By LISA MASCARO, Associated Press

WASHINGTON (AP) — House Speaker Mike Johnson said Sunday it will be a few days before a government funding package comes up for a vote, all but ensuring the partial federal shutdown will drag into the week as Democrats and Republicans debate reining in the Trump administration’s sweeping immigration enforcement operations.

Johnson signaled he is relying on help from President Donald Trump to ensure passage. Trump struck a deal with senators to separate out funding for the Department of Homeland Security from a broader package after public outrage over two shooting deaths during protests in Minneapolis against Immigration and Customs Enforcement. The measure approved Friday by the Senate would fund DHS temporarily, for two weeks, setting up a deadline for Congress to debate and vote on new restrictions on ICE operations.

“The president is leading this,” Johnson, R-La., told “Fox News Sunday.”

“It’s his play call to do it this way,” the speaker said, adding that the Republican president has “already conceded that he wants to turn down the volume” on federal immigration operations.

Johnson faces a daunting challenge ahead, trying to muscle the funding legislation through the House while Democrats are refusing to provide the votes for speedy passage. They are demanding restraints on ICE that go beyond $20 million for body cameras that already is in the bill. They want to require that federal immigration agents unmask and identify themselves and are pressing for an end to roving patrols, amid other changes.

Democrats dig in on ICE changes

“What is clear is that the Department of Homeland Security needs to be dramatically reformed,” said House Democratic leader Hakeem Jeffries of New York said on ABC’s “This Week.”

Jeffries said the administration needs to begin negotiations now, not over the next two weeks, on changes to immigration enforcement operations.

“Masks should come off,” he said. “Judicial warrants should absolutely be required consistent with the Constitution, in our view, before DHS agents or ICE agents are breaking into the homes of the American people or ripping people out of their cars.”

It’s all forcing Johnson to rely on his slim House GOP majority in a series of procedural votes, starting in committee on Monday and pushing a potential House floor vote on the package until at least Tuesday, he said.

House Democrats planned a private caucus call Sunday evening to assess the next steps.

Partial government shutdown drags on

Meanwhile, a number of other federal agencies are snared in the funding standoff as the government went into a partial shutdown over the weekend.

Defense, health, transportation and housing are among those that were given shutdown guidance by the administration, though many operations are deemed essential and services are not necessarily interrupted. Workers could go without pay if the impasse drags on. Some could be furloughed.

This is the second time in a matter of months that federal operations have been disrupted as Congress digs in, using the annual funding process as leverage to extract policy changes. Last fall, Democrats sparked what became the longest federal shutdown in history, 43 days, as they protested the expiration of health insurance tax breaks.

That shutdown ended with a promise to vote on proposals to extend the Affordable Care Act tax credits. But the legislation did not advance and Democrats were unable to achieve their goal of keeping the subsidies in place. Insurance premiums spiked in the new year for millions of people.

Trump wants quick end to shutdown

This time, the administration has signaled its interest in more quickly resolving the shutdown.

Johnson said he was in the Oval Office last week when Trump, along with border czar Tom Homan, spoke with Senate Democratic leader Chuck Schumer of New York to work out the deal.

“I think we’re on the path to get agreement,” Johnson said on NBC’s “Meet the Press.”

Body cameras, which are already provided for in the package, and an end to the roving patrols by immigration agents are areas of potential agreement, Johnson said.

But he said taking the masks off and putting names on agents’ uniforms could lead to problems for law enforcement officers as they are being targeted by the protesters and their personal information is posted online.

“I don’t think the president would approve it — and he shouldn’t,” Johnson said on Fox.

Democrats, however, said the immigration operations are out of control, and it is an emergency situation that must end in Minneapolis and other cities.

Growing numbers of lawmakers are calling for Homeland Security Secretary Kristi Noem to be fired or impeached.

“What is happening in Minnesota right now is a dystopia,” said Sen. Chris Murphy, D-Conn., who led efforts to hold the line for more changes.

“ICE is making this country less safe, not more safe today,” Murphy said on “Fox News Sunday.”

By MARIA SHERMAN, Associated Press

LOS ANGELES (AP) — The 68th annual Grammy Awards will take place Sunday with a dramatically different tone than last year.

The 2025 award show was completely reimagined and refocused to relief efforts following the devastating Los Angeles-area wildfires. In 2026, focus has been placed once again on the music, where Kendrick Lamar, Lady Gaga, Bad Bunny and more will go head-to-head.

Comedian Trevor Noah will host for a sixth and final year and history could be made when some of the biggest names in music gather. Here’s some key things to know ahead of Sunday’s show at the Crypto.com Arena.

How to watch the show and red carpet

The main show will air live on CBS beginning at 8 p.m. Eastern on Feb. 1.

The Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV.

Paramount+ premium plan subscribers will be able to stream the Grammys live; Paramount+ essential subscribers will have on-demand access the next day.

The premiere ceremony will take place just ahead of the Grammys’ ceremony at 3:30 p.m. Eastern, 12:30 p.m. Pacific at the Peacock Theater in Los Angeles. It can be streamed at the Recording Academy’s YouTube channel and on live.GRAMMY.com.

The Associated Press will stream a four-hour red carpet show with interviews and fashion footage. It will be streamed on YouTube and APNews.com ahead of the Grammys on Sunday.

Who’s nominated at the 2025 Grammys

Kendrick Lamar leads the 2026 Grammy Award nominations with nine. Lady Gaga, Jack Antonoff and Canadian record producer/songwriter Cirkut follow with seven nominations each.

Sabrina Carpenter, Bad Bunny, Leon Thomas and Serban Ghenea all boast six nominations. Andrew Watt, Clipse, Doechii, Sounwave, SZA, Turnstile and Tyler, the Creator have five each.

Who’s attending and performing at the Grammys

Doechii, Harry Styles, Carole King, Chappell Roan, Charli xcx, Jeff Goldblum, Karol G, Lainey Wilson, Marcello Hernández, Nikki Glaser, Q-Tip, Queen Latifah and Teyana Taylor will present at the 2026 Grammys.

Performers include Justin Bieber, Clipse, Pharrell Williams, Sabrina Carpenter Bruno Mars, Rosé, Tyler, the Creator, Lady Gaga and all eight of this year’s best new artist nominees: Leon Thomas, Olivia Dean, global girl group Katseye, The Marías, Addison Rae, sombr, Alex Warren and Lola Young.

Reba McEntire, Brandy Clark and Lukas Nelson will take the stage for the in memoriam. Ms. Lauryn Hill will pay tribute to D’Angelo and Roberta Flack. Post Malone, Andrew Watt, Chad Smith, Duff McKagan and Slash will honor Ozzy Osbourne.

By MARIA SHERMAN, Associated Press

NEW YORK (AP) — Sunday’s Grammys mark a return to normalcy after the 2025 show was altered to focus on Los Angeles-area wildfire relief efforts.

“I think we will see some history-making moments,” Recording Academy CEO and President Harvey Mason jr. told The Associated Press. “With artists being nominated in categories they haven’t been previously nominated in, and a new crop of talent coming through the system this year — I think we’re going to see some really exciting results.”

Here’s how to watch the 2026 Grammys, including how to stream and where you can see music’s biggest stars walking the red carpet.

How do I watch the Grammys?

The main show will air live from LA’s Crypto.com Arena on CBS beginning at 8 p.m. Eastern. Paramount+ premium plan subscribers will be able to stream the telecast live, too. (Paramount+ essential subscribers will have on-demand access the next day.)

The Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV.

The Premiere Ceremony will take place ahead of the Grammys telecast, at 3:30 p.m. Eastern from the Peacock Theater. It can be streamed at the Recording Academy’s YouTube channel and on live.GRAMMY.com.

How can I watch the red carpet?

The Associated Press will stream a four-hour red carpet show with interviews and fashion footage. It will be streamed on YouTube and APNews.com.

By Ben Warren, Tribune News Service

The long-term cold spell that has settled over Michigan has quickly expanded the ice cover on the Great Lakes and other waterways, forcing vessels to adapt, creating fears of ice jams and providing leisure activities for those wanting to take advantage of the thick ice.

On Friday, a Canadian ice breaker helped to lead a group of tankers through the ice on the Detroit River. The U.S. Coast Guard only has one heavy icebreaker to cover the entire Great Lakes region, so Canadian vessels sometimes help out.

During the weekend, along the St. Clair River in St. Clair County, sheets of ice dominated the river around Marine City and created the threat of ice jams for homeowners along the river, especially those with docks.

