The Detroit Jazz Festival is a weekend I’ve looked forward to since I moved to Michigan in 2017. Back then, I was about to start my master’s degree within the Jazz & Contemporary Improvisation Department at the University of Michigan in Ann Arbor. That year’s Artist-in-Residence was Wayne Shorter, and I was fortunate enough to sit front row for the performance with him, esperanza spalding, Terri Lyne Carrington and Leo Genovese at the Carhartt Amphitheater Stage in Hart Plaza. The performance turned into a live album that was nominated for a Grammy for Best Jazz Instrumental Album. I was hooked on every note and on every space Wayne left.

That was my introduction to the Detroit Jazz Festival. Nine years later, I’m still coming back.

The Detroit Jazz Festival turns 47 this year, and it’s still free, still the largest jazz festival of its kind in the world, and still happening over Labor Day weekend. Saxophonist Joe Lovano is this year’s artist-in-residence, and his throughline runs across all four days. Here’s where to plant yourself.

Friday, September 4

M.E.B., formerly known as Miles Electric Band, kicks off the weekend at 7 p.m. on the Carhartt Amphitheater Stage. The group carries forward the electric, groove-driven side of Miles Davis’s catalog, and it’s the right register to open a festival on: loose, funky, and loud enough to pull people into Hart Plaza.

Opening night belongs to Joe Lovano’s Paramount Quartet at 9:15 p.m. on the Carhartt stage. Lovano is joined by guitarist Julian Lage, bassist Asante Santi Debriano, and drummer Will Calhoun. Lage in particular has been showing up everywhere lately, and this quartet is a good first look at how the residency will unfold over the weekend.

Stick around for Tia Fuller and Shamie Fuller-Royston: Fuller Sound, a Midtown After Hours special at 10:45 p.m. in the Jazz Hall. The Fuller sisters have now released two volumes of music. Hearing sisters who each found a love for music and jazz come together and perform as a duo will be such a special gift.  

Saturday, September 5

Get there early for Borderland Ensemble at 3:15 p.m. on the JPMorganChase Stage. Trumpeter Austin Di Pietro leads this Windsor-Detroit collective, and their debut album, “Live at Mackenzie Hall Jazz,” released this July, is worth adding to your listening queue even if you can’t make the early set. They’re the kind of regional group you can catch live throughout the year. 

At 4:45 p.m. on the Carhartt stage, the African Rhythms Alumni Quintet celebrates the centennial of Randy Weston, led by T.K. Blue on saxophone and flute alongside Chief Baba Neil Clarke. Blue was a longtime musical director and collaborator of Weston’s, and this set is really a continuation of that relationship rather than a tribute from a distance. Weston’s own music, deep grooves and African-diasporic sensibilities, is worth revisiting beforehand if you don’t already know it well.

At 7 p.m., same stage, it’s the Ravi Coltrane Quartet: Centennial Celebration, marking 100 years since John Coltrane’s birth. Ravi has spent decades stepping in and out of his father’s shadow on his own terms, and a centennial set from him carries more weight than most tribute programming manages to do.

Round out the day with Bob James at 8:45 p.m. on the JPMorganChase Stage, ARTEMIS at 9 p.m. on the Waterfront Stage, and, if you’re up for a late one, the Delvon Lamarr Organ Trio at 10:45 p.m. in the Jazz Hall.

James is CTI-era smooth-to-funky keys, still recording; ARTEMIS is the all-star lineup of Renee Rosnes, Ingrid Jensen, Nicole Glover, Noriko Ueda, and Allison Miller, playing with the kind of interplay that only comes from years together; and Delvon Lamarr’s organ trio will be the musical nightcap you didn’t know you needed.

Sunday, September 6

The early afternoon has two homegrown acts. At 3 p.m. on the Carhartt stage, The Search: Echoes of the Fallen carries on the songbook of the late Karim Tabu Gideon, a tribute band born out of loss and built to keep the lineage of Karim, Teddy Harris, Harold McKinney, and Marcus Belgrave alive. This group doesn’t have any recorded music yet, but it’s worth digging into their source material beforehand.

