macomb counties can receive free bus transportation, www.dia.org/events/thursdays.

• The Hawk Makerspace: The Hawk – Farmington Hills Community Center, featuring craft space, specialized equipment including a laser cutter, 3D printer, and sewing lab. Makerspace users may purchase passes to use the equipment during Open Studio hours. Classes are also offered, fhgov.com/play,-explore-learn/the-hawk/amenities/makerspace.

• Drop-in Design: 11 a.m.-5 p.m. Saturdays and Sundays, self-guided art-making activities in the Cranbrook Art Museum, Art Lab, 39221 Woodward Ave., Bloomfield Hills, cranbrookartmuseum.org, general admission-$10.

• University of Michigan Museum of Art, 525 South State St., Ann Arbor, 734-764-0395, umma.umich.edu, ticket prices vary.

• DIA Inside|Out: High-quality reproductions of artworks from the DIA’s collection are at outdoor venues throughout Macomb, Oakland, and Wayne counties, through October, https://dia.org/events/insideout-2024. The city of Rochester is participating, for locations visit www.downtownrochestermi.com/dia-insideout.

• Cranbrook on the Green: Artist-designed mini-golf is open during regular museum hours throughout the week in August, and weekends in September. One round of mini-golf is $15 adult non-members, includes admission to Cranbrook Art galleries, $8 for ages 12 and younger, Cranbrook Academy of Art, 39221 Woodward Ave., Bloomfield Hills, register for a time slot at https://cranbrookartmuseum.org/mini-golf.

Beats, continued

• New Wave Nation tribute: 7-10 p.m. Sept. 20, tribute to 80’s New Wave Music, Wildwood Amphitheater, 2700 Joslyn Ct., Orion Twp., https://orion.events, bring lawn chairs or blanket, no outside food or beverage, $20+.

• December ’63-music of Franki Valli and the Four Seasons: 7:30 p.m. Sept. 21, Macomb Center for the Performing Arts- Main Stage, 44575 Garfield Road, Clinton Twp., www.macombcenter.com, 586-286-2222, $39-$69+.

• Shovels & Rope: 7 p.m. Sept. 21, The Magic Bag, 22920 Woodward Ave., Ferndale, www.themagicbag.com, all ages, $30+ adv.

• “A Standard Affair-Supper & Song”: Sept. 21 at Andiamo Bloomfield, 6676 Telegraph Rd., Bloomfield Twp. and Sept. 28 at Andiamo Riverfront, 400 Renaissance Center A-03, Detroit, featuring Aaron Caruso and The Cliff Monear Trio, dinner at 6:30  p.m., show at 8 p.m. Tickets are $120+, includes a four-course meal. Alcohol is not included, www.andiamoitalia.com.

• Stone Sound Collective Peace Day Concert: 8 p.m. Sept. 21, led by Oakland University Professor Mark Stone, at Varner Recital Hall, 371 Varner Drive, Rochester Hills, in celebration of the International Day of Peace, free admission.

• Zuill Bailey, cello and Awadagin Pratt, piano: 7:30-9 p.m. Sept. 21, Seligman Performing Arts Center, 22305 West 13 Mile Road, Beverly Hills, www.chambermusicdetroit.org/2024-25/bailey-pratt, tickets are $30-$75+. Senior and student discounts available.

• Leonid & Friends: 6:30 p.m. Sept. 21, Royal Oak Music Theatre, 318 W 4th St. Royal Oak, www.royaloakmusictheatre.com, 248-399-3065, ticket prices vary.

• The National, The War on Drugs: Sept. 25, Michigan Lottery Amphitheatre at Freedom Hill, Sterling Heights, ticket prices vary.

• Garth Tribute: 7:30 p.m., Sept. 27, Macomb Center for the Performing Arts- Main Stage, 44575 Garfield Road, Clinton Twp., www.macombcenter.com, 586-286-2222,

• The Ultimate Queen Celebration: Sept. 27, Flagstar Strand Theatre, 12 N. Saginaw St., Pontiac, 248-309-6445, www.flagstarstrand.com, ticket prices vary.

• Aaron Berofsky & Christopher Harding: 3 p.m. Sept. 29, St. Paul’s United Methodist Church, 620 Romeo St., Rochester, Harmony in the Hills presents Aaron Berofsky, violin, and Christopher Harding, piano, $20 for adults and $10 younger than 18, https://stpaulsrochester.org.

Books

• Picture Book Launch Party!: 1:35 – 3:30 p.m. Sept. 21, at The Detroit Shoppe, Somerset Collection, Troy, https://setsailpress.eventbrite.com.

Choruses

• Rochester Community Chorus seeks new members: New singers welcome for fall/winter 2024 season. Rehearsals are held at 7:45 p.m. Mondays starting Sept. 9, in the sanctuary of St. Mary of the Hills Catholic Church, Rochester Hills, rochestercommunitychorus.org.

• Troy Community Chorus seeks new members: Registration will take place in the choir room at Troy Athens High School, 4333 John R. Road, Troy, from 6:30-7:30 on Sept. 17, followed by rehearsals from 7:30-9:30 p.m. Rehearsals are held 7:30-9:30 p.m. Tuesdays through the season. Cost is $45/individual or $80/couple. Interested singers should enter through the East entrance on John R Road, www.troycommunitychorus.com.

• Dearborn Community Chorus fall season: 7-9 p.m. Tuesdays beginning Sept. 10, Henry Ford College MacKenzie Fine Arts Center, room F-113, www.dearbornchorus.com, register at www.dearborntheater.com/events.

• 313 Presents seeks local choirs for holiday shows: Registration is open now for local choirs and glee clubs to perform at select holiday performances of the 2024-25 Fox Theatre Series. To participate, call 313 Presents Group Sales at 313-471-3099.

Classical/Orchestra

• Classical Series-Detroit Symphony Orchestra: 7 p.m. Sept. 17, The Hawk, 29995 W. 12 Mile Road, Farmington Hills, free, tickets must be reserved in advance, TheHawkTheatre.com, 313-576-5111. Pre-concert activities start at 5:30 p.m.

• Classical Series-Detroit Symphony Orchestra: 7 p.m. Sept. 18, Greater Grace Temple, 23500 W. Seven Mile Road, Detroit, www.dso.org.

• DSO-The Music of Queen: Sept. 20-21, Orchestra Hall, 3711 Woodward Ave., Detroit, dso.org, $20-$77+. Conductor Brent Havens, Detroit Symphony Orchestra and a full rock band.

• European Salon Recital: 3-4 p.m. Sept. 22, “Beautiful Music by Women Composers” Cranbrook House: 380 Lone Pine Road, Bloomfield Hills, https://housegardens.cranbrook.edu/events/2024-09/european-salon-recital-beautiful-music-women-composers, ticket prices vary.

Comedy

• One Night Stans: Ben Jones-Sept. 12-14, Billy Ray Bauer-Sept. 19-21; at 4761 Highland Road, Waterford Twp., www.onenightstans.club, 248-249-1321, ages 18+, ticket prices vary.

• Mark Ridley’s Comedy Castle: Trae Crowder-Sept. 13-14, Anna Akana-Sept. 18; Phil Hanley-Sept. 19-21, at 310 S. Troy St., Royal Oak, www.comedycastle.com, 248-542-9900, ages 18+, ticket prices vary.

• Sheng Wang: 6 p.m. and 9 p.m. Sept. 13, Royal Oak Music Theatre, 318 W 4th St. Royal Oak, www.royaloakmusictheatre.com, 248-399-3065, ticket prices vary.

• “I’m Not a Comedian, I’m Lenny Bruce”: 8:30 p.m. Sept. 14, at The Berman, 6600 W. Maple Road, West Bloomfield Twp., chronicles the life and death of the controversial comedian Lenny Bruce, written and performed by Ronnie Marmo, for mature audiences, https://theberman.org, https://tickets.jccdet.org/im-not-a-comedian-im-lenny-bruce.

• “No Balls” Comedy Ball: 12:30-5 p.m. Sept. 29, Mark Ridley’s Comedy Castle, 310 S. Troy St., Royal Oak, comedy event to raise funds for two local charities, $125 tickets include comedy show and buffet dinner, https://nbcb.weebly.com, for questions, call 586-914-1623.

Concerts in the Park

• Thursday Night Concerts in the Park: 7-9 p.m. Thursdays through Sept. 26, LaFontaine Family Amphitheater, 195 N Main St, Milford, www.meetmeinmilford.com, food to purchase, no pets allowed.

• Uptown Friday Night Concert Series: 7-9 p.m. Fridays through Sept. 13, at Macomb Place in front of O’Halloran’s Public House, Mount Clemens, facebook.com/DowntownMountClemens.

• Music is Main & Center concert series: 7-9 p.m. Saturdays, through Sept. 28, downtown Northville Town Square, www.downtownnorthville.com.

• Family Fun Zone Movies and Concerts: 7 p.m. Thursdays through Oct. 10, Wildwood Amphitheater, 2700 Joslyn Court, Orion Twp., www.Orion.events, bring lawn chairs or blankets, free admission.

• Live music: 5-9 p.m. Thursdays and Fridays through Sept. 26; 5-8 p.m. Sept. 14; 2-5 p.m. Sept. 15 and 1-7 p.m. Sept. 21; Festival Park at The Village of Rochester Hills, 104 N. Adams Road, Rochester Hills, bring lawn chairs and blankets, TheVORH.com.

• Sylvan Lake Summer Concert Series:  The Way Back Machine concert is 7 p.m. Sept. 13 at Community Center, Sylvan Lake, www.sylvanlake.org.

Dance

• Disney On Ice-”Mickey’s Search Party”: Sept. 19-22, Little Caesars Arena, Detroit, 313Presents.com, ticket prices vary.

• Flamenco: 2 p.m. Sept. 28, Macomb Center for the Performing Arts- Main Stage, 44575 Garfield Road, Clinton Twp., www.macombcenter.com, 586-286-2222, presented by Compañeros de Flamenco, learn and participate in the rhythms of Roma culture, free, but tickets required.

Film

• “Vision Quest” screening: Sept. 13, Emagine Saline with screening and Q&A with Actor Frank Jasper at 7 p.m., movie at 7:30 p.m., Meet & Greet with Frank Jasper at 9:15 p.m., at Emagine Saline, 1335 E Michigan Ave., Saline, screening with Q&A – $20 each, www.Emagine-Entertainment.com.