Others took to the lakes for activities like ice fishing. At Lake Erie Metropark in Brownstown, dozens of ice-fishing tents were visible on the frozen lake. The park is located a short drive south of Detroit and has acres of trails and a golf course. But this time of year, the thick ice near the shores of Lake Erie is a major draw.

Mike Shankelton, 68, of Monroe was fishing out on the ice at the Metropark on Saturday with two friends, Tom Clark of Temperance and Dave Wagenknecht of Ida, both also in their 60s. Shankelton said, “it hasn’t frozen that good for years.”

He added, “The ice is solid in a lot of areas, but you’ve still got to be cautious.”

The ice coverage of the Great Lakes has expanded in January as temperatures have occasionally hit subzero levels in recent weeks.

The total ice cover across the five lakes reached 51% on Saturday, up from 5.5% on Jan. 14, according to the National Oceanic and Atmospheric Administration’s Great Lakes Environmental Research Laboratory in Ann Arbor.

Shankelton’s strategy for staying safe out on the ice is to watch where other people are already walking. When there’s no one else around, he uses a drill to see how deep the ice really is.

Shankelton was looking for perch, but he said, “of course if a walleye wants to bite it, that’s OK too.” He said he preferred to deep fry what he caught to eat.

All of Lake St. Clair is frozen over at this point, according to research lab data, while 95% of Lake Erie is covered with ice and 68% of Lake Huron is covered with ice. The largest Great Lake, Superior, has nearly 40% ice coverage despite being farther north, while Lake Michigan is at 37% and Lake Ontario is at 34%.

While St. Clair is not one of the five official Great Lakes, it is often considered part of the same lake system.

In just the last week, ice coverage in Lake Erie, Lake Huron and Lake Superior has doubled. Across all the lakes, ice coverage has expanded beyond what is typical for this time of the year, and above long-term January averages.

The culprit is what meteorologists call an “Arctic air mass,” which has hovered over much of the eastern United States in recent weeks. That weather pattern is responsible for the below-average temperatures across Michigan through the end of January, according to the National Weather Service.

Typically, ice coverage in the lower lakes peaks in mid-to-late February, while the upper lakes reach maximum coverage between late February and early March.

When Great Lakes ice coverage is higher than normal, it can impact weather patterns across the region: there’s often less lake-effect snow and it takes longer to warm up in the spring, according to the NOAA. This happens because the ice cover prevents water from evaporating, leading to drier conditions. And the ice reflects sunlight, meaning the water underneath remains colder for longer.

©2026 The Detroit News. Visit detroitnews.com. Distributed by Tribune Content Agency, LLC.

By Adam Graham, Tribune News Service

It’s almost like a movie.

The Milford Independent Cinema will no longer be closing its doors, its Board of Directors announced Saturday.

On what was slated to be the one-screen cinema’s final day, the theater’s board said the theater can remain sustainable “in the near term,” according to a press release. The news comes following a successful crowdfunding effort that was “nothing short of remarkable,” the cinema’s operators said in a statement.

“We are truly blown away by the support, passion, and resilience of this community,” said the Milford Independent Cinema Board of Directors. “This theater exists because of the people who believe in it, show up for it, and see its value far beyond the screen.”

The theater announced in mid-January that it would be closing its doors at the end of the month, due to “significant and ongoing changes within the film exhibition industry.”

But then the community spoke up, and on Jan. 24, operators shared a message on social media saying that donations were pouring in and that they may be able to stave off closing. “There is hope!” they said at the time.

In recent years, Metro Detroit has seen the closure of several movie theaters and multiplexes, including the AMC Star Southfield, AMC Fairlane 21, Main Art Theatre, Maple Theater, Cinema Detroit and Regal Cinemas UA Commerce Township.

The Milford theater has been open since 1972 and has operated as a non-profit since reopening after the COVID-19 pandemic.

Saturday’s announcement didn’t come with a timeline attached, but operators said the theater will expand its offerings going forward with live events, “new and fun” film series, and new members will be added to its board. There will also be increased volunteer efforts and a new membership program for the theater.

The theater will take a short hiatus, and operators plan to reopen its doors on Feb. 11.

“From the bottom of our hearts, thank you,” the Board said in its statement. “Because of you, we are here— and we will continue to show up for this community just as you have shown up for us.”

©2026 The Detroit News. Visit detroitnews.com. Distributed by Tribune Content Agency, LLC.

There was no fat lady singing on Saturday night, Jan. 31, at the Detroit Opera House.

But things were certainly phat.

Part concert and part tribute, “Symphonic PFunk: Celebrating the Music of Parliament-Funkadelic” was a joyous throwdown that treated George Clinton’s famed funk catalog in a new way yet was undeniably a P-Funk throwdown joint.

With an hour and 45-minutes of music divided into two parts, the show needle-dropped into many of the highest points of that enduring body of work as well as a selection of deep digs, with the sold-out crowd of 2,700 dancing, arm-waving and whooping and in a manner decidedly different than, oh, “Madama Butterfly” or “La Traviata.”

The orchestral arrangements, meanwhile, — crafted by “Dancing With the Stars'” music director Ray Chew, who conducted the Detroit Opera Orchestra — largely inobtrusive and certainly eclipsed by the amplified power of the current Parliament Funkadelic lineup.

But when the orchestra did surface through the mix — during songs such as “(Not Just) Knee Deep,” “(I Wanna) Testify,” “Agua Boogie” and “Flash Light” — it added an audible richness and sonic depth to music created mostly at Detroit’s United Sound Systems studio during the 70s.

It didn’t take long for the part to get started as the Mothership and Clinton’s animated visage landed on the video screen and the ensemble kicked into a tight “P.Funk (Make My Funk the P-Funk).

In the flesh, the 84-year-old Clinton was animated and energetic in a dapper suit and fedora as he hyped the crowd along the front of the stage, mugging with Chew and the backing vocalists, including Sheila Brody Amuka in a tall Brides of Funkenstein wig and glittering bikini. Clinton was present for more than half of the 14-song show, occasionally sitting in an office swivel chair on stage and watching the rest from a private box on the Opera House’s mezzanine level.

The concert stayed hot with and without him, of course.

Clinton fronted a muscular rendition of the Parliaments’ 1967 hit “(I Wanna) Testify),” while Rahsaan Patterson joined the collective for “Aqua Boogie” and Labelle veteran Nona Hendryx came on board during “Mothership Connection (Star Child).” Living Colour’s Vernon Reid’s guitar acumen was featured during “Cosmic Slop,” while P-Funk mainstay Michael Hampton shredded on his guitar for “Alice in My Fantasies” and “Maggot Brain.”

 

A trio of P-Funk alumni — vocalists Sheila Horn and Paul Hill and drummer Gabe Gonzalez — reunited for a “Red Hot Mama” that lived up to its name, while the perennial “Give Up the Funk (Tear the Roof Off the Sucker)” did just that. And the roof stayed off as the whole company romped through an extended medley of “One Nation Under a Groove” and “Flash Light.” The encore, “Atomic Dog,” only kicked things up a notch as a dance team from the Omega Psi Phi fraternity worked its way down the aisle and onto the stage for an assemblage that looked epic — and operatic.

Clinton — who’s planning to launch a new Mothership show during the summer, 50 years after he introduced it — noted during the intermission that he and New York-based Chew Entertainment, which produced “Symphonic PFunk,” hope to keep the concept going; representatives of other venues, including the Hollywood Bowl, were there on Saturday to check it out. But there was only one proper place to start it, of course, and the Opera House certainly had the funk in abundance on Saturday night.

 

When Kate Brouner decided to put her six-bedroom, three-bath 3,590-square-foot Howell house on the market, she called the previous owner: Novi-based Realtor Jenn Anderson.

Anderson lived in the home for 11 years before selling to Brouner.

“We call it ‘our house’ and we wanted to make sure to find the right buyer,” Anderson said.

Winter tends to be a slower time for agents but it allows real-estate agents to size up last year’s marketplace and forecast the year ahead. But houses are still being bought and sold.

Steve Stockton has a national and local perspective of the housing market. He’s a board member for RealComp, Michigan’s largest multiple-listing service; the North Oakland County Board of Realtors; and the National Real Estate Review Board.

“This is the longest time period we’ve had growth: 29 months in a row of increased value nationally,” he said. “I don’t remember a month since COVID where we haven’t gone up month over month.”

Regionally, sales rose month-over-month in the Northeast and South, were unchanged in the West, and declined in the Midwest. Demand in Michigan remains steady, Stockton said.

Nationally, home sales rose in December, up by a half percent from November, according to the National Association of Realtors. But compared to December 2024, sales were down by 1%.