Fifteen minutes later on the JPMorganChase Stage, the Dave Sharp Worlds Quartet marks a decade together blending oud, violin, and world percussion into their own strain of globally minded jazz. Both are regional acts worth following well beyond this one weekend.

Lovano returns at 7 p.m. on the Carhartt stage with the Dave Douglas Quintet: Sound Prints, featuring Lawrence Fields, Yasushi Nakamura, and Rudy Royston. Lovano and Douglas have been running this project for over a decade now, built explicitly on Wayne Shorter’s compositional language.

At 5:20 p.m. on the Waterfront Stage, Detroit bassist Jaribu Shahid is this year’s Legacy Artist, presenting a Salute to the AACM. Shahid’s roots run through Griot Galaxy and the Detroit strain of the Association for the Advancement of Creative Musicians, and having him recognized on a festival stage in his own city is the kind of moment local audiences wait for.

Later, at 8:45 p.m. on the JPMorganChase Stage, Dee Dee Bridgewater and Bill Charlap offer something gentler: a vocalist and pianist working the Great American Songbook.

Closing the Waterfront Stage at 9:10 p.m., the Vijay Iyer Trio brings special guest trumpeter Adam O’Farrill. Iyer’s trio work treats rhythm almost mathematically without losing feel, and that tension is worth catching live.

Elsewhere on Sunday: Gabrielle Cavassa at 4:45 p.m. (Carhartt) is a vocalist worth discovering early if you haven’t yet. Catherine Russell at 4:45 p.m. (JPMorganChase) and Sequoia “Redwood” Snyder and Inner Knowing at 6:45 p.m. (JPMorganChase) round out that stage’s afternoon. Take 6 at 9:15 p.m. (Carhartt) brings vocal harmony that needs no instruments at all. Finally, Nduduzo Makhathini closes the night at 10:45 p.m. in the Jazz Hall, the South African pianist whose Blue Note work carries an unmistakable Ornette Coleman-inflected spirituality.

Monday, September 7

Get to the JPMorganChase Stage early for Teiku at 1:45 p.m. Chicago pianist Josh Harlow and Detroit percussionist Jonathan Barahal Taylor built this project around Jewish Passover melodies passed down in both their families, arranged as vehicles for improvisation. Bassist Jaribu Shahid holds down the bottom end here too, the day after his own Legacy Artist recognition. I spent a lot of time with their 2026 album, Klang, writing the liner notes for it, and I’ve seen them perform several times since. It’s a small, close-listening group worth catching before the bigger stages take over the evening.

The festival closes its Lovano residency the way it should: at 6 p.m. on the Carhartt stage, Coltrane 100 brings Lovano together with Melissa Aldana, Nduduzo Makhathini, Linda May Han Oh, and Jeff “Tain” Watts for “Both Directions at Once,” built around John Coltrane’s centennial. Four days of Lovano popping up in different configurations lands here, with a band deep enough to do the material justice.

At 5 p.m. on the Waterfront Stage, Ron Carter & Foursight send the weekend off. Carter remains the most recorded bassist in jazz history, and Foursight is his current working group, still finding new corners in standard repertoire after all these decades.

Also worth catching Monday: Cindy Blackman Santana at 4 p.m. (Carhartt), whose drumming carries as much rock force as jazz precision; Roberta Gambarini with the Detroit Jazz Festival Orchestra at 3:30 p.m. (JPMorganChase), a big-band frame for one of the most technically fluent vocalists on the scene; and the Joey Alexander Trio at 5:15 p.m. (JPMorganChase), the young pianist who keeps outgrowing the “prodigy” label attached to him years ago.

Four days, four stages, and it’s all free. See you at Hart Plaza!

Use the playlist below—curated by Visions host Kaleigh Wilder—to preview some of this year’s artist and get in the groove on your way to Detroit JazzFest.