• Sensory-friendly film screenings: Sunday and Wednesday afternoons throughout September, at select Emagine Theatres, Emagine-Entertainment.com, ticket prices vary.

• Farmington Civic Theater, 33332 Grand River Ave., Farmington, www.theFCT.com.

• Milford Independent Cinema: 945 E Summit St., Milford, milfordcinema.org/tickets, $5+.

• Redford Theatre, 17360 Lahser Road, Detroit, redfordtheatre.com, ticket prices vary.

Fundraisers

• #ALLIN for Chris Bowling Fundraiser: 2-5 p.m. Sept. 14, at Classic Lanes, 2145  Avon Industrial Drive, Rochester Hills, www.ALLINforChrisFundraiser.weebly.com, $30 for bowlers, includes three hours of bowling, shoes, two pieces of pizza.

• Shine a Light NF Walk Michigan fundraiser: 9:30 a.m. Sept. 15, Addison Oaks County Park, Leonard, to benefit the Children’s Tumor Foundation, www.ctf.org/shine-a-light.

• 20th Annual Vine & Dine Fundraising Event: 6-9 p.m. Sept. 17, The Kingsley Bloomfield Hills, 39475 Woodward Ave., $100 in advance, $125 at the door, and $60 for young professionals under 35, premier food and wine tasting fundraiser to support the Birmingham Bloomfield Chamber and Micah 6 Community in Pontiac, www.bbcc.com.

• JARC Annual Fundraising Event: 7-10 p.m. Sept. 18, The Jam Handy, 2900 E Grand Blvd., Detroit, to support JARC, a nonprofit serving adults with developmental disabilities, featuring dinner at 7 p.m. and then an hour-long performance by acclaimed mentalist Oz Pearlman, followed by dessert, jarc.org/2024, 248-940-2617, tickets are $180+.

• Crafts on the Clinton Fundraiser: 6:30-9:30 p.m. Sept. 20, Farmers Market Pavilion, Dodge Park, 40400 Utica Road, Sterling Heights, art and food vendors, live music, local breweries and wineries along the banks of the Clinton River. Proceeds support Clinton River Watershed Council, www.crwc.org/crafts. Early bird tickets are $45 and include samples of beer or wine, food, Designated driver tickets are $15. Attendees must be 21+. Clinton River Watershed Council  fall rain barrel sale is through Sept. 16 and can be ordered at www.crwc.org/rain-barrel-sale, and picked up at Crafts on Clinton.

• Shades Of Pink Foundation Annual Comedy Event: 5:30-8 p.m. Oct. 1, The Community House in Birmingham, www.shadesofpinkfoundation.org/events-2-1/2024-annual-comedy-event, comedy show, dinner, fundraiser.

• “Dueling Pianos” fundraiser: 6-10 p.m. Oct. 18, at Fraternal Order of Police #124, 11304 14 Mile Road in Warren, tickets are $65 per person or $100 per couple and includes live entertainment, silent auction, raffles, appetizers and guest speakers. Purchase tickets at Thebutterflycollective.org, presented by The Butterfly Collective, a nonprofit organization that helps domestic violence survivors.

Lectures

• Detroit Music Awards Master Class: 7 p.m. Sept. 16, Schaver Music Recital Hall, 480 W. Hancock, Detroit, presented by the Wayne State University Department of Music. Master Class series featuring Martin Kierszenbaum, the Grammy Award-winning founder of CherryTree Music Company and longtime manager for Sting, www.detroitmusicawards.net, $50+.

• Oakland Town Hall 2024-2025 lecture series: The series includes four lecturers including Andrew Och presenting “First Ladies- Influence and Image,” on Oct. 9, and Robert Wittman presenting “Art Crime and the FBI: How Masterpieces are Stolen and Recovered,” Nov.13, at the Iroquois Club, 43248 Woodward Ave., Bloomfield Hills. For registration information, call Chairman Nancy Holan at 248-673-5984 or President Diane Midgley 248-615-1232.

Misc.

• Erebus Haunted Attraction: Sept. 13 opening for the season, at 18 South Perry St., Pontiac, www.hauntedpontiac.com/jobs, 248-332-7884.

• Annual Alliance Picnic is noon-4 p.m. Sept. 14, at Firefighters Park, 1810 W Square Lake Road, Troy, games and activities for all ages to celebrate the growth made by those in recovery from substance abuse and mental health, https://docs.google.com/forms/d/e/1FAIpQLSfJY59Qv2Qm77e3znAVhUUonyxAzO38naDD6xLwSSn3g0AHIQ/viewform.

• Detroit City Distillery 10th Anniversary Party: 10 a.m.-11 p.m. Sept. 14,  Detroit City Distillery’s Tasting Room, 2462 Riopelle Street in Eastern Market, Detroit, indoors and outdoors, live music and DJs, food to purchase, detroitcitydistillery.com.

• Fall Showcase Fashion Event: 12:30-4 p.m. Sept. 15, Council Re|Sale Store in Berkley, with a special $25 VIP early entry from 11 a.m.-12.30 p.m., pre-register with payment at 248-548-6664, https://councilresale.net.

• Social District Saturdays: 2-8 p.m. 2nd Saturdays through Sept. 14, Centennial Commons and W. Fifth St., Royal Oak, yard games, live music, www.romi.gov/1849/SOCIAL-DISTRICT-SATURDAYS.

• Campus Kids Day presented by Corewell Health: 11 a.m.-3 p.m. Sept. 15 and Oct. 6, at Campus Martius Park, 800 Woodward Ave., Detroit, downtowndetroit.org/events, free. make and take projects, inflatable water slide, lawn games and more.

• Laila Lockhart Kraner Meet & Greet: Sept. 21-22, Gardner White to host free meet & greet events with Laila Lockhart Kraner, star of Hit TV Show “Gabby’s Dollhouse,” family-friendly event to include children’s activities, music and more. Events are 11 a.m.-1 p.m. Sept. 21 at Gardner White, Shelby Township (Hall Road); 3-5 p.m. Sept. 21, at Gardner White Auburn Hills and 1-3 p.m. Sept. 22, Gardner White, Canton. To RSVP to a “Gabby” meet & greet, visit Gardnerwhite.com.

• Summer Eco Sessions Pop-Up Series: 6-10 p.m. Sept. 27, Beacon Park, 1901 Grand River Ave, Detroit, www.facebook.com/beaconparkdetroit, RSVP for music events, yoga and cooking demos.

• Summer Sundays with Beacon Park and Boll Family YMCA: 11 a.m.-2 p.m. Sept. 29, Beacon Park, 1901 Grand River Ave, Detroit, https://empoweringmichigan.com/event/summer-sundays-with-beacon-park-and-boll-family-ymca. Each class runs for 30 minutes, starting at 11:30 a.m., followed by 12:15 p.m.,with a final class at 1 p.m.

Museums

• Ford House: Historic estate of Edsel and Eleanor Ford, 1100 Lake Shore Road, Grosse Pointe Shores, fordhouse.org/events, 313-884-4222. Story Festival at Ford House: 10 a.m.-1 p.m. Sept. 14, admission is $10 per adult and $7 per child.

• The Zekelman Holocaust Center: 28123 Orchard Lake Road, Farmington Hills, www.holocaustcenter.org, 248-553-2400. “Auschwitz. In Front of Your Eyes,” a set of virtual tours to view in-person, 10 a.m.-noon, Sept. 22. Admission is $10 each, registration at www.holocaustcenter.org/Auschwitz.

• Waterford Historical Society Historic Village: Open for the season, 10:30 a.m.-2 p.m. Wednesdays through Sept. 25, at Fish Hatchery Park, 4490 Hatchery Road, Waterford Twp. Historic Village, Log Cabin, Hatchery House and Fire Station, 248-683-2697.

• Motown Museum, 2648 W. Grand Blvd., Detroit, motownmuseum.org, 313-875-2264. Motown Mile outdoor, walkable art installation, “Pushin’ Culture Forward,” open through early fall, along the Detroit Riverwalk, free admission.

• The Henry Ford Museum of American Innovation and Greenfield Village: 20900 Oakwood Blvd., Dearborn, Ford Rouge Factory Tours Monday-Saturday, purchase tickets online, prices vary, thehenryford.org.

• Ford Piquette Plant Museum: 461 Piquette Ave, Detroit. Open Wednesdays through Sundays, from 10 a.m. to 4 p.m. Admission is $10-$18. Optional guided tours take place daily at 10 a.m., 12 p.m. and 2 p.m., www.fordpiquetteplant.org, 313-872-8759.

• Dossin Great Lakes Museum: 100 Strand Drive, Belle Isle, Detroit, detroithistorical.org.

• Detroit Arsenal of Democracy Museum: Seeks volunteer groups from veteran and military groups to assist with restoration. The museum is also seeking building materials and equipment to support the ongoing restoration of its vintage industrial space at 19144 Glendale Ave., Detroit, including floor grinders, clear epoxy and Thinset products for floor repairs, www.detroitarsenalofdemocracy.org.

• Pontiac Transportation Museum: 250 W. Pike St., Pontiac. Admission to the museum is $10, $8 for seniors and veterans, $6 for children ages 6-12, free for children ages 5 and younger. Hours are 10 a.m.-6 p.m. Thursday through Saturday and noon to 5 p.m. Sunday, www.pontiactransportationmuseum.org.

• Detroit Historical Museum: 5401 Woodward Ave. (NW corner of Kirby) in Midtown Detroit, detroithistorical.org. Permanent exhibits include the famous Streets of Old Detroit, the Allesee Gallery of Culture, Doorway to Freedom: Detroit and the Underground Railroad, Detroit: The “Arsenal of Democracy,” the Gallery of Innovation, Frontiers to Factories, America’s Motor City and The Glancy Trains, regular museum general admission is $10.  Hours are 10 a.m.-5 p.m. Wednesday to Saturday and 1-5 p.m. Sunday. “Detroit Lions: Gridiron Heroes,” exhibition featuring the history of the Detroit Lions, detroithistorical.org.

• Cranbrook Institute of Science: 39221 Woodward Ave., Bloomfield Hills, https://science.cranbrook.edu, $14 general admission, $10.50 for ages 2-12 and seniors 65+, free for children under age 2.

• Michigan Science Center (Mi-Sci):  5020 John R St, Detroit, 313-577-8400, www.mi-sci.org. Regular museum gen. adm. is $18+. Standard Mi-Sci films are available as a $6 add-on to general admission tickets. Mi-Sci is open 10 a.m. to 4 p.m., Wednesday through Sunday and until 8 p.m. the first Friday of each month.