The typical homebuyer is 60 years old and the median age for a new-home buyer is at an all-time high: 40, up from 33 in 2021 and 29 in 1991.

“The hardest issue is finding starter homes that younger people can buy. To finally hit 40 as the average first-time buyer’s age is just crazy,” he said.

Market shift

Stockton said the current market is transitioning from one that favored sellers to a balanced market favoring neither buyers nor sellers, aided in part by lower interest rates.

As of late Thursday, a 30-year, fixed-rate mortgage loan was around 6.2% and the 15-year rate was around 5.6%. Few expect interest to drop below 6% this year, despite pressure on the Federal Bank by the Trump administration, he said.

Karen Kage, Realcomp’s CEO and a real estate agent for more than 40 years, said buyers are finding 10% more homes for sale in southeast Michigan this year compared to last year while Oakland County has 15% more.

Oakland County’s hottest markets include Novi, Northville and South Lyon, where builders are busy. Existing homes are selling in Milford, Highland and White Lake townships, Stockton said.

Areas like Birmingham and Bloomfield Hills remain popular and lakeside homes are always in high demand.

Home prices

Southeast Michigan’s median price for existing homes was $270,000 in December, up 5.9% over December 2024. Oakland County’s median home price increased by less than 1%, to $360,000..

“The buyers have a little more to chase,” Stockton said, noting that less than five years ago, buyers were skipping home inspections and warranties to compete with a slew of other buyers.

These days, he said, softer markets in Nevada, Arizona, Idaho and Florida are inspiring older homeowners who are weighing getting a good price for their Michigan home and taking advantage of better prices in what Stockon called “the sunshine states.”

In southeast Michigan, the number of homes on the market represent about three to four months of inventory, up from 2015, when the inventory was a scant six weeks. A truly balanced market requires a five-to-seven-month supply of homes, Stockton said.

More homes for sale means sellers are now waiting on home inspection results, offering home warranties again and bargaining on prices more than in recent years.

But in some areas, buyers are writing love letters about the home they want to persuade a seller to pick their offer.

What’s selling

A refreshed kitchen remains a selling point, as does a newer roof.

“The homes selling quickly now are updated and sharp,” Stockton said. “If you have a house that’s a little tired and dated, it’s going to sit on the market for a while.”

But a motivated seller like Brouner will adjust the home price to attract buyers.

Brouner, a healthcare analyst and mother of five, wanted a new home after her divorce was finalized but didn’t have the time for significant updates.

Anderson said it’s important for sellers to be realistic about their home’s value and the marketplace. Brouner had been watching the real estate market for 18 months before deciding to list her home. She and Anderson agreed to list the house for $449,900.

Less than a week after the listing went online, offers poured in.

“I was pretty confident my house would sell but Jenn really helped me make the most money possible,” she said. “Selling is not as scary as everyone thinks. Find the right agent and they will guide you.”

Brouner will start shopping for a new home with Anderson soon. She hopes to find a house with more land, room for her family and a price under $400,000 and she’s being pragmatic about her options.

“I don’t mind buying a fixer upper,” she said.

The 2026 outlook

“I hate making predictions,” Kage said. “Everything could change tomorrow … Who could have predicted some of the things we’ve been through in the last 40 years?”

She prefers to watch monthly home-sales figures and said two months of numbers gives a short-term peek into the future. The final months of winter can suggest how a season will progress. The second-quarter market is a better indicator, she said.

The solid sellers’ market pressed buyers into bidding wars, which Kage said raised prices to a point that challenges younger buyers.

She believes more sellers are confident of getting a good price for their home and being able to find an affordable next home,” she said.

A rise in the number of homes available has increased the average time on the market by two days, to 43 days, which has alarmed sellers and it shouldn’t because buyers who have more choices are more confident in their offers, Kage said.

Kage encourages buyers and sellers to work with a licensed real estate agent. They can help sellers find the optimum price for marketing a home and typically learn about new listings before they are published.

“People say, ‘Oh, I’ll just check Zillow’ but where do you think Zillow gets the information? They get it from us,” she said.

Before I tell you why you should watch the new documentary about Mel Brooks, I will tell you that 25 years ago, he told me, “You may be right. I have done everything there is to do in show business. … Everything except to be tall. That’s the one thing I’ve never accomplished, being tall. But I’m looking forward to that.”

He was a relative youngster then, 74 years old, but at a very important point in his life. He was generally regarded as a comedic giant, and why not? He had spent his life making people laugh, first as a Catskills comic and then as part of a glittering writing team (along with Woody Allen and Neil Simon) for Sid Caesar’s pioneering TV programs “Your Show of Shows” and “Caesar’s Hour”; as the co-creator of “Get Smart”; as the 2000 Year Old Man on a series of best-selling comedy albums with pal Carl Reiner; as movie writer, director, producer and actor in such films as “The Producers,” “Young Frankenstein” and “Blazing Saddles.”

But he had not had a critical or box-office hit since his 1977 Hitchcock spoof “High Anxiety.” And there he sat on a cold December day in 2000 in New York, taking a big risk, for many believed that the success or failure of the musical version of “The Producers” he was overseeing would provide the final sentence to his career.

Well, we all know what happened. “The Producers” would open in Chicago, move to Broadway and win a record 12 Tony Awards. The career carried on, and now here is Brooks, as charming, smart and, of course, funny as ever, as the centerpiece of a thoughtfully thrilling documentary now airing on HBO Max. “Mel Brooks: The 99 Year Old Man!,” exclamation point more than justified.

It may be a bit long at almost four hours (in two episodes, now streaming), but it is impossible not to enjoy. Its length is forgivable since one can sense the excitement and affection of filmmaker Judd Apatow, who interviews Brooks at length. Apatow, along with co-director Michael Bonfiglio, has previously also captured in documentary form George Carlin and Garry Shandling.

Drawing on ample archival footage and candid interviews, he and Bonfiglio take us back to the beginning with Brooks (born Melvin Kaminsky), the youngest of four boys of a widowed mother in Brooklyn, all of them off to World War II, all safely returned, with Brooks telling Apatow, “War changed me. If you don’t get killed in the Army, you can learn a lot.”

His career moves to the raucous Sid Caesar writers’ room and we do also hear, rather wistfully, from Brooks’ three children and his first wife, former Broadway dancer Florence Baum, before he was off to moviemaking in California in the early 1960s. His granddaughter Samantha is charming.

You will hear Brooks tell a terrific Cary Grant story (one he has told many times over the years on the various late-night talk shows where he has been a frequent guest) but, more tenderly, tales of his courtship and marriage to actress Anne Bancroft. Gene Wilder shares feelings that go far deeper than director and star. And we get details of Brooks’ long friendship with writer-director Reiner, from the early 1960s to their sharing dinners together as widowers every night watching “Jeopardy” on TV.

Bancroft died in 2005; their son, novelist Max, is tender in interviews. Reiner’s wife Estelle died in 2008 and Reiner in 2020. Hearing Reiner’s son, filmmaker Rob, talk about his father and Brooks gives one a chill, knowing this was one of the final conversations before he and his wife Michele Singer Reiner’s December murders.

The number of people with whom Brooks has shared his creative life will impress and perhaps surprise you. There’s Richard Pryor, who did a bit of writing for “Blazing Saddles,” who says, “He’s a loving man. It’s about love with him.”

The late director David Lynch credits Brooks with saving his career by hiring him to direct “The Elephant Man” after seeing Lynch’s “Eraserhead.” In addition to his own movies, Brooks produced such films, through his Brooksfilms, as “The Fly,” “My Favorite Year,” “Frances” and others, taking a rare low profile lest his name lead moviegoers to think they would be seeing comedies.

Naturally, we hear from a large crowd of showbiz folks and all of them — Ben Stiller, Jerry Seinfeld, Dave Chappelle, Sarah Silverman, Conan O’Brien, Josh Gad, Robert Townsend, Matthew Broderick, Nathan Lane and others — are complimentary. There must be someone in that backbiting swamp that is Hollywood who isn’t a Brooks fan, but such a person is not to be found here.

Whatever your relationship with Brooks beforehand, this film will enrich it. Will you understand what makes him tick? I don’t know, and you won’t care. Just spending time with him is satisfying enough.

His famously quick wit has not lost a step. When Apatow asks, “You lost your father at an early age?” Brooks quickly replies, “No, no. My father died.”

His ability to recall names and places and laughs is, frankly, astonishing. He is not only able to remember but to enjoy, to savor. We should all be so lucky.

In the film, he says, “Sometimes my comedy is just to celebrate the joy of being alive.” And as he has said many times in his many years, he has always used humor as “a defense against the universe.” Few, if any, have done it better.

rkogan@chicagotribune.com

By MARK KENNEDY, AP Entertainment Writer

NEW YORK (AP) — Some people see the glass as half full and some as half empty. Marc Shaiman is something else entirely.

“I’m not even happy with the glass,” he says with a laugh.

The award-winning Hollywood and Broadway composer and lyricist cheerfully likes to call himself an “Eeyore” and “a card-carrying pessimist” despite many of his biggest dreams coming true.

“Just as soon as something good happens, something bad’s going to happen,” he tells The Associated Press. “I am always waiting for that other shoe to drop, and it inevitably drops.”

His career and personal ups and downs are on full display this winter with Tuesday’s publication of his memoir, “Never Mind the Happy: Showbiz Stories from a Sore Winner,” which is filled with funny stories from a man who has helped fuel popular movies and musicals for decades.

“I’ve been lucky enough to do a lot and I’ve been lucky enough to have an outrageous longevity. I thought, ‘Let me write it down, finally,’” he says.

Tales of Bette Midler, Stephen Sondheim and the ‘South Park’ guys

The memoir charts the New Jersey-born musical prodigy’s rise from Bette Midler’s musical director in his teens to scoring such films as “Sleepless in Seattle” and “Mary Poppins Returns” and Broadway shows like “Hairspray” and “Catch Me If You Can.”

He’s worked with Billy Crystal, Martin Short, Luther Vandross, Raquel Welch and Rob Reiner, sparred with producer Scott Rudin and had a spat with Nora Ephron (“I’m certain she’s in heaven, telling all the angels she doesn’t like harps,” he writes). He also played at the White House and was a force in the early days of “Saturday Night Live.”

There was the time in 1999 that he got legendary composer Stephen Sondheim so high on pot at a party in his apartment that the iconic composer collapsed three times. “I’ve killed Stephen Sondheim,” he thought to himself. (Sondheim asked him to tell the story only after he died.)

He tells the story of hearing Meryl Streep repeatedly working on a song for “Mary Poppins Returns.” Moved, he and his writing partner, Scott Williams, knocked on her door to say how impressed they were by her dedication to rehearse. “Well, guys, fear can be a powerful motivator,” she told them.

“I’m mostly just trying to show how human everyone is — even these bold-faced names,” Shaiman, a two-time Grammy winner and two-time Emmy winner, says in the interview.

Shaiman isn’t above mocking himself, as he does for becoming an inveterate pothead and cocaine user. “I should go into the Guinness Book of World Records for being the only person who put on weight while being a cocaine addict,” he writes.

There are stories about how a misunderstanding over an unpaid bill with Barbra Streisand left him shaken for days and the time he insulted Harry Connick Jr. (Both would later reconcile.)

Then there was the time he found himself dressed in an ostentatious powder-blue suit and feather boa alongside Matt Stone and Trey Parker on a red carpet for “South Park: Bigger, Longer & Uncut” — they were dressed as Gwyneth Paltrow and Jennifer Lopez.

One lesson from Shaiman: ‘Show up’

One lesson Shaiman hopes to teach aspiring artists is to go for it: “What you can do is show up. Show up to everything. Say yes to everything because I’m a good example of that.”

He tells the story of Midler organizing a world tour and offering his services but being told she was only hiring local Los Angeles people. So he withdrew all his money from the bank, hopped on a flight from New York and called her from a phone booth: “I’m in L.A. Where’s rehearsal?”

“Even if you don’t get the job, keep your spirit up because someone in that room is going to remember you for another thing. That’s the thing I think to really learn from the book,” he says.

As a sign of Shaiman’s pull on Broadway, the audiobook will feature performances by Crystal, Short, Matthew Broderick, Megan Hilty, Nathan Lane, Katharine McPhee and Ben Whishaw, among others.

“I had included a lot of lyrics in the book and then I suddenly realized, ‘What, am I going to sing them all or speak them all?’ So I started calling friends, some who had sung those songs and some who had sung the demos,” he says.

Crystal met Shaiman at “Saturday Night Live” and quickly hit it off. In a separate interview, Crystal called his friend funny and quick to improvise, with an almost photographic memory of music.

“Look at his range: From ‘Misery’ to the beautiful score from ‘The American President.’ And I brought him in on ‘61(asterisk)’ and then the ‘Mr. Saturday Night’ score,” Crystal says. “He’s just so uniquely talented as an artist.”

Despite being a Tony Award winner in 2003 with “Hairspray” and earning two other nominations for “Catch Me If You Can” in 2011 and “Some Like It Hot” in 2023, Shaiman is flustered by Broadway.

His last two shows — “Smash” and “Some Like It Hot” — earned great reviews but closed early, a victim of high costs and fickle audiences.

“I wish the shows kind of stunk and I could go, ‘Oh, man, that really stunk. People are really not liking this,’” he says. “But when they’re enjoying it?”

Shaiman really has nothing else to prove and yet he laughs that his skin has gotten thinner — not thicker — over the years. He’d like to take it easy, but that’s not what Eeyores do.

“I don’t know how well I’ll actually do with retirement, but I’d like to give it a try.”

By Gretchen McKay, Pittsburgh Post-Gazette

Woe to the cookie, cake or waffle lover who discovers, often after years of stomach upset, fatigue and skin issues, that the culprit of their health issues is gluten, the protein found in grains like wheat, barley and rye.

Most everything you find in a bakery, grocery store cookie aisle or on the sweet side of a breakfast menu is made with flour. Which means that those with gluten sensitivities or allergies are often out of luck when it comes to sweet treats.

One of my sons has celiac disease so I’m always on the lookout for gluten-free products that don’t include hidden sources of gluten such as soy sauce or malt vinegar and actually taste good, or at least good enough to justify the high cost. (Gluten-free cereals, pasta and snacks can be up to 139% more expensive than their gluten-containing counterparts, according to the nonprofit Celiac Disease Foundation.)

Dilettoso, a gluten-free baking mix brand founded by Italian nutritionist Stefania Dilettoso in 2024, offers a tasty and super-convenient solution for the home cook.

Made with a blend of finely ground organic whole oat and brown rice flours, organic tapioca starch and natural flavorings, its Amore mixes are low-fat, preservative-free and because no sugar is added, fairly low cal (a serving counts just 120 calories).

For many people, texture is just as important as taste in baked goods. Because these mixes are made with naturally absorbent oat flour, the batter retains its hydration and bakes up light and fluffy. When it comes to breakfast foods, that translates into pancakes and waffles that rise beautifully, with an airy, light interior.

They’re available in three kid-friendly flavors — Choco-Lotta, Bella Berry and Vava Vanilla — and can used to make pancakes and waffles with the addition of water or milk (and an egg, if you want the extra protein). They also can be used as a gluten-free base for cookies, brownies, cakes and muffins with the addition of other ingredients.

One 10-ounce box of the Amore mixes — Italian for “love” — makes around 15 4-inch mini waffles or a half-dozen 7-inch regular waffles.

We tried the Vava Vanilla variety, which like the other mixes is leavened with baking soda and cream of tartar.

My toddler grandson gobbled them down just as quickly as the “regular” pancakes he gets to eat on weekends with my husband and me at Eat’n Park. But the real thumbs up came from my son, who said they were “pretty good” for a gluten-free product.

However, their price means they will probably be reserved for special occasions. They were $13.95 per box on Amazon (or $35 for a three-pack and $49.50 for a six-pack). That’s nearly $2 a waffle or 93 cents per mini waffle.

©2026 PG Publishing Co. Visit at post-gazette.com. Distributed by Tribune Content Agency, LLC.

A Macomb County youngster drowned Friday night at an indoor swimming pool at a facility in northern Oakland County, police said.

According to the Oakland County Sheriff’s Office, the 5-year-old girl from Sterling Heights died about 7:30 p.m. at the Deer Lake Athletic Club on the 600 block of White Lake Road in Independence Township.

The sheriff’s office said detectives are investigating the circumstances surrounding the incident.

Authorities did not release the child’s name.

Sheriff’s officials said additional information will be released as the investigation proceeds.

By Coty M. Davis, Tribune News Service

SAN FRANCISCO — For six years, Detroit Pistons fans have grown accustomed to watching Isaiah Stewart serve as an enforcer and defensive anchor. In the first 46 games of this season, Stewart has elevated his production on defense even more.