• Rochester Hills Museum at Van Hoosen Farm: Drop in tours on Fridays and Saturdays from noon-3 p.m., at 1005 Van Hoosen Road, Rochester Hills, with a guided tour of the Van Hoosen Farmhouse at 1 p.m., www.rochesterhills.org/musprograms, museum members-free, non-members-$5/adults, $3/seniors and students, no registration needed.

• Blue Star Museums: Museums offer free admission to U.S. active-duty military personnel and their families, including National Guard and Reserve, through Labor Day. A list of participating museums nationwide is at arts.gov/bluestarmuseums.

• The Wright: The Charles H. Wright Museum of African American History, 315 E. Warren Ave., Detroit, 313-494-5800, open Tuesday-Sunday, 9 a.m.-5 p.m. and open until 7 p.m. on Thursday, closed on Mondays, reserve timed tickets at thewright.org, $30+ gen adm., $20 for seniors 62+, $15 for youth, ages 5-17, free for under 5.

• Greater West Bloomfield Historical Society: Open 1st/2nd/4th/5th Sundays of the month and 3rd Fridays, 1-4 pm, (holidays excluded) with exhibits including “Four Communities” exhibit at The Orchard Lake Museum, 3951 Orchard Lake Road, Orchard Lake. Admission is free, donations are welcome, www.gwbhs.org, 248-757-2451.

• Meadow Brook Hall offers Guided House Tours and Self-Guided Tours, check available times and purchase tickets at meadowbrookhall.org/tours, ticket prices vary. Meadow Brook Hall, 350 Estate Drive, Rochester, on the campus of Oakland University.

Submit events online at https://bit.ly/40a2iAm.

When Elliott, played by Maisy Stella, skips a family birthday dinner to take magic mushrooms with her friends in the woods, it may feel like a set-up for a coming-of-age comedy. And on one level, “My Old Ass” is precisely that: a funny look at Elliott at a turning point in her life when she meets Chad, played by Percy Hynes White, just before she leaves her small-town home for college in the big city.

Yet at the Sundance Film Festival this year, audiences were weeping, too. The movie’s hook is that, as she’s tripping, Elliott meets an older version of herself played by Aubrey Plaza, who offers some hard-to-follow advice to her younger self. As old and young Elliott — who manage to maintain a connection even after the drugs wear off – face up to what life has in store, the laughter turns to poignant tears.

The film, in theaters Sept. 13, is just the second by Megan Park, an actor whose acclaimed writing and directing debut, “The Fallout” concerned a high school student (Jenna Ortega) struggling with trauma after surviving a school shooting.

Park spoke by video recently about capturing the language of teens and finding the story in the editing room. This interview has been edited for length and clarity.

Q. Did you start with the idea of a teenager at a pivotal moment or the conceit of the mushroom trip and meeting your older self? 

As a writer, I’m emotion-led. “The Fallout” came from my frustration and anger at the idea of American high school students having to constantly exist with the possibility of school shootings. For this movie, I was home in my childhood bedroom during the pandemic and had had a baby and I was feeling nostalgic. I had that feeling that comes in the scene where Chad talks about the last time you play with your friends as a kid and you don’t realize it’s the last time. That made me want to explore that idea of the older and younger self. The mushroom trip idea came when I was trying to figure out how to make that happen.

Q. Among the movie’s many fantastic qualities is dialogue that’s pitch-perfect for teens. Do you have a natural ear or did you give your young actors input? 

I started out acting, so I’m a stickler for dialogue and when I’m writing I say it out loud to make sure it flows. You have to know what you know and what you don’t know.

I try to ground it and make it authentic, but I’m not 18 so I try to be open-minded and try to really include the actors: “Is that joke funny or is there another phrase you’d say instead?” It’s an open line of communication every step of the way and they’re so helpful and always checking for me how relatable it is.

And we did scripted takes but also a lot of “fun-runs” and the chemistry between Maisy and Maddie Ziegler and Kerrice Brooks as her best friends was really natural and created great moments organically.

Q. Do those improvised “fun-run” moments end up on screen or is it more that they create chemistry that fuels the scripted material? 

It’s both. A lot of times it’s the runway to get the script down but there were moments that stayed in, especially ones that just started with Aubrey saying something and then they’d go off. And it was Kerricet’s first movie but she’s so good that I just kept saying, Put her on her mark and just hit record and see what she says.

Q. What were you looking for in casting for Elliott and Chad? 

We were really lucky because the finance people and producers said find younger Elliott first and didn’t insist on just finding the hottest property. I wanted someone very grounded and very Gen Z, but who had a vulnerability and also a lightness and joie de vivre. Then we cast around her for chemistry with everyone. Percy sent in a self-tape and it was genius and he just understood the humor. When he did the slate with his name, everyone had to show their full body, so he was wearing a nice shirt and then panned down to show nice pants … and bare feet. It was so Chad.

Q. There are plenty of laughs and a very silly hallucination involving Elliott performing as Justin Bieber. How hard was it to find the balance between humor and pathos knowing where the movie is headed?

It was the hardest thing. We had hoped the movie would be heartfelt but the script was lighter and it was that the performances were just so incredible and the location had such a beautiful and nostalgic feel that in the edit the movie became much more heartfelt and emotional than we even expected. So there’s a delicate line and you have to go back through each moment and reverse engineer and think of how much of a door do you open with each scene. Once we really discovered what the movie was, we were able to change things in editing with the advice that Aubrey gives to Maisy in their phone calls.

Q. Did you know the reaction you’d eventually get once the movie started screening?

No. With humor, you can get a gauge as you’re doing it, but with emotion you can’t always tell because you’re in so deep while you’re filming and you’re worrying about things like whether the camera is in focus. Although I did get pretty emotional when we were filming — Aubrey’s performance really killed me.

Still, you don’t know, and in the edit, you watch it 7,000 times so it’s hard to say for sure. Sitting in that audience at Sundance with all genders and ages having such a universal reaction was pretty insane.

We’re used to having music of all sorts playing in the metro area on any given weekend — or any given day, really.

But not so much Klezmer.

The Eastern European mish-mash of styles that dates back centuries and came to the U.S. during the early 20th century has enjoyed something of a global revival, but Alan Posner — director of bands at Bloomfield Hills High School and a member of the group Klezundheit — felt Michigan was missing the mark. “There was no big festival,” he explains. “We wanted to bring a group of people together to chat and spread the joy and love of Klezmer. What better way to do that than a Klezmer festival?”

KlezMitten, Michigan’s inaugural Klezmer festival, takes place from 3-7 p.m. Sunday, Sept 15, at the International Institute of Metropolitan Detroit, 111 E. Kirby St., Detroit.

Klezundheit will be joined by three other bands — Klezmephonic and Schmaltz from Ann Arbor, and Heartland Klezmorim from Lansing. Posner is excited to offer a concentrated dose of the tradition and he’s confident the exposure will bring new converts into the Klezmer realm.

“It’s a very soulful, joyous music,” Posner says. “There’s a certain rhythm to it, and chords and a tonality that we use that you don’t really find in other music. It has its roots in a lot of things that speaks to all people in a soulful, energetic way.”

313-871-8600 or klezundheit.ludus.com for tickets and other information.

Other music events of note this weekend (all subject to change) include …

FRIDAY, SEPT. 13

• Lynyrd Skynyrd and ZZ Top reprise their Sharp Dressed Simple Man Tour, with the Outlaws opening, at 6:30 p.m. at Pine Knob Music Theatre, 33 Bob Seger Drive, Independence Township. 313-471-7000 or 313Presents.com. For interviews with both headliners, visit theoaklandpress.com. Members of Lynyrd Skynyrd will also sign bottles of their Hell House whiskey at noon Friday at Total Wine & More, 1242 S. Rochester Road, Rochester Hills. 248-466-0662 or totalwine.com.

• Country star Jon Pardi plays at 7 p.m. at the Michigan Lottery Amphitheatre, 14900 Metro Parkway, Sterling Heights. Priscilla Block and Meghan Patrick open. 313-471-7000 or 313Presents.com.

• Australia’s Royel Otis and Friko play a sold-out show at the Majestic Theatre, 4140 Woodward Ave. Doors at 8 p.m. 313-833-9700 or majesticdetroit.com.

• The South Korean hip-hop crew Epik High stops by Saint Andrew’s Hall, 431 E. Congress St., Detroit. Doors at 7 p.m. 313-961-8961 or saintandrewsdetroit.com.

• Texas singer-songwriter Matt the Electrician plugs in at 8 p.m. at 20 Front Street in Lake Orion. 248-783-7105 or 20frontstreet.com.

• Enamour leads a dance party along with Nip, Lmuix and Outta Nowhere at the Magic Stick, 4120 Woodward Ave., Detroit. Doors at 9 p.m. 313-833-9700 or themajesticdetroit.com.

• The hardcore punk group Nails rocks at the Tangent Gallery, 715 E. Milwaukee Ave., Detroit. Doors at 6 p.m. 313-873-2955 or tangentgallery.com.

• The Mason Bays Quintet is joined by guests Roland Chandler Sr. and Matthew Balos through Saturday, Sept. 14, at the Dirty Dog Jazz Cafe, 97 Kercheval, Grosse Pointe. 313-882-5399 or dirtydogjazz.com.

• Guitarist Vlad Tovbin and his Caravan play through Sunday, Sept. 15 at Cliff Bell’s, 2030 Park Ave., Detroit. 313-961-2543 or cliffbells.com.

• Cherry Drop and the Amalgam Jam Band bring the psychedelic to the Cadieux Cafe, 4300 Cadieux Road, Detroit. 313-882-8560 or cadieuxcafe.com.

• Ashes of War, Stedmans Army and Fit For Treason stack up at 7:30 p.m. at the New Dodge Lounge, 8850 Jos Campau, Hamtramck. 313-638-1508 or thenewdodgelounge.com.

• The Dave Sharp Worlds Quartet offers a jazzy night at 8 p.m. at the Trinity House Theatre, 38840 W. Six Mile Road, Livonia. 734-436-6302 or trinityhousetheatre.org.

• Public Memory and Johnstonsons will be hardcore at Small’s, 10339 Conant, Hamtramck. Doors at 8 p.m. 3130873-1117 or smallsbardetroit.com.

• The always amazing Old Crow Medicine Show hits the stage at 7:30 p.m. at the Michigan Theater, 603 E. Liberty St., Ann Arbor.

• The RFD Boys plays one of its periodic hometown shows at 8 p.m. at The Ark, 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

• Ann Arbor’s University Musical Society hosts a sights ‘n’ sounds evening with performances by Infinite River, Monster Island and Dr. Peter Larson at the Ypsilanti Freight House, 100 Market Place. ums.org.

• Virtual: Usher’s new concert movie, “Usher: Rendezvous in Paris,” hits movie theaters just as the R&B star is at Detroit’s Little Caesars Arena for a two-night stand. UsherinParis.com for theater and ticket information.

• Virtual: The South Korean boy band Riize’s concert film “Riize Fan-Con Tour ‘Rizing Day’ Finale in Cinemas” opens in theaters worldwide. riizeincinemas.com for theater and ticket information.

• Virtual: JP Soars & the Redhots play at 7:30 p.m. from Jimmy’s Jazz & Blues Club in New Hampshire. Streaming tickets via veeps.com.

• Virtual: The jam band Goose livestreams at 7:30 p.m. from Chicago as well as 9 p.m. Saturday, Sept. 14 from Minneapolis and 8:30 p.m. Sunday, Sept. 15 from Waukee, Iowa, all free for subscribers to nugs.net.

SATURDAY, SEPT. 14

• Get your brat on with Charli XCX, Troye Sivan and Shygirl at 7:30 p.m. at Little Caesars Arena, 2645 Woodward Ave., Detroit.  313-471-7000 or 313Presents.com.

• Canadian punk rocker troupe Sum 41 brings its farewell tour to the Masonic Temple Theatre, 500 Temple St., Detroit. Doors at 6 p.m. The Interrupters and Many Eyes also perform. 313-548-1320 or themasonic.com.

• Veteran British goth rockers the Sisters of Mercy journey to the Fillmore Detroit, 2115 Woodward Ave. Doors at 7 p.m. 313-961-5451 or thefillmoredetroit.com.

• The Reverend Horton Heat, the Koffin Kats and special guest Big Sandy will raise a ruckus at the Magic Bag, 22920 Woodward Ave., Ferndale. Doors at 7 p.m. Tickets are sold out. 248-544-1991 or themagicbag.com.

• New York indie rock band Joywave lets happiness reign at Saint Andrew’s Hall, 431 E. Congress St., Detroit. Doors at 7 p.m. 313-961-8961 or saintandrewsdetroit.com.

• Chicago rapper Cupcakke and Just Shacoi throw down at the Majestic Theatre, 4140 Woodward Ave. Doors at 7 p.m. 313-833-9700 or majesticdetroit.com.

• Current incarnations of the Lovin’ Spoonful, the Buckinghams, the Cowsills and the Shades of Blue are Stars of the Sixties at 7 p.m. in the Ford Community & Performing Arts Center, 15801 Michigan Ave., Dearborn. 313-943-2354 or dearborntheater.com.

• Vinnie Paolizzi, Gabe Lee and Jack Mckeon join forces for a Songwriter’s Round at 8 p.m. at 20 Front Street in Lake Orion. 248-783-7105 or 20frontstreet.com.

• The English DJ duo Eli & Fur does its thing at the Magic Stick, 4120 Woodward Ave., Detroit. Doors at 9 p.m. Sherif and Girasole are also on the bill. 313-833-9700 or themajesticdetroit.com.

• The Boston EDM duo Soul Clap plays a full night at Spot Lite, 2905 Beaufait St., Detroit. Doors at 9 p.m. spotlitedetroit.com or paxahau.com.

• Latin pop singer Adel Ruelas performs at the Crofoot Ballroom, 1 S. Saginaw St., Pontiac. Doors at 7 p.m. 248-858-9333 or thecrofoot.com.

• Dancepack celebrates the release of a new EP at 9 p.m. at the Lager House, 1254 Michigan Ave., Detroit. Reaches and the Characteristics also perform. 313-500-1475 or thelagerhouse.com.

• The band Rumours has a 10-year reunion show, topping a bill that also includes Ghosts in Motion, Splinters and Final Confession at the Loving Touch, 22634 Woodward Ave., Ferndale. Doors at 6 p.m. 248-820-5596 or thelovingtouchferndale.com.

• The Black Feathers ruffle at 8 p.m. at the Trinity House Theatre, 38840 W. Six Mile Road, Livonia. 734-436-6302 or trinityhousetheatre.org.

• The Ultimate Doors plays tribute at the Emerald Theatre, 31 N. Walnut St., Mount Clemens. Doors at 7 p.m. 586-630-0120 or theemeraldtheatre.com.

• Veteran singer-songwriter Chris Smither and Cloudbelly perform at 7 p.m. at The Ark, 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

• Virtual: Galactic livestreams at 10 p.m. from Tipitina’s in New Orleans, free for subscribers to nugs.net.

SUNDAY, SET. 15

• Willie Nelson’s traveling Outlaw Music Festival Tour includes fellow Rock and Roll Hall of Fame inductees Bob Dylan and John Mellencamp, along with Southern Avenue, at 5 p.m. at Pine Knob Music Theatre, 33 Bob Seger Drive, Independence Township. 313-471-7000 or 313Presents.com.

• Gospel icons Kirk Franklin, Yolanda Adams and Detroit greats Marvin Sapp, the Clark Sisters and Fred Hammond bring the Reunion Tour to town for a 7 p.m. show at Little Caesars Arena, 2645 Woodward Ave., Detroit.  313-471-7000 or 313Presents.com.

• Falling in Reverse rocks hard atop a package with Dance Gavin Dance, Black Veil Brides, Tech N9ne and Jeris at 5:45 p.m. at the Michigan Lottery Amphitheatre, 14900 Metro Parkway, Sterling Heights. 313-471-7000 or 313Presents.com.

• New York pop singer Fletcher goes In Search of the Antidote on her latest tour, playing at the Fillmore Detroit, 2115 Woodward Ave. Doors at 7 p.m. 313-961-5451 or thefillmoredetroit.com.

• Soul man Freddie Jackson is on tap at 7:30 p.m. at Sound Board in the MotorCity Casino Hotel, 2901 Grand River Ave., Detroit. 800-745-3000 or soundboarddetroit.com.

• San Francisco singer-songwriter Jessica Pratt headlines at El Club, 4114 W. Vernor Highway, Detroit. Ethan Daniel Davidson opens. Doors at 7 p.m. 313-757-7942 or elclubdetroit.com.

• New Orleans extreme metal band Goatwhore tops a five-act bill at 7 p.m. at the Sanctuary Detroit, 2932 Caniff, Hamtramck. 313-462-4117 or sanctuarydetroit.com.

• The Oklahoma hard rock band Southall and Wight Lighters are at District 142, 142 Maple St., Wyandotte. Doors at 7 p.m. district142live.com.

• The Shamrock Jazz Orchestra puts a Celtic spin on several generations of popular music at The Roxy, 401 Walnut Blvd., Rochester. Doors at 7 p.m. 248-453-5285 or theroxyrochester.com.

• Larkin celebrates the release of a new album, “Make it the Most,” at 7:30 p.m. at the Token Lounge, 28949 Joy Road, Westland. 734-513-5030 or tokenlounge.com.

• BLK Odyssy is joined by Asha Imuno for a Fantasy House Tour stop at the Pike Room in the Crofoot complex, 1 S. Saginaw St., Pontiac. Doors at 7 p.m. 248-858-9333 or thecrofoot.com.

• Scotland’s Tannahill Weavers come across the pond to play at 7:30 p.m. at The Ark, 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

• Virtual: Stone Temple Pilots and Soul Asylum air the Indianapolis-area stop of their Jubilee Tour at 8 p.m. Streaming tickets via veeps.com.

• Virtual: Amos Lee livestreams at 10:30 p.m. from Red Rocks Amphitheatre in Colorado, free for subscribers to nugs.net.

So other than that, how was the rest of the show?

Damn good, thank you very much.

Green Day made news on Wednesday night, Sept. 4, when the punk trio abruptly halted its concert at Detroit’s Comerica Park, rushing off the stage during just the fifth song, “Longview.” The crowd of just under 41,000 initially continued singing the lyrics but fell quiet — with some chants for Lions’ quarterback Jared Goff. A “Show Pause. Please standby for details” message eventually appeared on the video screen.”

Detroit police confirmed that an unauthorized drone had entered the baseball stadium’s airspace, with security calling the band offstage. The man flying it was apprehended and Green Day returned after a 10-minute break, with frontman Billie Joe Armstrong asked fans, “How you doing? We’re gonna pick up where we left off.” He also urged them to put their cell phones away, saying, “Pull ’em out later. Let’s be here right now.”

After finishing “Longview” and tearing through “Welcome to Paradise,” Armstrong added, “Ain’t no mother… that’s gonna stop us, I’ll tell you that.” And later in the show Green Day posted a social media message apologizing for the delay, explaining that, “Stadium security had us clear the stage while they dealt with a potential safety issue. DPD quickly resolved the situation, and we were able to continue. Thanks for understanding.

Green Day did not stop for the rest of the night, delivering a characteristically epic — and excellent — two-and-a-half-hour performance that commemorated anniversaries of the group’s two biggest albums, 1994’s “Dookie” and 2004’s “American Idiot”, by playing both in their entirety. Green Day filled out the rest of the concert with a selection of other favorites, including five from its latest album, “Saviors,” and a rendition of “Brain Stew” that Armstrong teased into with guitar licks from Black Sabbaths’ “Iron Man” and Metallica’s “Master of Puppets.”

“Tonight is not about a political party,” Armstrong declared during a ferocious “Letterbomb” from “American Idiot,” a topical takedown of the George W. Bush era that remains wholly relevant 20 years later. “It’s not even a party. This is a celebration!”

But there was certainly a party spirit throughout a night that, via opening performances from Smashing Pumpkins and Rancid that affirmed the continuing potency of alternative rock from the 90s. (The Linda Lindas, which came on first, are more contemporary but cut from the same cloth.) Whether it was “Ruby Soho” or “Today” and “Tonight, Tonight” (or the Pumpkins’ cover of U2’s “Zoo Station”), there was nothing at all dated about the performances by musicians well past their mosh days but still fierce of spirit.