He is leading the league’s second-best defense and is currently in the running for several defensive awards. While registering a career-best average of 1.9 blocks per game, Stewart ranks sixth in total rejections with 78. He leads the NBA in defended field-goal percentage at the rim, holding his opponents to 43.0% shooting.

Stewart will be honored with a bobblehead giveaway before the Pistons’ home game against the Brooklyn Nets on Sunday. But the bobblehead won’t feature Stewart defending the rim. Instead, it’s Stewart riding a tractor and dressed in farmer’s overalls.

“This bobblehead represents my love and passion for farming. I have a tractor that I operate and use on my land,” Stewart told The Detroit News. “I’m interested in all different kinds of crops. If my mind isn’t on basketball, my mind is on farming. I am always researching something about farming every single day. I feel like it’s my calling.”

In southern California, Stewart owns two agricultural properties called Paraiso De La Luz, which is Spanish for “Paradise of Light.” His main hub focuses on producing tropical and subtropical fruits such as figs, finger limes, grapes, kumquats, mangos, passion fruit and pomegranates. Two hours down the road, he owns a desert hub that solely produces dates, in partnership with Sam Cobb Farms.

During the offseason, Stewart works diligently on his crops. When the Pistons are in season, however, he relies on his employees and the property manager for daily updates.

“It speaks to his character, his intelligence. He’s a guy who wants to make the world better. He understands what the world needs, in terms of farming and the environment. I think it is amazing,” Jalen Duren said to The Detroit News. “He’s always coming in here, talking about the new cows he’s got, or whatever new trees he planted. I think what he’s doing is great. I’m inspired.”

Stewart’s passion for farming began at his childhood home in Rochester, N.Y. He has fond memories of watching his father, Dela Stewart, tending to the family’s backyard garden. His father grew a variety of vegetables, including cucumbers, greens and tomatoes. Stewart’s favorite part of watching his father was seeing him transform his work into delightful meals.

The hard work that the elder Stewart put into the family garden instilled a strong work ethic in his son, which ultimately helped him reach the NBA. However, he could never have predicted that his efforts would later inspire his son to pursue farming as a second career more than 20 years later.

“He had a garden in our backyard. Every year, as soon as the weather got good enough, he would go back there and clean it up. Uproot everything. Make a fence with sections of different plants,” Stewart said. “I know he is proud of what I am doing. With him being from Jamaica, and his father did it – that is who he got it from – and now, I’m doing it.”

Stewart’s upbringing and passion have laid the groundwork for his farming career as he strives to be a pioneer in the industry.

Black farmers once dominated the agricultural business, but over several decades, the demographic has significantly diminished. As he continues to inspire a generation of NBA hopefuls in Detroit, Stewart hopes his agricultural work will increase the number of Black farmers nationwide.

Stewart intends to sell his harvest in grocery stores one day to provide consumers with high-quality produce. It’s his way of bringing better fruits and vegetables to consumers, who might be missing out because of infrastructure problems some farmers face when trying to deliver their crops to supermarkets.

“My family loves it. They see how invested I am in it and how much I care about it,” Stewart said. “They know what I’m striving to be. I am not doing this for fun. I’m doing it because I want to be one of the best farmers in the world when it is all said and done.”

©2026 The Detroit News. Visit detroitnews.com. Distributed by Tribune Content Agency, LLC.

A 5-year-old Sterling Heights girl drowned Friday at an Independence Township club, according to Oakland County sheriff’s officials.

Police were called shortly after 7:30 p.m. Friday to the Deer Lake Athletic Club, 6167 White Lake Road. The family-athletic club has three pools.

Sheriff’s officials are not releasing the victim’s name at this time. The incident remains under investigation.

BLOOMFIELD HILLS — More often than not, it’s Da’ron Mason that leads the scoring charge for Bloomfield Hills, in triumph or defeat.

But the Black Hawks’ 53-41 victory over Pontiac in front of a packed house Friday night showed why the OAA Blue frontrunners go beyond their star senior.

“This was one of those games, I didn’t have any feel for the stat line, who scored what, who did a good job on the glass,” Black Hawks head coach Brian Canfield said. “It was a full team effort. Then, you look at the book, Carter Hartfield had 17, but everyone else … when Da’ron’s the fourth-leading scorer and you can still pull that game out and win by double-digits, that’s pretty significant for us.”

Mason finished with seven points and was among a handful of Black Hawks who scored between a handful and eight in the win.

“We just came out knowing we had trust in each other,” Mason said of the effort in the second half. “I have trust in all those guys. I’m just glad they trust me to get them that pass. We knew we were the better team and had to show them (Pontiac) that.”

Bloomfield Hills came in on an eight-game winning streak, and the only game during that span decided by fewer than nine points was its 43-42 win in Pontiac on Jan. 9 when the two teams last met.

With the Black Hawks at 5-0 in the league and Pontiac the next-best contender at 3-1 going into the rematch, Friday’s result was going to have major ramifications, and the Phoenix had to feel good about their chances midway through. Caden Covington had two 3-pointers in the first quarter and JJ Claudio knocked down three in the second and had 17 points already by halftime when Pontiac led 29-20.

“I just think we came out with energy, and we executed very well in the first half,” Phoenix head coach Dion Harris said. “I don’t know how many turnovers we had, but we got shots at the basket, hit shots, and didn’t turn it over much in the first half. These kids play well when everything’s going right.”

Canfield and Mason sent a message at the interval, though.

“We knew that we were playing under our skill level, and we felt like we could do more and we had to bring the energy up,” Mason said. “We all came together as a collective and said we needed to play harder, especially on the defensive side. We had to come out and show them that’s what we do, we play 90 full feet.”

Those words of self-affirmation paid dividends, apparently.

A corner triple by Brennan Bies chopped the lead down to just four less than 90 seconds into the third quarter, and Ryan Hunt knocked down 3-pointers just a little over a minute apart, the second of which knotted the contest at 33-33 with 3:34 left in the quarter.

“I think they dame out in the second half, hit the first two threes, and we had to call a timeout,” Harris said. “That took away some of our mojo, our energy, and we didn’t come down and score those first three or four possessions. It’s hard for these guys to come back out of that when they other team goes on a run and we miss consecutive shots. We still don’t know how to play through that.”

The teams were tied at 36 at the end of the third, but the fourth was all Bloomfield Hills (14-2, 6-0). Hartfield and Carter Canfield each connected from distance in the first 48 seconds to force a Pontiac timeout, then Hartfield scored and Hunt got a turnaround jumper to bounce a few times on the iron and fall. A sharp pass into the post by Meyer Saperstein to Canfield capped off a 12-0 run by the Black Hawks with about 3:30 remaining.

Photos of Bloomfield Hills vs. Pontiac in an OAA Blue boys hoops contest

All the while, Pontiac (8-6, 3-2) couldn't buy a make from 3-point range, and its second-half woes from the charity stripe (3 of 10) only made matters worse. The Phoenix only had two points throughout the entire quarter until Claudio (22 points) connected from NBA range with 38 seconds left in regulation.

On the game turning, Coach Canfield said, "I thought the first quarter was back and forth, then they knocked down two threes, and I told guys at the (end of it), 'You won that first quarter, you had played better for a longer period of time, but they just got two threes.' And they continued to make threes. Both teams executed well, but they made perimeter shots, we didn't.

"Da'ron struggled in the first half, and obviously when you have a player of that caliber (struggle), he's such an important part of the team, the team's gonna struggle. The second half, the turnaround was a couple adjustments with spacing against the defensive pressure that gave us some open looks on the perimeter, and we're a really good shooting team, so I didn't think we were going to continue to miss shots like that ... Another big part of that is, early fourth quarter, Da'ron picked up his fourth foul, and after I've just said when a player of that caliber doesn't play well, we need him, but he was on the bench when we went on that run.

"It's been the same story (for our team). They've been in close games for a half our so, sometimes three quarters, but at some point in fourth quarters, we've been able to tighten up the defense, secure rebounds and pull out the win."

Asked whether he believed the circumstances contributed to how his team performed down the stretch, Harris replied, "Absolutely. I think that added pressure, it effected us. I don't want to say we can't play under pressure but we've had three opportunities (against Avondale, Pershing and now Bloomfield Hills) to make statements in games, and we need better leadership out on the floor so we can overcome those moments where things aren't going right ... We have about a month left before state starts and we have to focus all our energy on getting better at what we need to do to make a playoff run now."