That’s been Green Day’s stock in trade forever, from early 90s club appearances to a 2021 show also at Comerica. Wednesday’s concert was filled with the irreverent attitude and boisterous spirit that’s still dear to Armstrong, bassist Mike Dirnt, drummer Tre Cool — all in their early 50s now — and their three adjunct players. The 37-song set was marked by a Boy Scout jamboree’s worth of fire and pyrotechnics, occasional confetti showers and colorful visuals, and it was preceded by the usual hijinks — crowd singalongs to Queen’s “Bohemian Rhapsody” and Ramones’ “Blitzkrieg Bop,” the latter led by a crew member dressed in a bunny outfit.

The show did have an interesting kind of restraint, however. There was plenty of energy — the group had the stadium grandstands shaking at several points — but less of the pure schtick Green Day also trades on. The focus was more squarely on the music, the band seemingly more interested in delivering the dynamically sophisticated songs with tight and explosive power — even quieter tracks such as “Are We the Waiting” and “Boulevard of Broken Dreams.” “American Idiot” was particularly strong, with songs strung together in seamless fashion.

Green Day opened with the new, and on-point, “The American Dream is Killing Me” and was quickly into “Dookie,” pulling out deep cuts such as “Having a Blast,” “Pulling Teeth,” “Sassfras Roots,” “In the End” and “All By Myself,” which Cool sang in a bathrobe. The “American Idiot” recitation similarly brought out less-heard material, including “She’s a Rebel,” “Extraordinary Girl,” “Homecoming” and “Whatsername,” with Armstrong substituting “Michigan” in the title line of “Give Me Novocaine.”

Armstrong also brought a young woman on stage to sing part of “Know Your Enemy” with the band, and he used “American Idiot’s” “Holiday,” which he introduced as “an anti-war song,” as a rally call for fans to vote in November. (The Linda Lindas, however, were the only one of the four bands to reference Donald Trump specifically — and, of course, pejoratively).

Green Day finished per usual, with Armstrong alone on stage, singing its 1997 hit “Good Riddance (Time of Your Life)” as a lullaby-style send-off. He could rest assured that fans did indeed have the time of their lives, and it’s to Green Day’s credit that the rest of the show eclipsed the drama that happened early on.

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Avril Lavigne was just 17 when she released her first album, “Let Go,” and 18 when she had her first hit, “Complicated.” But she was already invested in a music career long game.

“I have looked forward to having a greatest hits tour since I was first starting out,” says the Ontario-born Lavigne, now 39, who’s in the midst of exactly that kind of trek this year following the release of a new “Greatest Hits” album in June. “I love and am so proud of all the music I have put out over the past 22 years, but there is something super special about having a setlist that is all hits and knowing that these songs really resonated with people not only when the songs were first released, but consistently over the years.”

Lavigne has a lot to show for those years — six more albums and Top 10 hits such as “I’m With You,” “My Happy Ending” and “Girlfriend,” record sales of more than 40 million worldwide, 10 Canadian Juno Awards and an Order of Canada Honor. Divorces and a debilitating 2015 case of Lyme disease have left her unbowed, and Lavigne promises there’s more to come soon.

“I can’t spill too much right now,” she says, “but once I finish this tour I am going to get back in the studio and really map out what I want the next year of music to look like. I know people are waiting for new songs and I am excited to share them, but I really want to make sure it is all perfect first.”

In the meantime, she’s happy to celebrate what she’s done to this point.

“I still feel like a teenager,” Lavigne notes, “and every night when I get up onstage, I am reminded of what an amazing life I have been able to live. I’m just so glad I started as young as I was — ’cause I still feel young.”

Avril Lavigne, Simple Plan and Girlfriends perform at 7 p.m. Saturday, Sept. 7 at Pine Knob Music Theatre, 33 Bob Seger Drive, Independence Township. Tickets are sold out.

Other music events of note this weekend (all subject to change) include …

FRIDAY, SEPT. 6

• Pontiac’s Flagstar Strand Theatre kicks off its fall season at 8 p.m. with the Del McCoury Band and its decades of bluegrass. 12 N. Saginaw St., Pontiac. 248-309-6445 or flagstarstrand.com.

• The Beatles live via 1964 The Tribute, commemorating the 60th anniversary of the group’s first appearance in Detroit, at 8 p.m. at Orchestra Hall, 3711 Woodward Ave., Detroit. 313-576-5111 or dso.org.

• Columbus, Ohio’s Starset journeys into Wolverine country to bring its Immersion: The Final Chapter tour to the Fillmore Detroit, 2115 Woodward Ave. Doors at 7 p.m. 313-961-5451 or thefillmoredetroit.com.

• Jake Hoot, winner of Season 17 of “The Voice,” performs at 8 p.m. at 20 Front Street in Lake Orion. 248-783-7105 or 20frontstreet.com.

• The KPOP Breakout Tour features Trendz, Craxy, Ichillin’ and U-Chae at 7 p.m. in the Pike Room in the Crofoot complex, 1 S. Saginaw St. 248-858-9333 or thecrofoot.com.

• Nashville’s VEAUX stops at the Lager House for an 8:30 p.m. show with the Foxies and Daydream and Bega. 1254 Michigan Ave., Detroit. 313-500-1475 or thelagerhouse.com.

• British goth rock troupe the Mark Violets, Rosegarden Funeral Party and Siamese gather at Small’s, 10339 Conant, Hamtramck. Doors at 7 p.m. 313-873-1117 or smallsbardetroit.com.

• Kind Beast tops a bill that also includes the High Strung, Touch the Clouds and Cherry Drop at the Loving Touch, 22634 Woodward Ave., Ferndale. Doors at 7 p.m. 248-820-5596 or thelovingtouchferndale.com.

• The Latin-flavored sextet Tumbao Bravo plays through Saturday, Sept. 7 at the Dirty Dog Jazz Cafe, 97 Kercheval, Grosse Pointe. 313-882-5399 or dirtydogjazz.com.

• Kimmie Horne sings jazz at 7:30 and 9:30 p.m. at Cliff Bell’s, 2030 Park Ave., Detroit. 313-961-2543 or cliffbells.com.

• Chicago singer Tony Romiti performs at the Diesel Concert Lounge, 33151 23 Mile Road, Chesterfield Township. Doors at 7 p.m. 586-933-3503 or dieselconcerts.com.

• Hillbilly Knife Fight and Tiffadelic offer a promising start to the weekend at 7 p.m. at the Cadieux Cafe, 4300 Cadieux Road, Detroit. 313-882-8560 or cadieuxcafe.com.

• Sirsy tops a four-act bill at 7:30 p.m. at the New Dodge Lounge, 8850 Jos Campau, Hamtramck. 313-638-1508 or thenewdodgelounge.com.

• The soulful Shemekia Copeland sings at 8 p.m. at The Ark, 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

• Virtual: Blue Canvas Orchestra streams live at 8 p.m. Tickets via veeps.com.

• Virtual: The jam band Goose plays at 8 p.m. from Saratoga Springs. New York, and again on Saturday, Sept. 7, for subscribers to nugs.net.

• Virtual: The Disco Biscuits perform at 8 p.m. from Dillon, Colorado, for subscribers to nugs.net.

SATURDAY, SEPT. 7

• Detroit punk rock favorites the Suicide Machines will rock at Saint Andrew’s Hall, 431 E. Congress St., Detroit. Doors at 6:30 p.m. Hey-Smith, Kill Lincoln and Bad Operation also perform. 313-961-8961 or saintandrewsdetroit.com.

• Kaleo comes from Iceland to play blues-rock at the Fillmore Detroit, 2115 Woodward Ave. Doors at 7 p.m. 313-961-5451 or thefillmoredetroit.com.

• Detroit techno legend Kevin Saunderson celebrates his 60th birthday with an All-White Party at Spot Lite Detroit, 2905 Beaufait St. Doors at 9 p.m. spotlitedetroit.com or paxahau.com.

• The Motown Museum gets deep with the annual Detroit Bass Day from noon to 4 p.m. on its Rocket Plaza 2648 W. Grand Blvd., Detroit. Bassists of all ages are invited to jam on 10 Motown classics by the Temptations, Stevie Wonder, Rick James, the Four Tops, the Commodores, Teena Marie and Jr. Walker & the Allstars. The event also includes food trucks and vendors. motownmuseum.org for more information.

• Singer-songwriter Chris Tapper appears at 8 p.m. at 20 Front Street in Lake Orion. 248-783-7105 or 20frontstreet.com.

• Arizona DJ Markus Schulz heats things up at the Magic Stick, 4120 Woodward Ave., Detroit. Doors at 9 p.m. 313-833-9700 or themajesticdetroit.com.

• Syrian singer Omar Souleyman plays a matinee at 1 p.m. at El Club, 4114 W. Vernor Highway, Detroit. 313-757-7942 or elclubdetroit.com.

• Trumpeter Allen Dennard and his Organ Trio blows at 7:30 and 9:30 p.m. at Cliff Bell’s, 2030 Park Ave., Detroit. 313-961-2543 or cliffbells.com.

• MC Jahshua Smith performs a “Homecoming” date at 8 p.m. at the Lager House, 1254 Michigan Ave., Detroit. FROSTisRAD, Krissy Booth and Kwaj are also on the bill. 313-500-1475 or thelagerhouse.com.

• The Toby Keith tribute band Ride celebrates the late country icon at 8 p.m. at The Roxy, 401 Walnut Blvd., Rochester. 248-453-5285 or theroxyrochester.com.

• The Ark hosts the Ann Arbor Django Reinhardt Festival, featuring Djangophonique, Christo’s Novelty combo and Erik McIntyre at 8 p.m. 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

• Virtual: The Weeknd streams his show from Sao Paulo, Brazil, at 8 p.m. via his official YouTube channel, with a live chat to follow.

SUNDAY, SEPT. 8

• Warm up for the Detroit Lions’ home opener with an early evening set by the a capella vocal group Naturally 7 at the Magic Bag, 22920 Woodward Ave., Ferndale. Doors at 5 p.m. 248-544-1991 or themagicbag.com.

• Grosse Pointe-raised guitarist John 5, now a member of Motley Crue, comes home to play with the Kiss tribute band Strutter and Turning Jane at the Token Lounge, 28949 Joy Road, Westland. Doors at 6:30 p.m. 734-513-5030 or tokenlounge.com.

• Americana up-and-comer Sierra Ferrell brings her vocals, fiddle and more to the Royal Oak Music Theatre, 318 W. Fourth St. Doors at 7 p.m. 248-399-2980 or royaloakmusictheatre.com.

• KK’s Priest, led by former Judas Priest guitarist K.K. Downing, will be live — but before midnight — at District 142, 142 Maple St., Wyandotte. Doors at 6:45 p.m. district142live.com. For an interview with Downing, visit theoaklandpress.com.

• Mike Tramp leads the latest version of his band White Lion into the Diesel Concert Lounge, 33151 23 Mile Road, Chesterfield Township. Doors at 7 p.m. 586-933-3503 or dieselconcerts.com.

• Sweden’s Dead By April is joined by Of Virtue at the Sanctuary Detroit, 2932 Caniff, Hamtramck. Doors at 7 p.m. 313-462-4117 or sanctuarydetroit.com.

• The Duane Parham Society plays at 5:30 and 7:30 p.m. at Cliff Bell’s, 2030 Park Ave., Detroit. 313-961-2543 or cliffbells.com.

• Bccording, Zion Polanski, GVN and Swan stack up at 7 p.m. at the New Dodge Lounge, 8850 Jos Campau, Hamtramck. 313-638-1508 or thenewdodgelounge.com.

• The Henhouse Prowlers close the weekend with some bluegrass at The Ark, 316 S. Main St., Ann Arbor. 734-761-1818 or theark.org.

Barron Trump has finally revealed his college choice — New York University — by turning up at the downtown Manhattan campus Wednesday morning for his first day of classes.

The 18-year-old son of Donald and Melania Trump sported a white polo shirt, Adidas sneakers and black Swiss Gear backpack, casually slung over his shoulder, as he was seen heading into the dean’s office building, followed by Secret Service agents, the New York Post reported. The Secret Service agents are there to guard him as his father, the former president, is running to return to the White House.

The sighting of Trump’s 6-foot-7-inch son ends months of speculation about his college choice, according to the Daily Beast, which first reported that NYU was his top choice. Barron is enrolled at NYU’s Stern Undergraduate College.

NYU is No. 35 overall on the U.S. News & World Report ranking of best colleges and No. 5 for its business programs. By choosing NYU, Barron is breaking with Trump family tradition. His father has boasted of his Ivy League education at University of Pennsylvania, which is ranked No. 6 by U.S. News and World Report. His older half-siblings, Don Jr., Ivanka and Tiffany, also graduated from Penn, while Eric Trump graduated from Georgetown University.

But NYU has the advantage of being Barron’s hometown university. NYU is kind of down the road — Fifth Avenue — from where Barron spent his childhood, raised by his mother in his father’s gilded penthouse in Trump Tower. It wasn’t clear, though, Wednesday, whether Barron will live on campus or will live with his mother at Trump Tower.

The fact that Melania Trump was seen arriving at Trump Tower last week fueled speculation that Barron would attend college in New York City. One way that Trump World sources have explained her absence from her husband’s campaign has been by saying that she sees herself as a “hands-on” mother, whose first priority is her son, Page Six previously reported. Some people have taken the “hands-on” mother description to mean that she would reside close to wherever he is attending college.

Donald Trump recently told the Daily Mail that while the family had considered other colleges, but Barron ultimately liked NYU the best.

“It’s a very high quality place. He liked it. He liked the school,” Trump told the Daily Mail. “I went to Wharton, and that was certainly one that we were considering. We didn’t do that … We went for Stern.”

“He’s a very high aptitude child, but he’s no longer a child. He’s just passed into something beyond child-dom.”

Nardine Saad | (TNS) Los Angeles Times

Adele says she’s making good on a promise to take a break from music after she completes her residency in Las Vegas.

The “Hello” and “Rolling in the Deep” singer confirmed during her Saturday show in Germany — her last in a 10-show run abroad — that she plans to “rest” when she wraps her three-year gig in Sin City this November.

“I’m not the most comfortable performer, I know that, but I am very f— good at it. And I have really enjoyed performing for nearly three years now, which is the longest I’ve ever done and probably the longest I will ever do,” the 15-time Grammy Award winner said onstage in Munich, according to fan footage posted on TikTok.

Adele has 10 shows left in her “Weekends With Adele” residency at the Colosseum at Caesars Palace. The shows will span five weekends this fall after she had to postpone them in February due to illness.

“After that, I will not see you for an incredibly long time and I will hold you dear in my heart for that whole length of my break,” she said, adding that she will “fantasize” about her time onstage. “It has been amazing. I just need a rest.”

“I have spent the last seven years building a new life for myself and I want to live it now,” the 36-year-old said through tears. “I want to live my life that I’ve been building and I will miss you terribly.”

On Tuesday, Adele took Instagram to reflect on her “bespoke” gig in Munich, which launched Aug. 2.

“Wow! Wow! Wow! Munich you were incredible! What a phenomenal experience. I am truly touched by the genuine outpouring of love and good will I felt from every single person who came to every single show,” she wrote, captioning a highlight reel from the shows. She also thanked the fans who attended and her team for making it happen.

“There truly is no feeling like standing in front of people you’ve never met, belting out a bunch of songs that changed your life that in ways somehow changed theirs too. It’s truly remarkable and an extraordinary story to be able to tell. I’ve been sobbing watching this beautiful video! Danke Munchen!,” she wrote.

In July, the superstar told German broadcaster ZDF that her “tank is quite empty” and that she doesn’t have plans for new music “at all.”

“I want a big break after all this and I think I want to do other creative things just for a little while,” the hitmaker said. “You know, I don’t even sing at home at all. How strange is that?”

Likewise, before her Las Vegas residency began, the Oscar winning “Skyfall” singer said she planned to take a break from music and perhaps pursue a degree in English literature or an acting career. However, during a January show, she said she might be open to touring again after completing a follow-up to her award-winning 2021 album “30.” But, as she told a fan in the audience, she wasn’t in any rush to do either of those things yet.

Instead of touring to promote “30,” she took up residence at the Colosseum. She was initially set to launch her residency in January 2022, but unexpectedly shut it down a day before it was meant to open. She blamed the COVID-19 pandemic and issues with the supply chain at the time, then explained later that the postponement was because her “artistic needs” were not being met. She said the show had “no soul in it” and that it “lacked intimacy” inside the 4,000-person theater.

The “Easy on Me” singer ultimately launched “Weekends With Adele” in November 2022 and extended the run twice.

Earlier this month, the British balladeer confirmed during another Munich show that she and sports agent Rich Paul were engaged after repeatedly referring to Paul as her fiance — and sometimes her “husband” — for months. (The two went public with their romance in 2021.) The singer, who shares 11-year-old son Angelo with ex-husband Simon Konecki, has also been vocal about wanting to expand their blended family.

©2024 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

Ryan Seacrest may be breathing new life into “Wheel of Fortune,” but he’s promising longtime fans that things will pretty much stay the same.

After successful stints commandeering “American Idol,” “Dick Clark’s New Year’s Rockin’ Eve” and “Live with Kelly & Ryan,” the radio and TV personality will officially take over the mantle of the long-running game show when it returns for its 42nd season on Sept. 9.

Not trying to shake things up, he plans on following the same successful formula he’s used in the past: “Don’t make any changes, don’t touch it,” Seacrest said in a GMA interview on Tuesday.

“This show works,” he added. “All I need to do is keep it moving. All we need to do is have fun every night. And I think if that’s what happens, this show continues for a long time.”

In June 2023, the 49-year-old was announced as Pat Sajak’s replacement — weeks after the 77-year-old host revealed “the time has come” for him to resign from the position he’d held for more than four decades.

Seacrest shared Tuesday that Sajak and his longtime co-host Vanna White told him that “the best part is you’re gonna meet three new people every night, and they walk away with cash.”

However, White said the new season will add another update alongside the new host. The revamped set will include a new board where the legendary letter-turner said she won’t “even have to touch the letter anymore.”

For his final spin at the wheel, Sajak will return to the airwaves for “Celebrity Wheel of Fortune” on Oct. 7.

The Avon Players in Rochester Hills will kick off its new season in 19th-century London with the classic “Sweeney Todd: The Demon Barber of Fleet Street.”

The show runs Sept. 6-21 at the group’s theater at 1185 Washington Road.

John Deierlein is serving as the director, costume designer and lighting designer. He’s been with Avon Players for decades and is thrilled for the opportunity to direct “Sweeney Todd.”

“I have a background in choral singing, so I’m always drawn to large productions and ‘Sweeney Todd’ is one of those,” he said. “It’s a very large-scale musical with a brilliant score that’s fun to sing to but also very challenging.”

“Sweeney Todd” was written by playwright Hugh Wheeler with music by composer Stephen Sondheim.

“Sondheim is one of the most prolific musical theater composers of all time, and it’s simply classic American musical theater,” Deierlein says. “It’s also had many revivals. What attracted me to it was that I was recently in New York City and saw the Broadway revival with Josh Groban. I was lucky enough to see it after I knew I would be directing the show, so it was very inspiring.”

“Seeing it on Broadway gave me a lot of ideas,” he added. “It was fun to see what the professionals do and see how we could make it look just as cool with our production.”

Deierlein says something that makes Avon Players so special is that everybody involved is a volunteer.

“Everyone here does it because they have a passion for it,” he said. “In Oakland County, we have so many incredibly talented people in the area and many of them have the talent to do this professionally, but because of their life choices, they’re here local.”

Deierlein said Avon Players enhances the community by bringing high-caliber productions to locals.

“I think we bring a high level of theatre at a reasonable price,” he said. “Plus, I think a lot of folks in this area don’t want to have to drive to Detroit and spend $100 or $200 to see a touring production out of New York. It’s nice to have an evening out that’s fairly local. Avon also gives so many opportunities to kids and adults in the area to express themselves and show their talents.”

“Sweeney Todd” is billed as a dark comedy and horror musical for adults.

“It’s an exciting, fun piece, but it’s different,” Deierlein says. “It’s not tap dancing, which is very typical of other musicals. It’s different and exciting and thrilling, and I think the audience will love the music. It’s incredible.”

“Also,” he added, “coming up on the fall season approaching and Halloween, it has that kind of flavor.”

For ticket and show information, visit avonplayers.org.

Under bright sunshine the annual Arts, Beats & Eats festival continued Saturday afternoon.

The annual event will run on the streets of downtown Royal Oak through Monday. Sunday’s headliners on the Jim Beam National Stage are the Gin Blossoms and Chevelle. Monday, the Pop 2000 Tour will be followed by Keith Sweat.