Even with the win, Coach Canfield wasn't about to declare the OAA Blue as belonging to the Black Hawks, who continue their second go-around against league opponents on Feb. 6 against Troy. "Look, we have a two-game lead with four games left for us, but I've done this long enough to know I'm not counting on anything until it's final," he said. "And for us, it is just one game at a time. Anybody in our league can beat anybody, but our goal is to be the best team we can be regardless of the record, and in order for us to do that, we have to win the next game."

The Ark experimented with the format of its annual Ann Arbor Folk Festival on Friday night, Jan. 30, at Hill Auditorium.

And in Greensky Bluegrass, it couldn’t have found a better band to do that with.

For the first night of the 49th annual incarnation of the Ark’s largest fundraising event, the festival eschewed the usual multi-act bill (six will be part of the lineup on Saturday. Jan. 30) with truncated sets and presented a more traditional headliner-with-opening act (Junior Brown). That allowed Greensky, formed more than 25 years ago in Kalamazoo, to do what it does best — take a couple hours and stretch out, mixing tight songcraft with improvisational daring do, its five members improvising and dancing around expansive song arrangements.

It’s certainly worked for the group, whose plugged-in approach with acoustic instruments has made it one of the darlings of the nu (blue)grass world and a large-venue headliner around the world.

But the Greenskyers were clearly stoked to be playing their first Folk Festival, as well as returning to Ann Arbor for the first time since 2013; dobro player Anders Beck told the audience that the group, which headlined at the Fillmore Detroit last August, was actually planned to not play shows this winter and instead focus on making a new album, but that the Folk Festival was a gig on the band’s bucket list.

“It’s good to be playing Greensky Music in Michigan,” he noted.

The troupe’s two-hour, 16-song set certainly reflected that feeling as well as the sea change in approach for the festival, with many Greensky faithful standing throughout while some mainstays noticeably drifted out during the show.

Following a characteristically fiery set from country singer-guitarist Brown — an Ark regular resplendent in his suit and cowboy hat and dazzling as always on his hybrid “guit-steel” double-neck guitar — Greensky set the tone with a fast-paced “Past My Prime,” with mandolinist Paul Hoffman singing and the Beck picking through the first of his many solos during the night and the band’s custom light show immersing itself onto Hill’s walls and ceilings. But the set hit stride as the next three songs — “Monument,” “Streetlight” and a warp-speed “Burn Them” — flowed into each other, their sturdy melodies giving way to improvisational forays by Beck, Hoffman, guitarist-vocalist Dave Bruzza and banjoist Michael Bont, while Mike Devol held things together on his bass.

Likely takeaways for Greensky fans were epic, extended performances of “Whatchoo,”the Traveling Wilburys “Handle With Care” and “Don’t Lie,” as well the dobro-mandolin exchange during “Weather,” a particularly emotive “Windshield” and a playful romp through “Fixin’ to Ruin.” The group also covered fellow Michigander Billy Strings’ “While I’m Waiting Here,” and it encored with appropriate version of Jerry Garcia and David Grisman’s “Drink Up and Go Home.”

Whether it was a successful start for the festival will be the subject of review and discussion in days to come. But, no question, it was another successful — and more than that, really — night with an undeniably upper-strata live act.

The Ark’s 49th Ann Arbor Folk Festival concludes at 7 p.m. Saturday,. Jan. 31 at Hill Auditorium, 825 N. University Ave., Ann Arbor. Amos Lee, Dawes, the Crane Wives, Jon Muq, Rabbitolgy and emcee Ryan Montbleau perform. 734-761-1800 or theark.org.

By HILLEL ITALIE

NEW YORK (AP) — From her house up high in Colorado’s Elk Mountains, author Shelley Read can only look out in amazement at the worldwide success of her debut novel, “Go as a River.”

“There were upward of 30 translations already secured before the novel was introduced in the U.S.,” says Read, a fifth-generation Coloradan who lives with her husband in Crested Butte, in a home they built themselves. “And that is when I was like, ‘Oh my goodness.’ It’s thrilling, scary, magnificent.”

Published in 2023 by Spiegel & Grau, “Go as a River” received little major review attention beyond trade publications when first released and its honors are mostly regional, including a High Plains Book Award and a Reading the West Book Award. But her novel has been a hit in the U.S. and well beyond, appearing on bestseller lists everywhere from North America to Scandinavia and selling more than 1 million copies. Mazur Kaplan, co-founded by producer Paula Mazur and independent book seller Mitchell Kaplan, is working on a film adaptation. Eliza Hittman, whose credits include the award-winning “Never Rarely Sometimes Only,” is expected to direct.

Read’s 300-page novel spans from the 1940s to the 1970s, and centers on a 17-year-old Colorado farm girl’s ill-fated romance with an itinerant Indigenous man and how it haunts and changes lives for decades to come. “Go as a River” proves that some books can break through without high-profile endorsements or author name recognition. It also adds the 61-year-old Read to a special list of first-time authors — from Frank McCourt to Louis Begley — middle aged or older who finally get around to that book they had been meaning to write and receive wide acclaim.

“What she’s done is unusual,” says Spiegel & Grau co-founder Cindy Spiegel. “Every now and then someone comes along who has a vision that they’ve held for many, many years and they really do write it down. Most people don’t.”

A native of Colorado Springs, Read is a graduate of the University of Denver who has a master’s degree from Temple University’s creative writing program. She is a longtime educator who parsed and absorbed so many books, with works by Virginia Woolf and Czeslaw Milosz among her favorites, that one of her own inevitably came out on the other end.

A teacher with a story of her own

For nearly three decades, she taught writing and literature among other subjects at Western Colorado University. During that time, a character kept turning up in her thoughts, the germ of what became her novel’s protagonist, Victoria Nash. There was something about Victoria, an empathetic quality, Read related to. But she had her career and two young children, and “was just trying to keep my head above water as a super busy mom and with a lot of very intense challenges.”

With Victoria unwilling to leave her be, Read began jotting down notes on Post-its, napkins and other papers that might be around. With her husband’s encouragement, she took early retirement and committed to completing her book. She had written stories in her early years, but had never attempted a full-length narrative.

“I had no idea where it was going. I had no intentions about where it was going, because I had never written a novel before,” Read says, speaking via Zoom from her home. “Once I figured out this was going to be a novel, I was like, ‘Oh no!’ I have studied novels thousands of times throughout my life, but I never even considered that I would write one.”

Read stepped down in 2018 and by the following year had finished a manuscript, drawn in part from such historical events as a 1960s flood in Iola, Colorado, and from her lifelong affinity for the local landscape. First-time authors of any age struggle to find representation, but during a 2017 writers conference at Western Colorado University, Read had met Sandra Bond, a Denver-based agent. A “Colorado girl,” Bond calls herself.

“We hit it off immediately,” Bond says. “We have very similar backgrounds in growing up in Colorado.”

Writing is rewriting

Read’s manuscript “knocked my socks off,” Bond remembers, but it wasn’t an easy sell. The second half of the book “didn’t quite meet the standards of the first” and Bond didn’t have the editing skills to fix it. “Go as a River” was turned down by 21 publishers before Spiegel signed it up. Spiegel & Grau, which began as a Penguin Random House imprint and reopened in 2020 as an independent a year after PRH shut it down amid a corporate reorganization, has worked with authors ranging from Ta-Nehisi Coates and Sara Gruen to Iain Pears and Kathryn Stockett.

“I had a feeling Cindy might be able to see how to guide Shelley in revising the second half — what was really working and what wasn’t and why,” Bond says.

Spiegel and Read worked on revisions — the finished version is entirely from Victoria’s perspective; the original draft shifted narrators midway. Meanwhile, the publisher showed the manuscript to the international agent Susanna Lea, who “read it one sitting” and quickly arranged for meetings with foreign publishers. It was mid-July, and she remembers tracking down publishers in Norway and Finland and other parts of Scandinavia at a time of year when book executives usually are on vacation.

“Suddenly, they were all reachable,” she says.

Read is working on a second novel, set in southeastern Colorado, where her homesteader-grandparents lived. Meanwhile, royalties from “Go as a River” allowed her a few indulgences, from installing solar panels on her house to a little travel, not to mention paying off college tuition for her son and building up the family retirement savings.

“Not too sexy,” she acknowledges. “We’re still do-it-yourselfers, & I still drive an old Toyota pickup. The main thing about the royalties is that I get to be a writer for a living, and that is a dream come true.”

By Ted Kulfan, Tribune News Service

DETROIT – After the magic of the evening had faded, after all the history of the moment had soaked in, Patrick Kane was ready to put it in the background.