The festival opens each day at 11 a.m. with tickets sold at entry gates along Main, Washington and Lafayette. Online ticket sales are no longer available. Sunday’s forecast calls for sunshine at a high temperature of 78 degrees while Monday will be sunny and 72.

For more information, go to artsbeatseats.com/.

Alice Cooper comes home to Detroit frequently, sometimes more than once in a given year.

Suzi Quatro, not so much.

That made the two Detroit rock icons’ pair of collaborations this week, in their home town, notable occasions — particular on stage Friday night, Aug. 30, at the Pine Knob Music Theatre.

The bass-playing Quatro, who now resides in England, made a surprise appearance with Cooper and his band for “School’s Out,” the finale of its theatrical Freaks On Parade tour show with Rob Zombie, Ministry and Filter. “You cannot say Detroit…You cannot say Detroit rock without Suzi Quatro,” Cooper told the near-sellout crowd as bubbles and confetti swirled around the stage. Nita Strauss, one of his guitarists, marked the occasion by offering Quatro a “we are not worthy bow” in her honor.

It was the Grosse Pointe-raised Quatro’s first on-stage performance in the metro area since a Dick Wagner Remember the Child benefit during 2017 at Sound Board in the MotorCity Casino Hotel. “I feel like I’m home — the air I breathe, everything,” Quatro said before Friday’s show, after her old stomping grounds earlier in the day. “You never lose your roots. I’m happy to be here, and I’m happy to do this for Alice. He told me I was doing this song tonight; I said, ‘OK.'”

Cooper and Quatro became friendly during the early 70s, when the Detroit-born shock rocker and his band moved back to the area from Los Angeles. Quatro said she and her bands at the time, the Pleasure Seekers and Cradle, even rehearsed in the barn on the farm Cooper and company were leasing in Pontiac. “Mostly talking to Suzi was about the old days,” Cooper — who was also joined on stage by his wife Sheryl and daughter Calico, regulars in his show — said after the performance, “because those really were the golden days of Detroit.” Quatro opened for Cooper during his mid-70s “Welcome to My Nightmare” tour and they’ve shared stages other times since, including at a festival in Europe during the summer.

The cameo came the day after Quatro and Cooper were at Rust Belt Studios in Royal Oak to record a cover of the MC5’s “Kick Out the Jams,” which is slated for the former’s next album. “That was great,” Quatro said of the Thursday, Aug. 29 session. She credited her son and producer Richard Tuckey with suggesting both the song and the Cooper duet. “We were able to capture our personalities. We were able to capture the spirit of Detroit. We were able to capture our youth and the energy, and we played off each other and it was really quite magical.”

Being at Rust Belt again was something of an odd experience for Cooper, meanwhile. He recorded much of his 2020 EP “Breadcrumbs” and his 2021 album “Detroit Stories” there; both included a version of the MC5’s “Sister Anne” featuring the group’s guitarist Wayne Kramer, who appeared on 11 of the project’s songs. Cooper said those sessions were the last time he saw Kramer in person before his death on Feb. 2 this year.

“It’s a very nice tribute,” Quatro said. “They’re all gone now, so now is the time to do that song again.”

“Kick Out the Jams” is the first song Quatro has recorded for the album, which she’ll continue working on in the coming months with a hoped-for 2025 release. Cooper, meanwhile, is eyeballing a “surprise album” he’d like to release later this year and is planning to be working in 2025 with the Hollywood Vampires, his band with Johnny Deep, Aerosmith’s Joe Perry and Cooper’s guitarist Tommy Henriksen.

By Julia Carmel
Special to The Washington Post

Jeff West was looking for a change of pace. After decades of running clubs and restaurants in West Hollywood, he left California in search of peace and quiet. He had been to Laguna Beach and Palm Springs, but a new gay-friendly destination was calling to him — twin vacation towns on Lake Michigan with a population of less than 2,500 people.

“I arrived in the winter, and I was so amazed by it,” said West, 67, who grew up in Texas and spent his life in Southern California. “Seeing snow was just so beautiful. I remember feeling my shoulders relax.”

In the summers, West celebrates with friends on the lake. During winter, he’s part of a gay bowling team called the Gutter Queens. Since relocating in 2021, he’s become a real estate agent, spending his days selling other people on the joys of life here.

Saugatuck and its neighboring town, Douglas, form a rainbow bubble within Michigan’s Bible Belt. The area is off the beaten path compared to the coastal hangs that typically attract huge gay crowds, yet its reputation rivals spots like Provincetown and Fire Island.

Drive through the lush, wooded roads in the warmer months and you’ll find a summer camp atmosphere. Hammocks hang outside a popular coffee shop. Kids spill floats purchased from the Douglas Root Beer Barrel out of their parents’ car windows.

Pride flags fly from many businesses and homes, a stark difference from the conservative towns in Western Michigan. At the Dunes Resort, the pool is packed with Speedo-clad gay men all summer long, and disco balls light up the confetti-filled dance floor every weekend.

“This is a small community where we get to enjoy the finer things in life and be comfortable and free,” West said. “It’s paradise for somebody like me to be able to come to a place and just feel so welcome.”

‘Fire Island of the Midwest’

There’s evidence of queer tourists and residents flocking here since the late 19th century, thanks to a long and colorful cast of eclectic artists, eccentric couples and LGBTQ+ entrepreneurs.

According to the Chicago Tribune, it really hit its stride in the 1960s as “a loosey-goosey mecca for pleasure-seekers, gay or straight.” During that era, the town was seen as a party destination for motorcyclists, college kids and queer people from near and far.

Gay travel guides like Bob Damron’s Address Book began ramping up around the same time, dubbing Saugatuck “The Fire Island of the Midwest.” Though a state law prohibited bars from hosting groups of gay people, a local jazz venue called The Blue Tempo became known for serving gay patrons.

Eric Gollannek, executive director of the Saugatuck-Douglas History Center, said the second edition of Bob Damron’s Address Book references The Blue Tempo as a mixed crowd bar and also mentions “an interesting beach” nearby — a strip of sand that stretched from the north side of Saugatuck’s popular Oval Beach to the mouth of the Kalamazoo River.

“They collected $5 to use their beach for the day,” said John Rossi, facilities manager for Ox-Bow School of Art and Artists’ Residency, a program that’s affiliated with the School of the Art Institute of Chicago. “You could sunbathe nude, as long as you were not visible to the public.”

Rossi visited Denison’s Beach, owned by a local Marine businessman named Frank Denison, for the first time in the 1970s. “It was mostly gay, but there was a mix, I could tell,” Rossi said. “Sometimes there were lesbians that frequented it, and occasionally you might see a straight couple.”

Rossi, 68, grew up about 40 miles away in Grand Rapids. He said word-of-mouth recommendations initially brought him to the area.

“There was this network — people told you, you knew what was safe and what wasn’t,” Rossi said. “I mean, there were three bars in Grand Rapids. There were two bars in Lansing you could go to. There were a lot of bars in Detroit we used to go to.”

One of the people who began frequenting The Blue Tempo was Carl Jennings, who was living near Grand Rapids with his wife and children. Though he was closeted at the time, he would spend his weekends tending bar in Saugatuck.

“Back then, you had to live and lead two lives. You had to be a straight person or at least appear to be that way,” Jennings told Michigan Public Radio in 2016. “And then, if you’re fortunate enough to find something like Saugatuck, it just felt warming and accepting.”

Eartha Kitt and ‘tea dances’

The Blue Tempo burned down in 1976, and the loss of that de facto gay space was felt immediately. By the early 1980s, Jennings had come out to his family and found his life partner, Larry Gammons. The couple decided to go into business together.

“We thought, ‘You know what, we should open a gay resort,’” said Gammons, who is now 77.

They originally set their sights on a hotel in Saugatuck, but the Saugatuck town council didn’t want to issue a liquor license to a gay business. After they were turned down for a third time, they found a shuttered roadside motel in Douglas and quickly made an offer on the property. At the first Douglas council meeting, they were able to secure their liquor license.

The Douglas Dunes finally opened in 1981, becoming one of the largest LGBTQ+ resorts in the country.

“May 1 was our grand opening, and we laughed about the fact that the city didn’t know what hit ’em because cars were lined up and down the highway,” Gammons said. “All these people. They just showed up.”

“As you well know, all you’ve got to do is tell a gay person and they spread the news. It spreads like crazy,” he added. “And everybody was so excited about a new big place opening up.”

Gammons and Jennings wanted the resort to be as safe as possible, so they hired their own security to make sure that homophobes wouldn’t get inside to harass patrons. They also made it clear to local police that they’d expect help with external issues. Over the years, the Dunes was targeted by gay bashers, received a bomb threat and even got a threatening call from the Ku Klux Klan.

Nonetheless, the resort was popular and quickly earned a reputation for throwing huge parties with fantastic entertainment.

“The music was so much better at The Dunes than in Grand Rapids,” Rossi said. “I used to talk to the DJs and I’d just tip them a couple bucks, and I’d say, ‘What was that you just played?’”

They booked performers such as Eartha Kitt, Linda Clifford and The Weather Girls (though the latter had to cancel at the last minute) and hosted tea dances every Sunday.

“We turned down Madonna,” Gammons said. “Her brother lived in the Detroit area, and he was gay, and Carl was DJing. She was just a punk rocker, and she went up to (Carl) when he took a little break and said, ‘I’m better than that girl. You know, you ought to put me onstage.’”

“We turned her down, and it was about six, eight months after that, she went to New York and got discovered,” he added.

The parties raged on for decades, with Gammons telling The Chicago Tribune in 1995 that gay tourism was bringing “an estimated $6 million annually to the area.” Gammons and Jennings sold The Douglas Dunes in 1998 to Danny Esterline, Greg Trzybinski and Mike Jones, who renamed it The Dunes Resort.

Though there is a widely cited statistic about Saugatuck-Douglas being home to more than 140 gay-owned and gay-friendly businesses, Jones said in an email that number was “made up” for press releases and websites to “promote the area as gay-friendly.”

Jones, 58, still remembers visiting the Dunes — which he calls a “little Midwestern gay Mecca” — for the first time in 1990.

“It really stood out as like, ‘this isn’t normal.’ Even in Chicago in the late 90s, guys weren’t holding hands walking downtown,” he said. “And you’re really right in the middle of God’s Christian reform, Southwest Michigan. So it’s almost like there’s a bubble over us. You have to remember that the whole world isn’t like this.”

Though Jones had visited many of the popular gay hot spots and swore he’d never live in a small town, he felt differently at the Dunes.

“I’ve been to P-town, and we’ve been to Fire Island, and we’ve been to Key West, and Rehoboth, but they’re just a different attitude,” Jones said. “And I never thought when I was in Fire Island or P-town or Rehoboth, ‘This place is great. I want to live here.’”

Nude bathers in the 1890s

With a bit of close reading, the queer history in Saugatuck and Douglas dates back more than 120 years. Gollannek, the director of the local history center, said there are examples of same-sex relationships from the late 1800s through the 1920s.

Some gay tourism can be attributed to the rise of steamboat travel, which made it easier for visitors to make their way over from Chicago. But the most obvious influence on the area’s emerging queerness was a woman named Elizabeth Bandle.

“She and her family had land in Saugatuck on a farm,” said Shanley Poole, 27, engagement liaison and storyteller for Ox-Bow. “She invited a few students and professors up to do plein-air painting because the lighting there was just gorgeous, and it kind of became a tradition year after year.”

Among the people who visited Bandle Farm in the early 1900s were Frederick Fursman and Walter Marshall Clute, artists from the School of the Art Institute of Chicago who went on to found Ox-Bow in 1910. Since artists and city-dwellers were typically more accepting of queer people at the time, it created an environment that fostered gay tourism.

“In 1910, we have these groups of artists and free-thinking individuals — bohemian folk — coming to a secluded area,” Gollannek said. “Avant-garde artists coming here, painting plein-air, working with nude models, and this becomes a place where there’s some openness.”

The Saugatuck-Douglas History Center has records of LGBTQ+ people living in the area starting in 1917, with interior designer Florence “Dannie” Ely Hunn purchasing a cottage near Saugatuck-Douglas with Mabel “Jims” Warren, her partner of more than 50 years.

Many locals can also recall LGBTQ+ people and couples who they met during their first trips to Saugatuck.

“We have had members within GLBTQ community that go back to probably the ’30s, ’40s, like Mary Kay Bettles,’” Rossi said. “She met her lover at a place over by where the chain ferry is now. It used to be a gas station and an ice cream shop.”

Bettles and her partner, Jean Palmer, were not the kind of couple that flew under the radar.

“Jean would wear ball gowns and fur coats and sit on her really rustic cabin porch during the summertime, and Mary Kay Bettles was like, wearing jean shirts and trousers and loved her dogs,” Poole said. “And (Bettles) would wear a Sheriff’s Badge and kind of dubbed herself the Sheriff of Ox-Bow and would chase people off campus if they didn’t have a reason to be there.”

Some visitors and residents were closeted in their hometowns, but felt safe to live with their partners and express affection in Saugatuck-Douglas. Burr Tillstrom, the Chicago-based puppeteer, kept his private life quiet, but purchased a barn in Saugatuck during the 1960s, which allowed him to loosen up as he spent his summers teaching at Ox-Bow.

Rossi, who’s now 68, also grew up during an era that lacked the language and freedoms that many LGBTQ+ people have today.

“Among artists, there was more of a tolerance for ‘less traditional lifestyles,’ as they would call it,” he said. “The definition of gay didn’t really come until maybe the ’50s or ’60s.”

“Saugatuck was sort of used to the fact that there was an eclectic crowd that came here. They painted, they partied, they spent money,” Rossi said. “And you know, when people spend money, and money’s to be made, money does not have sexual orientation.”

These days, Saugatuck-Douglas is a bit different.

It’s more expensive than it once was, with many hotels charging upward of $500 per night, and the frisky nude beach became a thing of the past when the Land Conservancy of West Michigan purchased Denison’s old land around 2009.

“Now the city owns it,” Gammons said, “so no nudity, no hanky-panky, no liquor, no nothing.”

Chris Hewitt | The Minnesota Star Tribune (TNS)

Summer is the season for blockbuster movies, but autumn is when the publishing world unleashes one title after another from some of the biggest, and biggest selling, authors.

We’ll see new books from “The Overstory” writer Richard Powers and “Leave the World Behind” novelist Rumaan Alam, for instance. Here are five others we can’t wait to dive into, all due in September:

Creation Lake, Rachel Kushner

Booker Prize and National Book Award finalist Kushner’s latest is about a woman who is lying to everyone about everything. Sadie (not her real name, of course) is a secret agent, sent to France to infiltrate a group of anarchists. She has a lover, whom she’s surveilling, and friends, whom she’s using, and everything works well until she becomes fascinated by a man who may be even more duplicitous than she is.

Sept. 3, Simon & Schuster, $29.99.

Devils Kill Devils, Johnny Compton

Guardian angels are supposed to be a good thing, but Sarita isn’t so sure when, on her wedding night, her angel, Angelo, who has repeatedly saved her from disaster, kills her husband. Compton’s followup to last year’s “The Spite House” is said to be a super-violent tale of horror that casts vampires in a whole new light.

Sept. 10, Macmillan, $28.99.

Final Cut, Charles Burns

This graphic novel (very graphic — it’s definitely not for kids) is a tale of romantic obsession that’s also about identity and nostalgia. Brian and Jimmy, who used to make goofy science-fiction short films when they were in middle school, reunite as adults to create a more ambitious feature film. Inspired by their beloved “Invasion of the Body Snatchers,” it drives them and their collaborators, including muse and lead actor Laura, into a remote forest where things take a dark turn.

Sept. 24, Pantheon, $34.

The Siege, Ben Macintyre

The prolific British writer’s nonfiction accounts of spycraft — including “Agent Zigzag,” “Colditz” and “Operation Mincemeat” — generally take him to World War II and the heroes who worked in the shadows to bring it to a close. But the events of “The Siege” happened in 1980, during America’s Iran Hostage Crisis. It’s a minute-by-minute account of the six days after armed gunmen stormed the Iranian embassy in London, taking 26 hostages.

Sept. 10, Crown, $32.

The Small and the Mighty, Sharon McMahon

Duluth-based social media influencer, podcaster and “America’s government teacher” McMahon— whose popularity has zoomed as the country has become more divided and confusing — unveils 12 witty portraits of average Americans who made enormous contributions but didn’t get into the history books, like the guy who was at Alexander Hamilton’s deathbed and who wrote the preamble to the Constitution.

Sept. 24, Thesis, $32.

©2024 The Minnesota Star Tribune. Visit at startribune.com. Distributed by Tribune Content Agency, LLC.

When a streaming show is canceled after just one or maybe two seasons, audience frustration radiates out from social media. TV used to be a business that aimed for long-running hits, but it doesn’t feel that way anymore and there’s no shortage of catastrophizing. “Television is dead,” is how one person put it. “The current model is unsustainable. It’s profit over art.”

The disappointment is real — but this is also a romanticization of the past. TV has always been profit over art. Pretending otherwise doesn’t help us understand what’s happening now.

But I get why it’s easy to buy into the fantasy that things were better before streaming upended everything. Survivorship bias means we remember all those old network shows that ran for multiple seasons and then lived on in reruns, but not the countless others — and truly, the numbers are staggering — that were canceled only a few episodes in, becoming yet more pop cultural detritus consigned to the Hollywood junk heap.

But it’s never been this bad — right? I don’t know if that’s accurate either! Around 600 scripted shows premiered in 2022. But go back 20 years, to 2002, and that number was 182. More shows are getting made, therefore more shows are getting canceled. But proportionally, the percentage canceled might not be drastically different.

With the traditional broadcast model, a long-running hit with 22 episodes a season can mean big profits, especially in syndication. For generations, that financial incentive also did the work of shaping audience expectations for the regularity that came with long-running shows.

None of this applies to streaming originals. That’s because money isn’t pouring in — at least, not money pegged to individual shows. The business model is different, which means the goals are different. Here’s how entertainment journalist Rick Ellis explains the thought process in his Too Much TV newsletter: “While many people in Hollywood don’t want to believe it, three new originals with eight-episode seasons are better for subscriber numbers than one show with 24 episodes. Especially because three different shows provides more of a chance you’ll have one that breaks out with audiences.”

Perhaps! But this has left audiences feeling forsaken. And people who make their living in television are experiencing one of the most intense periods of professional destabilization in recent memory.

Who wants a diet of short-run shows only? Maybe it wouldn’t feel so dire if a nice chunk of streaming shows — 10 or 15 of them across different platforms — were getting multiple seasons.

The history of television is littered with shows that barely made it to double-digit episodes, but there were always exceptions — shows that struggled in the early going but were given a chance to find an audience. That’s not because executives were more nurturing than they are now; if a show with mediocre ratings stayed on the schedule, it was probably because there was nothing else to fill the slot.

The 1979-80 TV season was notorious for the number of shows that failed, including “Salvage 1” starring Andy Griffith as a guy who recovered abandoned space junk and used it to build his own rocket. Fourteen episodes aired in the first season. When the second season rolled around, the network aired just two episodes before pulling it off the schedule for good. Imagine how frustrated audiences must have been! But that wasn’t uncommon; four or eight episodes might air and then — poof — suddenly a show was gone because it was a ratings disaster. At least with streaming, you’re getting a completed season (even if it’s short) before it’s canceled.

Here’s another frustration you hear right now: Hollywood has never been more obsessed with IP, aka intellectual property. I agree that this endless lineup of prequels and reboots and adaptations is tiresome. No one wants to take a risk on original ideas. But let’s not fall into the trap of revisionist history, either. Going back decades, spinoffs have always been part of the TV landscape, which is really just another way of saying … IP

IMDb has a page listing “Short Lived TV Shows 1970’s/80’s” and it’s a fascinating time capsule. Never heard of most of these shows. But what’s really surprising is just how many were based on movies (cough, IP once again).

Scroll down the list and … there was a TV series based on “Casablanca”?? (Lasted all of five episodes; maybe Sam got tired of playing that piano every week.) There was another based on “The King and I.” Also: “Breaking Away,” “Animal House,” “Fast Times at Ridgemont High,” “The Four Seasons,” “Logan’s Run” and more — all hoping to be the next “M*A*S*H,” I’m guessing.

I’m not in the prediction business and I can’t say whether the TV industry can recover if it continues to abandon the kind of long-running shows that become part of the fabric of our pop cultural lives. But it’s also a mistake to think through the current challenges if we’re only taking into account what’s transpired over the last 10 years or so.

Viewer discontent is real. Media bosses might want to start taking that seriously again.

Nina Metz is a Tribune critic.