Kane achieved history in Thursday’s 4-3 shootout loss to Washington, assisting on Ben Chiarot’s second-period goal. Kane passed Westland’s Mike Modano with 1,375 points, making the Hall of Fame-bound Buffalo native the NHL all-time leader in points among U.S.-born players.

The Wings knew Kane was going to break the record eventually. It was just a matter of time. But in Kane’s estimation, it was nice to finally get the record, and now concentrate on what the Wings can accomplish the rest of the season. The Wings are among the top teams in the Eastern Conference and poised to break their nine-year playoff drought.

“It’s nice to have it over with in some ways,” Kane said. “Just kind of worry about the rest of the season, and what we can accomplish as a team and hopefully go do something special as a group. At the start of the season there’s a lot of attention and talk about 500 goals and possibly getting this record.

“So, it’s nice to get there, be done with it and move on.”

Kane scored goal No. 500, another impressive milestone, Jan. 8 against Vancouver, also at Little Caesars Arena.

That was an exciting moment for Red Wings fans. But Thursday night might have been even more special.

“One of those hockey moments that you’ll remember where you were when he got it, if you’re a big fan of Patrick Kane or you’re part of our team,” coach Todd McLellan said. “Now he can just move on and stack numbers on top of that number. But you have to work hard to get it and we’re all happy for him.”

On the record-smashing play Thursday, a nice passing play, Kane found Alex DeBrincat, who set up Chiarot for a one-timer.

“Great play all-around,” Kane said. “(Andrew Copp) Copper pulling up, hitting me with some speed, hitting Cat, pulling up and hitting the late guy. Copper gets to the net and a great shot by Benny.”

Kane’s teammates streamed onto the ice and mobbed him. The LCA crowd, which gravitated toward Kane as soon as he signed with the Wings in 2023, erupted in cheers.

“Incredible for him and his family and really special to just be able to witness that live,” captain Dylan Larkin said. “I know a lot of those points were in Chicago (that Kane scored), but to see how our fans have embraced him and how he’s embraced our city is really special and says a lot about how much he loves the game. No matter where he’s playing, if people appreciate him, he’s going to give love back to them.”

The depth of the moment, the history of it all, wasn’t lost on Kane’s teammates.

“It’s hard to really grasp how special it is,” said DeBrincat, a long time teammate of Kane’s in Chicago and now in Detroit. “A lot of people have known he’s going to hit it (get the record) and is one of the best American players to ever play, and we knew that before tonight.

“But it is special to pass Modano. He’s been working hard for it, so he deserves it. It’s part of what makes him special.”

Kane looked to set the record in the first period, setting up DeBrincat for a goal. But video confirmed both players looked to be offside, erasing the goal.

“Pretty crazy the way you think you have it and then it comes back for offside,” Kane said. “I don’t think many of us knew it was offside on the ice, but there was a feeling something was going on when the guys didn’t come from the bench.”

Kane has long been an American player that U.S. youngsters have gravitated to because of his offensive wizardry and team success with the Blackhawks (three Stanley Cups). Thursday’s record was another watershed moment in an impactful career.

“Throughout my career, there’s been some American guys that have come up to me and said some really nice things, some younger guys that appreciated the way I played when I was younger and they were younger and I was a guy they looked up to,” Kane said. “(It’s) pretty cool to hear that when it’s something you’re not really expecting.”

Kane also appreciated a video message Modano supplied that was broadcast during the next timeout after Kane set the points record.

“He’s one of the best American players of all time,” Kane said of Modano. “He’s a guy I looked up to a lot when I was younger. I remember the moment he passed Phil Housley in San Jose on a breakaway goal, and to see him up there (on the scoreboard), as a former Red Wing too, sending a message like that was pretty classy.”

Kane, 37, didn’t immediately delve into his future, other than focusing on the Wings’ potential the rest of this season. He’s playing this season on a one-year, $3 million contract. But it’s extremely likely Kane will play at least one more season, given his success this season.

“He’s still got it,” DeBrincat said. “He’s still one of the smartest players I’ve ever played with, and obviously the skill is there. As long as he wants to go, he’s going to be able to go and be a difference-maker in the league for a while.”

Top of the charts

Most NHL points by U.S.-born players:

Patrick Kane: 1,375

Mike Modano: 1,374

Phil Housley: 1,232

Jeremy Roenick: 1,216

Joe Pavelski: 1,068

Note: Brett Hull (1,391 points) was born in Canada but represented the U.S. in international events.

©2026 The Detroit News. Visit detroitnews.com. Distributed by Tribune Content Agency, LLC.

By Gretchen McKay, Pittsburgh Post-Gazette

PITTSBURGH — Still suffering from a post-holiday drag? After the fun of Christmas and New Year’s, it’s completely understandable if you’re having a hard time snapping back into a routine.

The fact that it’s still getting light too late and dark too early — we won’t set our clocks forward for spring until March 8 — only adds to the funk that is a Western Pennsylvania winter, marked by gray skies, a freezing mix of snow and rain and slushy sidewalks.

After a steady diet of festive desserts, rich and hearty sides and too much alcohol, “everyday” cooking might feel daunting on a busy weeknight. A relaxed holiday schedule has left many of us out of practice in getting dinners on the table at a set time. And if you’ve over-indulged over the past few weeks, you might be trying to eat less to shed those extra holiday pounds.

We get it. It can be tough to get back on track and re-establish home cooking habits, especially when the frozen dinner aisle and takeout make it so easy to compromise. That’s why it’s often best to start the process with baby steps — simple meals that don’t call for lots of ingredients or take too much time (or effort) start to finish.

To help inspire you, we’ve assembled five flavorful recipes that each require no more than six everyday ingredients and only take about a half hour to prepare on the stovetop.

Don’t love washing pans? Me either! All of the following are made and served from a single skillet, guaranteeing easy cleanup.

There is a slight catch: All five dishes assume you have kitchen staples like vegetable oil or extra-virgin olive oil, salt and pepper, garlic cloves, unsalted butter, sugar and various spices already on hand.

All prove, however, that sometimes the simplest dinners are the best ones, and they don’t have to be boring.

Easy Lemon Chicken

PG tested

I’ve made this dish for my family too many times to count, and still it’s a favorite. You can use less butter if you’re trying to cut down on fat and calories. For a gluten-free dish, dust the chicken in cornstarch or almond flour instead of all-purpose flour.

I think it’s best on rice, but kids love their noodles!

2 whole chicken breasts, boned, skinned and halved

4 tablespoons butter, divided

2 tablespoons olive oil

1 1/2 cups unbleached flour

Salt and pepper

2 lemons

Chopped fresh parsley

Cooked rice or noodles, for serving

Wash and dry chicken breasts. Pound them flat between two pieces of waxed paper or inside a resealable plastic bag with a mallet or rolling pin.

Melt 2 tablespoons butter and oil in a large skillet over medium heat. Pour flour in a plastic bag, season with salt and pepper, and drop the breasts in to coat. Shake off excess flour.

Turn heat up to moderately high and put chicken breasts in the skillet. Depending on how thin you’ve pounded them, they should cook approximately 3 minutes on each side or until cooked through and still tender. When they’re done, season with salt and pepper, remove to a plate and set aside while you make the sauce.

Add 2 remaining tablespoons of butter to the chicken skillet and melt, scraping up brown bits in the pan.

Juice 1 lemon and slice the other. Add juice and lemon slices to skillet and cook until bubbly, then return chicken to the pan, spooning sauce over. Garnish with fresh parsley.

Serve with rice or cooked noodles.

Serves 4.

— Gretchen McKay, Post-Gazette

Rigatoni with Tomato Cream Sauce

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Nothing is more comforting in winter than a bowl of pasta with red sauce. Here, crushed tomatoes simmer with cream and grated Parmesan to create a super-fast super-savory sauce for rigatoni. Add a simple green salad and loaf of crusty Italian bread for a complete meal.

6 tablespoons unsalted butter

1 (28-ounce) can whole San Marzano tomatoes

1/2 cup heavy cream

1 tablespoon concentrated tomato paste

1/3 cup grated Parmesan cheese, plus more for serving

Salt, to taste

Red pepper flakes, to taste

4 cups cooked rigatoni or penne noodles

In a deep skillet, heat butter until melted.

Add tomatoes to pan, crushing them with a fork or potato masher. Simmer, stirring often, until the tomatoes have broken down, about 10 minutes. Season to taste with salt.

Stir in heavy cream and tomato paste and cook until the sauce thickens slightly, about 3 minutes. Stir in Parmesan cheese and toss to combine. Taste, add salt and, if you like some spice, a few pinches of red pepper flakes.

Add cooked pasta to pan and toss to combine.

Serve in warmed bowls, with extra Parmesan cheese.

Serves 4.

— Gretchen McKay, Post-Gazette

Pork and Coconut Pineapple Rice

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If there ever was a marriage made in culinary heaven, it has to be pork and pineapple. This easy recipe pairs bite-sized chunks of sweet, juicy pineapple with tender bites of teriyaki-marinated pork tenderloin. The combo is piled high on a bed of creamy, equally tropical coconut rice.

For pork

1/4 – 1/2 cup teriyaki sauce

1 pound pork tenderloin, cut into bite-sized chunks

20-ounce can pineapple chunks, drained, or 1 fresh pineapple, peeled, cored and cubed

Olive oil, for sauteing

For rice

2 cups jasmine rice

1 (14-ounce) can unsweetened full-fat coconut milk

1 1/2 cups water

1 teaspoon salt

Generous pinch of sugar

Chopped cilantro, for garnish

Marinate pork in 1/4 cup of teriyaki sauce for 2-3 hours or overnight.

Rinse rice in several changes of cold water until the water runs clear. Use a large fine-mesh sieve to drain any remaining water and place rice in a pot.

Add coconut milk, water, salt and sugar. Bring the mixture to a boil over high heat.

Once it starts to boil, turn the heat down to low, cover and cook for 20 minutes. Uncover and continue to cook for 5 minutes, then fluff and cover to keep warm.

While rice is cooking, prepare pork. Heat 1 tablespoon olive oil in a nonstick skillet or grill pan over medium-high heat. Add pork, discarding the excess sauce. If you add all the sauce with it, it will steam the meat instead of caramelizing it.

Leave pork undisturbed in the hot pan for a few minutes to get better caramelization. Throw in pineapple and cook for 2-3 minutes so it gets saucy and caramelized, too. If desired, add a few additional tablespoons of sauce after everything is brown.

Portion cooked rice into bowls and top with a scoop or two of the saucy pineapple pork. Finish with chopped cilantro and slices of pickled jalapeño, if you happen to have any in the fridge.

Serves 4.

— Adapted from pinchofyum.com

Skillet Tortellini with Sausage and Cherry Tomatoes

PG tested

Tortellini are great for last-minute meals because they are so easy to cook and go with many different sauces. In this recipe, they are cooked directly in the pan with sweet Italian sausage along with sweet cherry or grape tomatoes.

The original recipe calls for dried tortellini, but I substituted frozen pasta. Fresh basil adds both color and freshness. If you have some grated Parmesan in the fridge, add that, too, for a cheesy finish.

1 pound bulk sweet or hot Italian sausage

2 garlic cloves, sliced thin

12 ounces frozen cheese tortellini

1 pint cherry or grape tomatoes, halved

2 tablespoons chopped fresh basil

Heat 1 tablespoon olive oil in a 12-inch skillet over medium heat until shimmering.

Add sausage and cook, breaking up meat with wooden spoon, until no longer pink, about 4 minutes.

Add garlic and cook until fragrant, about 30 seconds. Add 1 cup water, tortellini and a pinch of salt and bring to boil.

Reduce heat to medium and simmer, stirring occasionally, until pasta is tender, about 10-12 minutes.

Stir in tomatoes and cook until slightly softened, about 2 minutes. Season with salt and pepper to taste, drizzle with olive oil to taste and sprinkle with basil.

Serves 4.

— Adapted from “Five Ingredient Dinners” by America’s Test Kitchen

Single-Seared Garlic Shrimp Tacos

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Tacos are a welcome weeknight meal because they don’t take a lot of time or effort. These feature quick marinated shrimp and an easy green cabbage slaw. They’re simple but super satisfying.

Both flour and corn tortillas work; just be sure to warm them on a hot skillet or in the microwave before stuffing them with shrimp and cabbage to keep them pliable.

2 limes

Salt and pepper

2 cups thinly sliced cabbage

1/2 small red onion

4 teaspoons, plus 1 tablespoon extra-virgin olive oil, divided

3 garlic cloves, minced

1 1/2 teaspoons chili powder

24 large shrimp (about 1-1 1/2 pounds), peeled, deveined and patted dry

1 bunch fresh cilantro, roughly chopped (about 1/2 cup)

8 corn or flour tortillas, warmed in a microwave or on a hot skillet

In large bowl, whisk juice from 1 lime, 1 teaspoon salt and 1/4 teaspoon pepper.

Mix in cabbage and onion. Set aside, tossing occasionally, while you prepare the shrimp.

In medium bowl, stir together 2 teaspoons oil, half the minced garlic, chili powder, 1 teaspoon salt and 1/2 teaspoon pepper. Add shrimp and stir to combine. Allow to marinate for 5 minutes.

In a 12-inch nonstick skillet over medium-high, heat 1 teaspoon of oil until shimmering.

Add half the shrimp in an even layer and cook, undisturbed, until deep golden brown on the bottoms, about 2 minutes. Stir, then transfer to plate.

Repeat with another 1 teaspoon oil and the remaining shrimp, but leave shrimp in pan. Return first batch to pan.

Add remaining minced garlic; cook over medium, stirring, until the shrimp are opaque throughout, about 1 minute.

Transfer to a clean plate or bowl.

Add remaining 1 tablespoon oil and cilantro to the cabbage mixture and toss to combine. Season to taste with salt and pepper.

Divide the shrimp among the tortillas (3 to each), top with cabbage mixture and serve with lime wedges.

Serves 4.

— Adapted from “Milk Street Shorts: Recipes That Pack a Punch” by Christopher Kimball

©2026 PG Publishing Co. Visit at post-gazette.com. Distributed by Tribune Content Agency, LLC.

Boston University researchers in a groundbreaking study found that those with CTE have a much higher chance of being diagnosed with dementia.

The largest study of its kind from the Boston University CTE Center reveals that the progressive brain disease chronic traumatic encephalopathy should be recognized as a new cause of dementia.

The BU researchers discovered that those with advanced CTE — who had been exposed to repetitive head impacts — had four times higher odds of having dementia.

“This study provides evidence of a robust association between CTE and dementia as well as cognitive symptoms, supporting our suspicions of CTE being a possible cause of dementia,” said Michael Alosco, associate professor of neurology at Boston University Chobanian and Avedisian School of Medicine.

“Establishing that cognitive symptoms and dementia are outcomes of CTE moves us closer to being able to accurately detect and diagnose CTE during life, which is urgently needed,” added Alosco, who’s the co-director of clinical research at the BU CTE Center.

The researchers studied 614 brain donors who had been exposed to repetitive head impacts, primarily contact sport athletes.

By isolating 366 brain donors who had CTE alone, compared to 248 donors without CTE, researchers found that those with the most advanced form of CTE had four times increased odds of having dementia.

The four times odds are similar to the strength of the relationship between dementia and advanced Alzheimer’s disease pathology, which is the leading cause of dementia.

Dementia is a clinical syndrome that refers to impairments in thinking and memory, in addition to trouble with performing tasks of daily living like driving and managing finances. Alzheimer’s disease is the leading cause, but there are several other progressive brain diseases listed as causes of dementia that are collectively referred to as Alzheimer’s disease related dementias (ADRD).

With this new study, the authors argue that CTE should now also be formally considered an ADRD.

The study also reveals that dementia due to CTE is often misdiagnosed during life as Alzheimer’s disease, or not diagnosed at all. Among those who received a dementia diagnosis during life, 40% were told they had Alzheimer’s disease despite showing no evidence of Alzheimer’s disease at autopsy. An additional 38% were told the causes of their loved one’s dementia was “unknown” or could not be specified.

In addition, this study addressed the controversial viewpoint expressed by some clinicians and researchers that CTE has no clinical symptoms. As recently as 2022, clinicians and researchers affiliated with the Concussion in Sport Group meeting, which was underwritten by international professional sports organizations, claimed, “It is not known whether CTE causes specific neurological or psychiatric problems.”

Alosco said, “There is a viewpoint out there that CTE is a benign brain disease; this is the opposite of the experience of most patients and families. Evidence from this study shows CTE has a significant impact on people’s lives, and now we need to accelerate efforts to distinguish CTE from Alzheimer’s disease and other causes of dementia during life.”

As expected, the study did not find associations with dementia or cognition for low-stage CTE.

The BU CTE Center is an independent academic research center at the Boston University Avedisian and Chobanian School of Medicine. It conducts pathological, clinical and molecular research on CTE and other long-term consequences of repetitive brain trauma in athletes and military personnel.